Lute Figurative Prints

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

They pretend to sleep is a contemporary artwork realized by Leo Guida in 1975 Black and white etching. Hand signed, dated, and titled on the lower margin. Original title: Fingono ...

Comment Tristan but le Philtre d'Amour is an original lithograph realized after Aubrey Beardsley in 1970. The drawing is part of a 1970 "Eyes Open" edition of "Les Erotiques de Bea...

Actualités, Hiver is an amusing satirical illustration by the French illustrator and caricaturist, Cham (alias Count Amédée de Noé, 1818-1879) realized in 1882. Beautiful Hand-color...

"Milla pink Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...