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William Blake
BLAKE, William. Illustrations of the Book of Job

1825

$85,000List Price

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Lady in a Fur Cloak.
Located in New York, NY
Original pochoir process print (hand-colored stencil). Paris, ca. 1925. Displayed in a custom silver giltwood frame.
Category

1920s Figurative Prints

Materials

Paper

Revillon Freres: Woman in a Draped Fur Coat
By Reynaldo Luza
Located in New York, NY
Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revillo...
Category

1920s Figurative Prints

Materials

Paper

Engraving of a Female Sculpture
By Francesco Piranesi
Located in New York, NY
Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.
Category

Late 18th Century Figurative Prints

Materials

Laid Paper

Anatomical Engraving of a Human Arm
By John Lizars
Located in New York, NY
Original color printed engraving, embellished by hand from "Anatomical Plates of the Human Body." Edinburgh: 1822-27. John Lizars was a professor of surgery at the Royal College of ...
Category

Early 19th Century Figurative Prints

Materials

Paper

Revillon Freres: Woman in fur cape with starry background
By Reynaldo Luza
Located in New York, NY
Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revill...
Category

1920s Art Deco Figurative Prints

Materials

Paper

Water Polo Print
By Milivoy Uzelac
Located in New York, NY
Water Polo from "Joies du Sport." Original pochoir print from a limited edition of 750 copies. Paris, 1932. Sheet size: 16 3/4 x 12 1/2 in.
Category

1930s Figurative Prints

Materials

Paper

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Otherworldly lovers, immobilised in marble, Dancing in blooming Garden
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Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: URSA LOVES YOU, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
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Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
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