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Pablo PICASSO (after) : The Kiss - pochoir - 500 copies - 1963

1963

Albert DECARIS November : Halloween time Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum 66 x 50 cm (c. 26 x 20in) Excellent ...

Albert DECARIS April : Back to the Fields Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum 66 x 50 cm (c. 26 x 20in) Excellent...

Albert DECARIS August : Summer Holidays Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum 66 x 50 ...

Fernandez ARMAN Violin profile, 1979 Original Drypoint etching On Arches vellum 23 x 15" (56 x 38 cm) References : Arman catalog raisonne of prints - Otmezguine / Moreau #248h This...

Albert DECARIS February : Carnival time Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum 66 x 50 cm (c. 26 x 20in) Excellent c...

Albert DECARIS October : Diane the Huntress Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum ...

Fisherman- Peter Doig, Contemporary, 21st Century, Pigment Print, Magic Realism Edition of 500 Signed and numbered, accompanied by Certificate of Authenticity In excellent condition ...

Olaf Wieghorst (1899 - 1988) California, New York, New Mexico, Arizona, Texas Artist Image Size: 11 x 8.5 Frame Size: 18.5 x 14.5 Medium: Print "Indian on Horse...

Fascinating artwork titled Le Vieux manusrits (old writings Seoul Korea) by Paul Jacoulet. (French-Japanese 1896-1960) finely crafted with lovely graduating background color blue to light green. Depicts a figure seated on a pink pillow wearing a Korean hat...

This print by Nicole Eisenman depicts one of her signature motifs: leisure time in bars and saloons, as also depicted in some of her paintings like "Br...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko brings his vivid dreams ...

Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...