Unknown

Ordination of a Knight - Lithograph - 1862

1862

Mausoleum of the Knights is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Italian Costumes of the 13th and 14th Centuries  is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Uses and Customs - Ceremony of marriage in Russia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "H...

Knight is an original print on paper realized by an Anonymous artist. titled on the lower center of the image. In very good conditions. Sheet dimension: 24 x 16 cm. The artwork re...

Medieval Church Ceremony with Clergy and Choirboys, Richly Detailed Engraving Description: This vivid hand-colored engraving from the 1845 publication 'Costumes Historiques des XIII...

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...

This print from "Costume Di Moyen Age" (Costumes of the Middle Ages) published in Paris in 1847, depicts a scene from the medieval era. The image features a group of individuals in an indoor setting, likely a part of a noble class, given the richness of their attire and the elegant interior. A central figure in a blue cape with a red lining is in a dialogue or exchange with a person wearing a green and yellow patterned garment. They both are in the foreground and appear to be the primary subjects of this interaction. Behind them, there are other individuals who seem to be part of the scene, including a person in red robes who is possibly a clergyman, given the context and attire, which resembles ecclesiastical clothing. The background is adorned with Gothic architectural elements such as pointed arches and intricate detailing. Statues or figures are set within the architectural framework, suggesting a church or a similarly important building. The use of bright, primary colors is notable, and the attention to the detail in the clothing suggests a significant event, possibly a ceremony like a marriage, as indicated by the word "Casamiento" (meaning marriage in Spanish) at the bottom of the print. Overall, the print is rich in historical clothing...

Title: Catholic Episcopal Rites – Rare 1734 Engraving of Bishop's Ceremonial Duties Description: This finely executed 18th-century copperplate engraving presents six distinct eccles...