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Warrington ColescottGeorge the Wonder Horse 1970 Signed Limited Edition Lithograph1970
1970
About the Item
Artist Name: Warrington Colescott
Year: 1970
Medium Type: Lithograph
Size-Width Size-Height: 31'' x 22.5''
Signed Edition Size: signed in pencil, titled and numbered 41/50
Warrington Colescott Jr. (1921 – 2018) was an American artist, he is best known for his satirical etchings. He was a master printmaker and operated Mantegna Press in Hollandale, Wisconsin, with his wife and fellow artist Frances Myers. Colescott died on 10 September 2018, at the age of 97.
Colescott earned his undergraduate degree at the University of California, Berkeley, graduating in the summer of 1942. At Berkeley, he majored in fine art, and was active with the university humor magazine, the Pelican, as well as the university newspaper, The Daily Californian, submitting cartoons and writing for both publications. He served in the army in World War II from 1942 to 1946, then returned to Berkeley to take a master’s degree in fine arts and to earn a teaching certificate. Colescott taught art at Long Beach City College from 1947 to 1949. In September 1949, he began his career at the University of Wisconsin–Madison, where he taught for 37 years, retiring in 1986. During those years, Colescott continued his education in Europe, first on the GI Bill to study at the Académie de la Grande Chaumière, Paris, in 1952–53 and again on several fellowships and awards: in 1956–57, he was a Fulbright Fellow at the Slade School of Fine Art, University of London, and in 1963, he returned to London on a Guggenheim Fellowship.
- Creator:Warrington Colescott (1921, American)
- Creation Year:1970
- Dimensions:Height: 23 in (58.42 cm)Width: 31 in (78.74 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Rochester Hills, MI
- Reference Number:1stDibs: LU2335214144802
Warrington Colescott
Warrington Colescott was an American artist best known for his satirical Etchings. Working in that area which he calls that black zone between tragedy and high comedy, where with a little pull or push one way or the other you can transmute screams into laughter, Colescott examined the society of today, its virtues and its inequities. To strengthen satire, he juxtaposed humor and violence to reinforce a comment on a current situation, he made use of historical reference.
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