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Tom HuckHillbilly Kama Sutra, Collection of 13 Linoleum Cut Prints by Master Printmaker
$15,000
£11,519.35
€13,201.04
CA$21,116.30
A$23,654.92
CHF 12,326.37
MX$288,541.17
NOK 156,639.87
SEK 147,700.23
DKK 98,528.94
About the Item
This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details.
Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages.
Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York.
In September 2011 Huck was awarded a Pollock-Krasner Foundation grant.
Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2]
From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005.
In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam.
The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August.
Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3".
Electric Baloneyland
On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra.
In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature.
In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen" at the Rochester Contemporary Art Center on April 3, 2014.
An exhibition entitled "Tom Huck: Hopeless Americana" opened on October 17, 2015 at Gallery 210 at the University of Missouri-St. Louis. Accompanying this 20 year retrospective was a catalogue that included essays by Richard Field, emeritus curator at the Yale University Gallery of Art. The exhibition included most of Huck's major works in print from 1995 to 2015, as well as sketchbooks and a small selection of studio ephemera.
In April 2017 the Library of Congress acquired “The Great War-Madillo”, a chiariscuro woodcut made by Huck as a tribute to Durer’s “Rhinocerous”.
On October 27, 2017 the exhibition "Booger Stew: The Monumental Triptychs of Tom Huck" opened at the old master print dealer/gallery C. G. Boerner in New York, New York. The show featured Huck's most recent work, a large scale chiaroscuro woodcut triptych entitled "Electric Baloneyland". Featured as well were his other large woodcuts "The Tommy Peeperz" as well as "The Transformation of Brandy Baghead". A selection of old master prints by Hogarth, Goya, and Durer were also shown in the exhibition.
An exhibition entitled "Rival Cuts: Process & Technique in Prints By Tom Hück and Albrecht Dürer" opened on February 9, 2019 at the Michael. C. Carlos Museum at Emory University in Atlanta, GA. The exhibition featured Hück's chiariscuro woodcut "Electric Baloneyland" and prints from "Two Weeks in August", alongside prints by Albrecht Dürer from the "Apocalypse" series.
The July/August 2019 issue of Penthouse magazine featured an interview with Tom Hück. Interviewed by Seth Ferranti, the article covers Hück discussing the inspiration for many of his works, including his many art historical influences.
- Creator:Tom Huck (1972, American)
- Dimensions:Height: 15 in (38.1 cm)Width: 15 in (38.1 cm)
- More Editions & Sizes:20 of 25Price: $15,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: THU0011stDibs: LU55432936473
Tom Huck
Tom Huck, also spelled Hück, is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson-Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum and New York Public Library. He has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017, Huck’s gallery representation is C. G. Boerner in New York. In September 2011, he was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism. He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire.'" In December 1999, his work represented the United States in an exhibition entitled “From Kandinsky To Corneille: Linoleum in the Art of the 20th Century,” held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled Attack of the 50ft. Yard Ornament. The Whitney Museum of American Art in September 2003 featured two works by him in an exhibition entitled “To Be Human.” Both the works featured were woodcuts from the series 2 Weeks in August. An exhibition entitled “Tom Huck and the Rebellious Tradition of Printmaking” opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, José Guadalupe Posada and Max Beckmann were featured alongside Huck's. An exhibition entitled "Tom Huck: Hopeless Americana" opened on October 17, 2015 at Gallery 210 at the University of Missouri-St. Louis. Accompanying this 20 year retrospective was a catalogue that included essays by Richard Field, emeritus curator at the Yale University Gallery of Art. The exhibition included most of Huck's major works in print from 1995 to 2015, as well as sketchbooks and a small selection of studio ephemera.
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2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI
2011 Art Chicago 2011, Merchandise Mart, Chicago, IL
2010 Art Chicago 2010, Merchandise Mart, Chicago, IL
2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL
Art Chicago 2009, Merchandise Mart, Chicago, IL
The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC
Selections, Ann Nathan Gallery, Chicago, IL
2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL
SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY
Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL
2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY
Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL
Ann Nathan Gallery, Chicago, IL
Palm Beach³, Ann Nathan Gallery, Palm Beach, FL
2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia
Return of the Men, Peltz Gallery, Milwaukee, WI
2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia
National Academy of Design 178th Annual Exhibition, NY, NY
2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY
Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC
Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI
Return of the Men, Peltz Gallery, Milwaukee, WI
2001 Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan
Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC
"FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia.
David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February.
2000 Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000.
1999 National Academy 174th Annual Exhibition, NY
University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI
Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY
1995 Bharat Bhavan International Biennial of Prints, Bhopal, India
Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ
Collection Update, 1994, National Academy of Design Museum, NY
1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY
In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs
Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI
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1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY
1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC
Outstanding American Prints, Anderson Arts Center, Kenosha,WI
National Academy of Design 168th Annual Exhibition, NY
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1992 The Print Fair, 7th Regiment Armory, NY
1991 166th Annual Exhibition, National Academy of Design, NY
Alma College Collection, Detroit Institute of Arts, Detroit, Michigan
Modes of Expression, Potsdam College, SUNY, Potsdam, NY
1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA
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2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA
2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino.
2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions."
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2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith.
2001 February Capital Times, "The Crowned Prints," by Kevin Lynch.
1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance.
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Art Institute of Chicago, Chicago, IL
Brooklyn Museum, NYC
Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI
Elvehjem Museum of Art, U of Wisconsin-Madison
Honolulu Academy of Arts, Honolulu, HI
Library of Congress, Washington, DC
Metropolitan Museum, Miami, FL
Museo de Arte Moderno, Cali, Columbia
National Academy, NY, NY
National Museum of American Art, Washington, DC
New York Public Library, NY
Portland Art Museum, Portland, Oregon
Rose Art Museum, Brandeis University, MA
United States Information Agency, Prague, Czech.
Alberta College of Art, Alberta, Canada
Albion College, Albion, MI
Alma College, Alma, MI
Art Center, South Bend, IN
AT&T Corporate HQ, Plainfield, NJ
Boston Printmakers, Boston, MA
Bradley University, Peoria, IL
Columbia Green Community College, Hudson, NY
Columbus State University, Columbus, GA
Davidson College, Davidson, NC
Dickinson College, Carlisle, PA
Georgia State University – Atlanta
Hope College, Holland, MI
Hunterdon Art Center, Clinton, NJ
Kansas State University, Manhattan, KS
Madison Art Center, Madison, WI
Marui Imai Inc., Sapporo, Japan
Milwaukee Art Center, Milwaukee, WI
Minot Art Association, Minot, ND
North Carolina Print/Drawing Society, Charlotte, NC
North Texas State University – Denton
Ohio University – Athens
Oklahoma Art Center, Oklahoma City, OK
Oklahoma State University, OK
Quad Graphics, Milwaukee, WI
Silvermine Guild of Arts, New Canaan, CT
Springfield College, Springfield, MA
St. Lawrence University, Canton, NY
State University of New York – Fredonia
State University of New York – Potsdam
Trenton State College, Trenton, NJ
University of Arizona Museum of Art, Tucson, AZ
University of Colorado-Boulder
University of Dallas, TX
University of Louisville, Louisville, KN
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University of North Dakota – Grand Forks
University of South Dakota – Vermillion
University of Tennessee – Knoxville
West Chester State College, West Chester, PA
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Marc Hauser, Chicago, IL
Michael John Hofer, Chicago, IL
Drs. Mark & Helene Connolly, River Forest, IL
Jamie Kalikow, New York, NY
Dianne & Jim Blanco, Chicago, IL
Denise Roberge, Palm Desert, CA
Tish & Philip Messinger, Creskill, NJ
Brian Wesphal & Michael McVicker, Chicago, IL
Ralph Privoznik, Lafayette, IN
Candice Groot, Evanston, IL
Shoemaker/Ruud Collection, Chicago, IL
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Bill and Karyn Silverstein, Highland Park, IL
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