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Ex-Libris - Music, Kislinger - Woodcut Print - Mid-20th Century

Mid-20th Century

Doubting Dante -  "The Divine Comedy" - Song 7 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. ...

The actor Nakamura Shikan, color woodcut, probably from the series "9 Dances", Mid-19th Century, realized by Utagawa Kunisada (1786-1865). Dimensions. 38x26.5cm, unframed, mounted...

The Winners is an original wood engraving artwork realized by French painter and illustrator Abel Faivre (Leone, March 30, 1867 – Nizza, August 30, 1945) in the early 20th Century. ...

Oriental figures is an original modern artwork realized after Katsushika Hokusai in the late 19th Century. Black and white woodcut print. Includes a gilded frame.

Portrait of Cardinal Albrecht of Brandenburgr is a Woodcut print on cream-colored paper. realized after Albrecht Durer, a reproduction of the early 20th...

The encounter is an artwork realized by Ferdinando Codognotto in 2023.  Woodcut based on stencil of 1971. 50 x 36 cm. Hand signed in the lower right margin. Good condition. 

This is one of Jim Dine’s earliest known woodcuts which the artist carved and printed in black ink on brown handmade paper on his kitchen table in London in 1974. This is a unique pr...

Mitch McGee, Don't Try So Hard, Limited Edition Pop Art Print, Silkscreen, Edition of 40. Image is 20" round, paper size 24x24. Each signed and numbered. It is currently framed to 25x25. The influences for McGee's own artwork came from the style of Pop Art legend, Roy Lichtenstein. According to McGee, "Lichtenstein with a Red Bow was the first piece that started me down this rabbit hole. Roy Lichtenstein took comic strips and repositioned them as lithography. In an almost tongue-in-cheek fashion I wondered how I could take one of his pieces and recreate it in another medium. The easy answer for me was wood. I grew up working with it and, combined with my graphic design background, it left me with a new medium and expression that I think really works." From that start, Houston artist, McGee began to create his own style and establish his unique voice. Today, his creativity exists in that space between painting and sculpture. In his Birch series, McGee uses pieces of wood, each illustrated, hand cut and stained or painted to create dimensional pieces. Each painting is filled with thick layers and subtle shadows. There is a warmth created by the imperfection of the birch and its grain that creates an emotional connection. Each painting is a labor of love, taking 40 to 50 hours or more to complete. McGee has created original works inspired by Superhero comics, Sports icons, as well as romantic moments using thick lines and bold colors to bring these scenes to life in his own way. Each artwork is filled with humor, irony, compassion or seduction. His artwork has been exhibited throughout Texas since 2001 and in New York with Elisa Contemporary Art...

Ana Cazares (Mexico, ) 'Ave en boca', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 6 ID: CAZ-101 Unframed

Isabel Mendoza (Mexico) 'Los saqueadores', 2019 woodcut on paper Guarro Biblos 250g. 29.2 x 44.1 in. (74 x 112 cm.) ID: MEI-101

Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...

Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...