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Ancient View of the Tour de l'Eglise St. Nicolas - Original Lithograph - 1850s

First Half of 19th Century

Ancient View of the Church of the Holy Grave is an original modern artwork realized in the mid 19th Century. Original B/W Lithograph on Ivory Paper. Ins...

Ancient View of Moscow is an original modern artwork realized in France in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower marg...

Cologne and Old Church of Dresden is a lithograph made by Auguste Wahlen in 1844. Good condition. Drawing in black and white. Below the drawings are the respective original titles...

In Prag der Grosse Ring is an original modern artwork realized in Germany in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower ma...

Antique print titled 'De St. Pancras- of Hooglandsche Kerk'. Lithograph of the St. Pancras Church (Hooglandse Kerk) in Leiden, the Netherlands. This print originates from 'De Stad Le...

'Eglise St Genevieve', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans...

Antique print titled 'Der Mainzer Dom'. View of the Mainz Cathedral, Germany. Originates from 'Meyers Universum'. Artists and Engravers: Joseph Meyer (May 9, 1796 - June 27, 1856...

This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...