Road Figurative Prints

This artwork titled " New England Tamarack" c.1980 is an original color lithograph with embossing on wove paper by noted British artist Tessa Beaver, 1932...

Palace of the Queen Mother in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good ...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Bridge in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Underpass is original xylography realized by an anonymous artist of the XX century, hand-signed, unreadable. The State of preservation is good. The artwork represents the underpass...

Convento di PP. Francescani del Terzo Ordine is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. ...

Uses and Customs - Saint Carlo Theatre in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower r...

Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower r...

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Ladies of the Islands of Tina is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gover...

G. B. Piranesi, Veduta del Porto di Ripa Grande (View of the port of Ripa Grande) Etching, Burin and Drypoint on fine watermarked paper (with lily watermarked). Signed on plate lower-right: “G.B. Piranesi Architetto fec.”. 2nd State/ VI (Hind 27) Image Dim: cm 38.2 x 61.5, Dim: 53.3 x 77.3. Good conditions, with some normal fold of paper at the center From one of the most important series of etchings by G.B. Piranesi, ”Views of Rome drawn and etched by Giambattista Piranesi...

Uses and Customs - Cathedral Square is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Uses and Customs - San Marco Square in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Uses and Customs - Piazza di Sant'Andrea in Mantua is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Uses and Customs - Piazza di Sant'Antonio in Padova is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs - New Gallery in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Uses and Customs - Alberonian College of San Lazzaro out of Piacenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Piazza di Pietra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,171...

Uses and Customs -  Square of San Michele in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Uses and Customs -  a Palace in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Uses and Customs - Piazza del Duomo di Pisa is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histor...

Palazzo Farnese is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for foxing that doesn't ...

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 10.63 x 6.3 inches Inscription: Unsigned and unnumbered, as issued Not...

The Green Landscape is a colored etching hand painted on paper realized by the French artist Léopold Robin. Hand Signed on the right margin.

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...

The Interior of Geneve is an original Lithpgrapg by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 15 x 21.5 cm T...

Chiesa di S. Marcello is a black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins wi...

Lisbon Capital of Portugal is a  lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of t...

Monastero e Chiesa dell'Immacolata is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Si...

Cagliari on the island of Sardinia is a hand colored lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the unive...

Messina Cathedral Square is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Doge's Palace in Venice is an original artwork realized in the mid 19th century by Giuseppe Kier. Mixed colored lithograph. Framed. Good conditions except for some stains. A bea...

Palazzo Marescotti gia Estense is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 7.87 x 9.84 inches Inscription: Unsigned and unnumbered, as issued Not...

S. Caterina della Ruota Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi ...

Monaco is an original etching on ivory paper, realized by Anonymous Artist of the XX century, in 1923s. In excellent conditions: As good as new. On the lower right margin is writte...

Palazzo Pontificio sul Quirinale is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margi...

S.Niccolo in Carcere Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (C...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

Borgo Pio - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Number...

Roman Forum is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbere...

Harbor View is an original lithograph realized by Paul Petit in the mid-20th. Hand-signed. Artist's proof. The artwork is depicted through confident stro...

Lithograph realized in the mid-20th Century by an unknown artist. Hand-signed and titled on the llower right. Numbered on the lower left, edition of 180 prints. Good conditions.

Geneve is an original Lithograph, part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is excellent; Image Dimensions: 15.3 x 12 cm The signature is engraved on the plate on the lower left. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Beast is an original woodcut realized by F. Chiammari in 1960 ca. Hand-signed on the lower right margin and titled on the lower left in pencil. In excellent conditions. Included a...

Assisi is an original etching realized by Paolo Menni, mid 20th century. Hand-signed, on the lower right. Titled, on the lower left. Good conditions.

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

Views of Yokohama photographs is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions except for being aged. ...

This splendid lithograph Porte de la Treille is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854. Th...

Ancient Views of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1...