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Hannes GrosseGestural Abstraction1968
1968
About the Item
Hannes Grosse
Title: Gestural Abstraction
Medium: Color silkscreen
Year: 1968
Signed, numbered and dated by hand
Edition: 2
Size: 18.1 × 26.6 inches
COA provided
There is light scuffing throughout and a crease/wrinkle on the center right. Please see images for details. Edges can be easily trimmed and crease/wrinkle can be touched up by any qualified framer.
Hannes Grosse (German, born 1932)
- Creator:Hannes Grosse (1932, German)
- Creation Year:1968
- Dimensions:Height: 18.1 in (45.98 cm)Width: 26.6 in (67.57 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Light Scuffing.
- Gallery Location:Kansas City, MO
- Reference Number:Seller: HGR_1808_031stDibs: LU608312491732
Hannes Grosse
Hannes Grosse studied at the Academy of Fine Arts in Munich from 1955 to 1959. He worked and lived in Paris, Mexico City, and New York, among others.
Today, he resides in Manson's Landing in Canada, British Columbia.
Hannes Grosse is considered one of the well-known German artists of the 1960s and 1970s. He is a representative of Hard-Edge painting, known for his wavelike works. Additionally, he created three-dimensional wavelike objects/sculptures for landscapes and gardens. "The means I use are color and form; color in progression, yet sharply separated, form reduced to a basic scheme, color and form moving towards each other, simultaneously forming a structure that unifies the image or object. Essential is the balance, combining the constructive with the organic, harmonizing color with form, making the composition a unity, maintaining movement yet anchoring it at a certain point." Hannes Grosse Born in 1932 in Berlin. Studied in Munich and Paris. First traveled to New York in 1964, followed by longer stays in 1966 and 1967. Received the Painting Prize of the Free State of Bavaria in 1969. Solo exhibitions since 1964 in Munich, Zurich, Schwenningen, Bad Godesberg, Frankfurt, and recently in the series '14 x 14' at the State Art Hall, Baden-Baden, and the Forum Galerie van de Loo, Munich, 1969. Participated in exhibitions of the German Artists' Association and the 6th Biennale in San Marino, and 'Alternative Attuali', L'Aquila. Lives in Oberammergau. Bibliographical Note: Jürgen Claus Hannes Grosse, Leaflet of Galerie Nickel, Bad Godesberg, 1968. Each statement should be the conclusion of numerous experiences, each image a carrier of a complex reality. The artistic statement, whatever form it may take today, requires more than just a spontaneous impulse, a gesture; it also requires more than just construction, movement, or idea. The artistic product is the result of our relationships with realities, a combination of technical and mental data transforming into an optical phenomenon. For every artist, there are overarching concepts that determine the design and lead to a specific direction. As a result of these concepts, the image becomes a composition that still forms a unity. The image or object should contain the whole in detail—it is the fixation of a point within a movable, infinite structure.
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Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants.
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1999 - Fairfield University Museum, Fairfield, CT
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1998 - Bergen County Museum of Art, Paramus, NJ
1995 - Ewing Gallery, University of Tennessee, Knoxville, TN
1994 - Georgia Museum of Art, Athens, GA
1993 - Chassie Post Gallery, Atlanta, GA
1990 - North Carolina State University Museum, Raleigh, NC
1990 - Douglas Drake Gallery, NYC
1989 - Virginia Lust Gallery, NYC
1987 - Irving Feldman Galleries, West Bloomfield, MI
1985 - Gallery 99, Bay Harbor Island, FL
1984 - I. Irving Feldman Galleries, Southfield, MI
1983 - Galleri Bellman, NYC
1982 - Irving Feldman Galleries, Sarasota, FL
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1968 - Donald Morris Gallery, Detroit, MI
1967 - Richard Feigen Gallery, NYC
1967 - Biennale, San Marino, Italy
1966 - Tokyo Gallery, Tokyo, Japan
1966 - Richard Feigen Gallery, NYC and Chicago, IL
1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan
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2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL
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2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC
2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL
2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA
2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY
2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France
2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY
2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY
2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC
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1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY
1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London
1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI
1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL
1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX
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