Utagawa Kunisada (Toyokuni III)

Oriental Woman with Fan - Woodcut by Utagawa Kunisada - 1860s

1860 ca.

The Deep Conversation is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris an...

The Buddhist Temple In China is a woodcut print on ivory-colored paper realized by Paul Baudier( 1881-1962) in the 1930s. Good conditions with some spots. Paul Baudier, (born Octob...

View of Mount Fuji in Winter is a woodcut print realized by Katsushika Hokusai in the early 19th Century, probably around 1835. From the book "Fugaku hyakkei" (100 views of Mount Fu...

The Sleeping Time is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris and di...

The Manly Formality is an original woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in ...

The Romance is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18...

Fascinating artwork titled Le Vieux manusrits (old writings Seoul Korea) by Paul Jacoulet. (French-Japanese 1896-1960) finely crafted with lovely graduating background color blue to light green. Depicts a figure seated on a pink pillow wearing a Korean hat...

Engelina (Engelien) Reitsma-Valença (3 May 1889 - 11 July 1981) Amsterdam, Netherland. The portrait is of a violinist playing what appears to be an enervating piece. An engraver, st...

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

Gaston Suisse (1896-1988) Panthère noire dans les bambous, 1927 Gravure sur bois, sur papier Velin de Van Gelder. Rehaussé aux lavis d’encre de Chine par l’artiste Signé en bas à gauche et daté 1927 en bas à droite Black panther in a forest of bamboos, 1927 A handcolored woodcut on Velin de Van Gelder paper Signed and dated 1927 Bibliographie /Literature Gaston Suisse, splendeur du laque art déco. Emmanuel Bréon. Somogy Éditions d'art, Paris 2013, reproduite page 105 (un autre exemplaire reproduit) The artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as is, Gaston Suisse reworked each of the proofs using Indian ink washes in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...

RgrFineArts is pleased to offer this New York WPA color woodcut by Paul Weller titled Shampoo. The WPA label is affixed to the margin on the reverse of the print.

David Hostetler's Crowd woodcut inspired a painting commission that opened David's vision to pursue this imagery in paintings and monoprints. It has a ...