Utagawa Hiroshige

Shinobazu no ike benten no hokora - Woodcut by Utagawa Hiroshige - 1837/1844

1837/1844

Second edition signed in 1921 by the Artist's son Pola Gauguin: lower left “Paul Gauguin fait”, lower left “Pola Gauguin imp”. Superb copy in perfect conditions printed on China pa...

Hand signed and numbered on the lower margin. Edition of 100 prints. In excellent condition. Image Dimensions : 30 x 40 cm

Original editorial soft cover with dowel on front plate. Nice collection of original fine woodcuts of the Utagawa school, partially coloured, including illustrations of Japanese thea...

Very rare xylograph of the artist, who was considered one of the 20th Century Masters in xylography. Title and signature printed on the lower margin. Very good condition. Passepartou...

Limited edition of 125 copies, including 6 original woodcuts by André Derain, 4 of whch out of text and full page. Realised by the poet René Dalize, friend of Guillaume Apollinaire a...

Flirtage is a wonderful wood-cut original print by Ferdinand Florentin Froment, d'après A. Forestier. A woman crouching on her chair, is receiving some flatterings from a man on he...

Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...

Toilet. (After a drawing by Norval Gray.) 1923. Wood engraving on sycamore, end grain. Physick 256. 4 1/2 x 2 1/2 (sheet 5 5/8 x 4 1/8). Proof printed on sturdy Japanese mulberry lai...

Semicircular Device. 1916. Wood engraving. Physick 77. 1 1/8 x 3 5/8 (sheet 1 13/16 x 4 5/16). Printed on Japanese mulberry laid paper mounted on a backing sheet. Initialed in pencil...

Animals All: WHO WERE THE FIRST TO CRY NOWELL ANIMALS ALL AS IT BEFELL. 1916. Woodcut. Physick 51. 14 7/8 x 16 3/8 (sheet 25 x 27 ). No published edition. Printed on simili-Japan pa...

Hooves. 1927. Woodcut. 7 1/2 x 12 (sheet 11 7/8 x 15 1/8). Printed on heavy Japanese mulberry paper. Signed, dated, and titled in pencil. An example of this work is in the collection of the Smithsonian American Art Museum. Helen West Heller was born near Rushville, Illinois. From 1876 she lived in Canton, Illinois. At a very young age, she became interested in painting. Although she received some art education at the School of Fine Arts in St. Louis and the Art Students League in New York, she was largely self-taught. As an adult, she moved back and forth between Chicago and New York several times, before settling in New York for the last twenty-five years. She worked in a distinctly individual style, and was intensely productive and unwaveringly committed to her artistic passions. In 1923, during a period of great poverty, she turned to the affordable materials of wood block and linoleum, often printing her results on wrapping paper. From then until the end of her life she produced more than six hundred woodcuts, and spent a great deal of time studying art and history, and writing. She was very active in artists’ social and political affairs, and in 1948 was elected an associate of the National Academy of Design. She often brings figures and settings together in a mosaic of patterns that reflect both Eastern and Western block print...

Avery, Milton. NIGHT NUDE. Woodcut, 1953. Edition of 25 in black and white (there were a further 25 printed in black and blue). Signed, dated and numbered "6/25" in pencil, and also ...