Items Similar to Native American Camp by a Lake & Waterfall, Limited Edition Signed Hartwig Print
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Heine HartwigNative American Camp by a Lake & Waterfall, Limited Edition Signed Hartwig PrintUnknown
Unknown
About the Item
Limited edition Heine Hartwig print from a painting by the same artist, signed & numbered in gold in the lower right, 722/800. This beautiful, colorful and serene scene depicts a Native American encampment by a lake surrounded by mountains with a waterfall in the distance. It is framed in an attractive gold-colored wood frame with double mats in blue and gold. The print and frame are in excellent condition.
Heinie Hartwig was born in 1937 and grew up in the Santa Clara Valley of California. Hartwig taught himself to paint by studying the "Old Masters." He was attracted to the charm and romance of classic art. He has managed to capture the light, color and style of those great artists. Although most of his work has a western theme, Hartwig is a versatile painter. Many of his paintings are landscapes and still lifes. Heinie Harwig's work has been compared to Albert Bierstadt and John Constable for its romanticism, European feel and composition.
- Creator:Heine Hartwig (1939, American)
- Creation Year:Unknown
- Dimensions:Height: 30.25 in (76.84 cm)Width: 24.5 in (62.23 cm)Depth: 1.75 in (4.45 cm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: #15041stDibs: LU117325261772
Heine Hartwig
Heinie Hartwig was born in 1937 and grew up in the Santa Clara Valley of California. Hartwig taught himself to paint by studying the "Old Masters." He was attracted to the charm and romance of classic art. He has managed to capture the light, color and style of those great artists. Although most of his work has a western theme, Hartwig is a versatile painter. Many of his paintings are landscapes and still lives. Heinie Harwig's work has been compared to Albert Bierstadt and John Constable for its romanticism, European feel and composition.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
281 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllNative American Encampment in a Valley, Limited Edition Hartwig Signed Print
By Heine Hartwig
Located in Alamo, CA
This is a limited edition print from a painting by Heine Hartwig (1937- ) depicting a Native American encampment in a meadow at the base of majestic moun...
Category
Late 20th Century Romantic More Prints
Materials
Other Medium
Cairo with Murad Bey's Palace: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...
Category
Early 19th Century Romantic Portrait Prints
Materials
Engraving, Aquatint
Alexandria, Egypt & Lighthouse: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...
Category
Early 19th Century Romantic Portrait Prints
Materials
Engraving, Aquatint
A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category
Mid-19th Century Romantic Landscape Prints
Materials
Engraving
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Early 19th Century Romantic Portrait Prints
Materials
Engraving, Aquatint
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
By Myles Birket Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Landscape Prints
Materials
Engraving
You May Also Like
Romantic Landscape of Scandinavian Enchanted Forest, Large Lake Print Cyanotype
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Lovely scene of a hidden pond in a Scandinavian forest.
Details:
+ Title: Scandinavian Enchanted Forest
+ Year: 2024
+ ...
Category
2010s Romantic Landscape Drawings and Watercolors
Materials
Photographic Film, Emulsion, Watercolor, Photographic Paper, C Print, Co...
Original Victorian card with flower arrangement and ice skating scene
Located in Milwaukee, WI
Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...
Category
1890s Romantic Still-life Prints
Materials
Lithograph
'Distribution of Goods to the Gros Ventres' lithograph by John Mix Stanley
By John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels.
In this image, Stanley documented the encounter with the Gros Ventre people at Milk River. The explorers were invited to the Gros Ventres camp and the two groups exchanged gifts in friendship. The Stevens Party provided "... blankets, shirts, calico, knives, beads, paint, powder, shot, tobacco, hard bread, etc." The image likewise alludes to how, in 1855, Isaac Stevens, concluded a treaty (Stat., L., XI, 657) to provide peace between the United States and the Blackfoot, Flathead and Nez Perce tribes. The Gros Ventres signed the treaty as part of the Blackfoot Confederacy, whose territory near the Three Fork area became a common hunting ground for the Flathead, Nez Perce, Kootenai, and Crow Indians.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
17 x 20 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Distribution of Goods to the Gros Ventres' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XXI' upper right
Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding.
Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame.
John Mix...
Category
1850s Romantic Landscape Prints
Materials
Lithograph
'Camp Red River Hunters' original lithograph by John Mix Stanley
By John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels.
In this image, Stanley shows an encampment of the people known as the Red River of the North hunters. They were generations of European and mixed-race trappers who lived on the frontier and had Indian wives and mixed-race children. They had come to the area for bison hunting, as the herds were still vast on the prairies. In the image, the figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
17 x 20 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Camp Red River Hunters' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XII' upper right
Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding.
Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame.
John Mix Stanley...
Category
1850s Romantic Landscape Prints
Materials
Lithograph
'Kettle Falls, Columbia River' original color lithograph by John Mix Stanley
By John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.'
When it came to depicting the Columbia River, as seen in the present print, Stanley chose to depict the river's characteristic rock formations and choppy waters. The figures in the image give the viewer a sense of the vase scale of the imposing landscape. Other explorers that reached the site years before the Pacific Railroad Survey, such as Lewis and Clark, observed this scene with wonder and awe – and it is clear Stanley felt the same way.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
13.25 x 16.25 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Kettle Falls, Columbia River' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XLVII' upper right
Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding.
Print in overall good condition; wrinkles in upper margin and upper right corner; frame in excellent condition.
John Mix Stanley...
Category
1850s Romantic Landscape Prints
Materials
Lithograph
'Distribution of Goods to the Assiniboines' original John Mix Stanley lithograph
By John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.'
When it came to depicting the Assiniboine people, as seen in the present print, Stanley chose to juxtapose their encampment, marked by tipis in the distance, with the encampment of the Isaac Stevens survey party. In the foreground, commemorating this moment, Isaac Stevens can be seen presenting trade goods, which are known to include thirty two dressed skins and two robes. The survey leader Isaac Stevens noted being grateful for the generosity of the Assiniboine, commenting: "I felt very grateful indeed to those Indians, for their kindness to my men, their proffer of kind feeling and hospitality to myself and the survey." This description and this image, however, are arguably depicted through rose-colored glasses: to the Assiniboine people, this meeting may well have included stressful diplomatic relationships and have indicated a threat to the sovereignty over the territories agreed to be theirs by the 1851 Treaty of Fort Laramie.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
17 x 19.75 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Distribution of Goods to the Assiniboines' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XIV' upper right
Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding.
Print in overall good condition; some localized foxing and discoloration; frame in excellent condition.
John Mix Stanley...
Category
1850s Romantic Landscape Prints
Materials
Lithograph