Unknown

Early 20th century color lithograph poster figures globe flags sun moon text

1900

"Untitled" is an original color lithograph by Angelika Thusius. This is an artist proof and a completely unique impression. This piece depicts two women sharing beans in front of a d...

"Annette" is a black and white lithograph after Alberto Giacometti, published in Derriere le Miroir. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled for his sculptures and drawings. 10" x 7 1/4" art 21 1/4" x 18 5/8" frame Alberto Giacometti (1901-1966) was born in Borgonovo, a Swiss municipality, to the post-impressionist painter Giovanni Giacometti. In 1922 he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Auguste Rodin. It was there that Giacometti experimented with cubism and surrealism and came to be regarded as one of the leading surrealist sculptors. Among his associates were Joan Miró, Max Ernst, Pablo Picasso, Bror Hjorth and Balthus. Between 1936 and 1940, Giacometti concentrated his sculpting on the human head, focusing on the sitter's gaze. He preferred models he was close to, his sister and the artist Isabel Rawsthorne (then known as Isabel Delmer). This was followed by a unique artistic phase in which his statues of Isabel became stretched out; her limbs elongated. Obsessed with creating his sculptures exactly as he envisaged through his unique view of reality, he often carved until they were as thin as nails and reduced to the size of a pack of cigarettes, much to his consternation. A friend of his once said that if Giacometti decided to sculpt you, "he would make your head look like the blade of a knife." After his marriage to Annette Arm in 1946 his tiny sculptures became larger, but the larger they grew, the thinner they became. Giacometti said that the final result represented the sensation he felt when he looked at a woman. In 1962, Giacometti was awarded the grand prize for sculpture at the Venice Biennale, and the award brought with it worldwide fame. Even when he had achieved popularity and his work was in demand, he still reworked models, often destroying them or setting them aside to be returned to years later. The prints produced by Giacometti are often overlooked but the catalogue raisonné, Giacometti - The Complete Graphics and 15 Drawings by Herbert Lust (Tudor 1970), comments on their impact and gives details of the number of copies of each print. Some of his most important images were in editions of only 30 and many were described as rare in 1970. In his later years Giacometti's works were shown in a number of large exhibitions throughout Europe. Riding a wave of international popularity, and despite his declining health, he travelled to the United States in 1965 for an exhibition of his works at the Museum of Modern Art in New York. As his last work he prepared the text for the book Paris sans fin...

"Untitled" is a 3-color lithograph on arches paper created by Charles Dwyer. It depicts an abstracted human figure in purple. The faceted portrait hearkens back to cubist aesthetics ...

Edition2/10 Signed to lower right Ananda Kesler was born in Haifa, Israel. In 2002 she received her BA in Fine Art from the University of Iowa. She has continued her art education ...

Flowers is a Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand-signed and numbe...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

"Kina Lillet" original 1937 lithograph poster by artist Robys. Affiches Stentor Etab. Marboeuf 91 Rue Reaumur Paris printed on front lower left. Robys 37 o...

Ward Lockwood (1894 - 1963) New Mexico, Texas, Kansas / Mexico Artist Image Size: 12 x 16 Frame Size: 17.75 x 21.75 Medium: Charcoal "Siesta By The Oven" Biography Ward Lockwood (1894 - 1963) Born in Atchison, Kansas, Ward Lockwood became a key painter in the Taos, New Mexico art colony, but diverse modernist art styles including Expressionism*, Cubism*, Surrealism* and Constructivism* reflected his wide ranging travels in Europe and the United States. From the 1920s to the 1960s, his work embraced a series of stylistic changes characteristic of people who influenced him, including John Marin and Andrew Dasburg. He studied at the University of Kansas, and from 1914 to 1917 at the Pennsylvania Academy of Fine Arts* where he was introduced to Modernism*. In 1917, he began a two-year enlistment in the Army and served in France, and in 1921, a return visit to France led to his being influenced by Paul Cezanne and Vincent Van Gogh. During this time, he studied in Paris at the Academie Ranson*, but got bored with the academic climate of that school and spent time at the Louvre and galleries along the Rue de la Boetie. He painted from local models and traveled around France with fellow Kansan, Kenneth Adams. He was much impressed with the diversity of contemporary art movements including Futurism*, Cubism, and Dadaism*. His work from this period shows influences of Geometric Abstraction* and Impressionism. In 1922, he returned to Kansas, committed to the idea that an artist does best painting in his own culture. He worked as a commercial artist and also did portrait commissions. In 1926, he and his wife, artist Clyde Bonebrake, moved to Taos, New Mexico because of his friendship with Kenneth Adams, who was already established there. Lockwood became interested in the Taos Society of Artists...