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Passengers - Original Litograph by German Expressionist - 1930s

20th Century

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    Marcelle Lender en Buste is a lithograph realized after the homonymous work by Toulouse-Lautrec of 1895. Limited edition of 1.000 specimens. Very good conditions. Henri de Tolous...
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  • Portrait of a Boy - Original Lithograph - 20th Century
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    Portrait of a Boy is a beautiful artwork realized by an artist of the 20th century in 1921. Lithograph. In very good condition. Hand signed and dated on the lower left margin of the...
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  • Figures - Original Lithograph by Aligi Sassu - 1983
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    Figures is an original lithograph realized by the Italian artist Aligi Sassu in 1983. This Artwork is depicted through strong and confident strokes in a well-balanced composition. ...
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    1980s Modern Figurative Prints

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  • The Conversation - Original Lithograph by Paul Gavarni - 1881
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    Located in Roma, IT
    The conversation is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Par...
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  • The Passenger Talking to Children - Original Lithograph by Paul Gavarni - 1881
    By Paul Gavarni
    Located in Roma, IT
    The passenger talking to children is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier G...
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  • UNTITLED FROM XXe SIECLE (MOURLOT 699)
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    Lithograph in colors on Arches wove paper. The deluxe edition of 50. Hand signed and numbered by Marc Chagall. Printed by Mourlot, Paris. Published by XXe Siècle, Paris. Printed for the special edition of XXe Siècle, Chagall Monumental. Mourlot 699. Image size 12.5 x 19.5 inches. Sheet size 20.875 x 29.75 inches. Frame size approx 34.5 x 29.5 inches. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village (1911). “When I am finishing a picture, I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand as a final test,” he said. “If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art...
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