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Art Subject: Texture
Edgar Degas, Dancer at the Barre, 1945 (after)
By Edgar Degas
Located in Southampton, NY
This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur au bar (Dancer at the Barre), Degas reveals gesture and inner emotion through economical contour and lyrical nuance.
Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century.
Artwork Details:
Artist: After Edgar Degas (1834–1917)
Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945
Medium: Lithograph and pochoir on velin paper
Dimensions: 17 x 13 inches (43.18 x 33.02 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1945
Publisher: The Studio Publications, Inc., New York
Printer: Albert Carman, City Island, 1945
Condition: Well preserved, consistent with age and medium
Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York
Notes:
Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman.
About the Publication:
Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format.
About the Artist:
Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon.
Edgar Degas lithograph...
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Le Legende (Marilyn Monroe), Yvaral
Located in Fairfield, CT
Artist: Yvaral, Jean-Pierre Vasarely (1934-2002)
Title: Le Legende (Marilyn Monroe)
Year: 1990
Medium: Silkscreen on wove paper
Edition: 12/100, plus proofs
Size: 31 x 23.5 inches
C...
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Abstract Aerial Landscape Print "Beachview Bluffs"
By Ross Racine
Located in New York, NY
archival pigment print, edition of 10, signed and editioned by the artist.
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Arjuna the Ace Archer - Lithograph by Satish Gupta - 2008
By Satish Gupta
Located in Roma, IT
Lithograph realized by Satish Gupta in 2008.
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“Woman Riding Horse”
Located in Southampton, NY
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Femme sur le Dos - Lassitude - Lithograph after H. de Toulouse-Lautrec - 1890s
Located in Roma, IT
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Nude 12 - Diptych, Contemporary Linocut, Polish artist, Young art
Located in Warsaw, PL
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Located in Roma, IT
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Located in Roma, IT
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Tower of Babel - Digital Print by Zhuang Zexi - 2000s
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Located in Roma, IT
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Hand-signed on the rear.
Good conditions.
The artwo...
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Les Gemeaux Castor et Pollux - Etching by B. Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of the Dioscuri, Castor and Pollux.
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Arjuna the Ace Archer - Lithograph by Satish Gupta - 2008
By Satish Gupta
Located in Roma, IT
Lithograph realized by Satish Gupta in 2008.
Edition of 260 prints, belonging to the Suite " Olympic Games Beijing 2008 ".
Hand signed and numbered.
Each work of this portfolio i...
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Materials
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Max Ernst, Iceflower Shawl and Gulf Stream, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
This exquisite collotype after Max Ernst (1891–1976), titled Le Chale a fleurs givre (Iceflower Shawl and Gulf Stream), from the album Max Ernst, Histoire Naturelle (Natural History)...
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Herbarium - XXI century, Figurative print, Flora, Black and white
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Located in Warsaw, PL
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Located in New York, NY
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Arjuna the Ace Archer - Lithograph by Satish Gupta - 2008
By Satish Gupta
Located in Roma, IT
Hand signed and numbered. Edition of 260 prints, belonging to the Suite " Olympic Games Beijing 2008 ". Each work of this portfolio is recognizable by the official stamp of the Olymp...
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The Night 3 - Photolithograph by Claudio Cintoli - 1970s
Located in Roma, IT
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Conceptual work of the artist.
Signe...
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1968 Olympics Black Power Salute
Located in Miami, FL
Felipe Jácome is a photographer born in Ecuador. After finishing his studies at the London School of Economics, his work has focused on issues of human mobility and human rights. In ...
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Karfreitagszauber - VintageHéliogravure by Franz von Bayros - Early 20th Century
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Mixed Media Collage with Eye: 'She Sang the Universe into Existence #6'
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Tropical Bounds B by Sara Jimenez
Located in New York, NY
Sara Jimenez
Tropical Bounds B, 2018
Pigment print on Hotpress
25 x 12.5 inches
Edition of 18
Publisher: Eminence Grise Editions
Printer: Andre Ribuoli
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Agua-vida
Located in Barcelona, BARCELONA
It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.
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Beachview Bluffs
By Ross Racine
Located in New York, NY
(15 3/8" X 20 1/2" ) archival pigment print, edition of 10
Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a compute...
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To The River
By Ross Racine
Located in New York, NY
edition of 5
available unframed
image size: 23 1/2" x 31 1/2"
Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a ...
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Materials
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Tropical Bounds A by Sara Jimenez
Located in New York, NY
Sara Jimenez
Tropical Bounds A, 2018
Pigment print on Hotpress
25 x 12.5 inches
Edition of 18
Publisher: Eminence Grise Editions
Printer: Andre Ribuoli.
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Bluff
By Ross Racine
Located in New York, NY
signed and editioned on reverse, limited edition of 5
This limited edition print is from Ross Racine's "Metropolitan Gardens,” series, in which the artist depicts realistic aerial ...
Category
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Materials
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Mujer rota
Located in Barcelona, BARCELONA
It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.
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Interior at Fontenay aux Rose with Large Tortoise
Located in London, GB
William Tillyer
Interior at Fontenay aux Rose with Large Tortoise
"Skylight screen and vase of articial looking flowers"
1974/2018
Intaglio and relief printing on Arches paper, Edit...
Category
2010s Contemporary Figurative Prints
Materials
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Luis Alfonso Jimenez
Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico.
Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States.
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Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career.
Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City.
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Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works
Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons.
Exhibitions:
In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton.
The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969).
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Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977),
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Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX.
Laguna Gloria Art Museum, Austin, 1990.
The Whitney Biennial (Whitney Museum of American Art, New York, 1991)
Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95).
47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995).
Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000).
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Materials
Paper, Ink, Engraving, Etching, Aquatint, Screen
Mexican artist, serie 5050GM-2, 2004, unique Bon A Tirer engraving 19.5x19.5in
Located in Miami, FL
"Fernando Garcia Correa (Mexico, 1958)
'5050GM-1', 2004
engraving on paper Velin Arches 300 g.
19.7 x 19.7 in. (50 x 50 cm.)
Edition of 99
ID: G...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Drypoint, Paper, Engraving, Ink, Etching
Mixed Media Collage with Eye: 'She Sang the Universe into Exisitence #7'
Located in New York, NY
She sang the universe into existence series comprises 13 prints on matte Japanese paper. It is a combination of collage and archival pigment print. The artist continues to “contempla...
Category
2010s Contemporary Figurative Prints
Materials
Archival Pigment









