Kaleidoscope
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 17
Friedel DzubasKaleidoscope1982
1982
About the Item
- Creator:Friedel Dzubas (1915-1994, German)
- Creation Year:1982
- Dimensions:Height: 32.75 in (83.19 cm)Width: 35 in (88.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Signed and dated in pencil by the artist Printed at the Garner Tullis Workshop (California) Very good condition.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 3-211stDibs: LU21527668042
Friedel Dzubas
Friedel Dzubas was born April 20, 1915 in Berlin and studied at the Prussian Academy of Fine Art and under Paul Klee while in Düsseldorf from 1936 to 1939. In 1939, Dzubas fled Germany for London and the United States where he later became a citizen. In 1948, he he answered art critic Clement Greenberg's anonymous advertisement for a summer roommate. It was the height of the Abstract Expressionist Movement in New York, and through Greenberg Dzubas met Willem de Kooning, Jackson Pollock, Adolph Gottlieb and Barnett Newman. Later, in the early 1950s, Dzubas shared a studio with Helen Frankenthaler, associating with some of the younger generation of abstract painters in New York including Jules Olitski and Kenneth Noland. In the early 1950s, he began exhibiting his work in New York. In the 1960s, he started experimenting with color field painting. Dzubas' mature paintings since the 1960s assimilate his early interest in German Romanticism and Expressionism into post-war American abstraction. "He abandoned oil paint for Magna acrylic in 1965 when he found he could achieve with a brevity of gesture the brilliance and luminosity of oil paint applied in thin veils of color. He could thus effect the richness and variation of traditional glazed tones using a more expressive, immediate process. By the early 1980s, Dzubas abandoned his preliminary preparations of sketching and priming, thereby inviting spontaneity and accident into his painting process. Although he typically coated his canvas with a gesso primer before painting, he began to apply it so thinly that the pigment was almost immediately absorbed into the ground, making it impossible for him to revise and rework his compositions. Dzubas' change in technique reveals a thoroughly modernist sensibility: "I like that risk," he explained. "I think, to a certain degree, I have to make it mechanically difficult and unreliable for myself. If I can predict the effect too much, then I probably am not supposed to be doing it. I function better if my footing is not too sure, so to speak." The rich, velvety hues of Grade's reds, greens, and blues appear radiant in places. Dzubas heightened his color drama -- a drama characterized as quintessentially Baroque by some critics-- by varying the density of his paint. His rectangular forms appear to ebb and flow in an orchestrated movement across the surface of the picture plane." (Megan Bahr) A retrospective of Dzubas' work was shown at the Museum of Fine Art, Houston in 1974 and at the Museum of Fine Art, Boston the following year. In 1983, Dzubas was honored with an exhibition at the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (ASKART)
About the Seller
4.8
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2009
1stDibs seller since 2015
175 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Handmade Papers - Circle II Series: II-34By Kenneth NolandLocated in Toronto, OntarioAs a leading figure of the Color Field movement in the 1960s, Kenneth Noland (1924–2010) made an essential contribution to American abstraction. His iconic works feature signature fo...Category
1970s Color-Field Abstract Prints
MaterialsHandmade Paper, Lithograph, Monotype
- BalletBy Harold TownLocated in Toronto, OntarioCaviar20 is excited to be offering this exceptional "Single Autographic Print" from 1954. It is the earliest "SAP" we've handled and come directly from the estate of Harold Town. Harold Town (1924-1990) remains one of the most fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of artists who simply attended their first meeting) his output was diverse ever-changing. Somewhat ironically, Town's first significant body of work, which established his reputation, was a group of monoprints - which he called "Single Autographic Prints" Town was introduced to lithography by fellow Painters Eleven member Oscar Cahen...Category
1950s Abstract Abstract Prints
MaterialsMonotype
$7,500 - Mauve MagicBy Harold TownLocated in Toronto, OntarioHarold Town (1924-1990) remains one of the most accomplished and fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of artists who simply attended their first meeting) his output was diverse, ever-changing and not restricted to painting. Somewhat ironically, Town's first significant body of work, which established his reputation, was a group of monotypes - which he called "Single Autographic Prints" Town was introduced to lithography by fellow Painters Eleven member Oscar Cahen...Category
1950s Abstract Expressionist Abstract Prints
MaterialsMonotype
- Lines and LoopsBy Harold TownLocated in Toronto, OntarioHarold Town (1924-1990) is one of Canada's most influential and prolific artists. He also remains one of the best-known and most intriguing artists from the "Painters Eleven" group. ...Category
1950s Modern Abstract Prints
MaterialsMonotype
- The Persian IIBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined Modern painting...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled (Triangle)By Tomma AbtsLocated in Toronto, OntarioTomma Abts (b. 1967) is a German-born visual artist best known for her rigorous paintings and hard-edge abstraction. Abts has lived and worked in London, England since 1995. Abts is...Category
Early 2000s Abstract Abstract Prints
MaterialsAquatint
You May Also Like
- Monotype with hand painting geometric abstraction by renowned color field artistBy Kenneth NolandLocated in New York, NYKenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...Category
1980s Color-Field Abstract Prints
MaterialsAcrylic, Monotype, Pencil, Screen
- "Untitled" Blue and Orange Color Field Abstract Monotype on a Grey BackgroundBy Dan ChristensenLocated in Houston, TXA blue and orange abstract color field abstract monotype on a soft grey background. Includes a label from the gallery it was once sold from that includes the artist's name, title, size, and medium. Dimensions Without Frame: H 29.5 in. x W 22 in. Artist Biography: Born in Cozad, Nebraska, in 1942, the son of a farmer and truck driver, Dan Christensen chose to become an artist when, as a teenager, he saw the work of Jackson Pollock on a trip to Denver. After receiving his B.F.A. from the Kansas City Art Institute, Missouri, in 1964, he moved to New York City. His “spray loop” paintings, produced by using a spray paint gun...Category
Late 20th Century Color-Field Abstract Prints
MaterialsMonotype
- Blue / Black / Red / GreenBy Ellsworth KellyLocated in New York, NY2001 Lithograph in colors, on wove paper Image/sheet: 24 7/8 x 88 3/4 in. Edition of 45 Signed and numbered in pencil, lower margin FramedCategory
Early 2000s Color-Field Abstract Prints
MaterialsPaper, Lithograph
Price Upon Request - Elegy by Jules Olitski, 2002 (abstract blue and yellow screen print)By Jules OlitskiLocated in New York, NYThis 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...Category
Early 2000s Color-Field Abstract Prints
MaterialsScreen
- Bullet Proof Gene Davis color field 1960s multicolor abstract stripe printBy Gene DavisLocated in New York, NYThis Gene Davis screenprint can only be described as jewel toned, with vibrant ink in peridot green, sapphire blue, turquoise green, amethyst purple, carnelian brown, grey, and pink....Category
1960s Color-Field Abstract Prints
MaterialsCanvas, Board, Screen
- PanoramaBy Osvaldo MariscottiLocated in New York, NY2021 Screenprint in colors, on Rives BFK paper 40 x 30 in. (101.6 x 76.2 cm) Edition of 100 Signed, dated, and numbered in pencil, lower marginCategory
2010s Color-Field Abstract Prints
MaterialsPaper, Screen
Price Upon Request