Heinz Wehlisch

Building

Unknown (approx. 1970s)

Marino Marini Due Pomone Plate X from "Tout pres de Marino" Aquatint Etching on Arches paper Year: 1971 Lithograph Size: 10.25x7.45 on 22x15in Edition: 95 Not individually signed (o...

Friedrich Meckseper Feuer Etching on Velum, BFK Rives Year: 1973 Size: 7.2x8.8 on 14.8x13.4in Edition: 200 Signed, dated and numbered by hand Drystamp lower left COA provided Ref.: 924802-1356 Friedrich Meckseper (born June 8, 1936 in Bremen ; † June 5, 2019) was a German painter, graphic artist, draftsman, designer and author. Friedrich Meckseper grew up in Stuttgart . The building researcher Cord Meckseper is his older brother. From 1952 to 1955 he completed his apprenticeship as a mechanic with the planned professional goal of becoming a locomotive engineer. Then he first began studying at the State Academy of Fine Arts in Stuttgart under Karl Rössing , in order to continue this from 1957 to 1959 at the Academy of Fine Arts in Berlin under Wolf Hoffmann . The first of his etchings also date from this period. In addition to his artistic work, Meckseper was also interested in technology. He designed and built a steamboat from 1972 to 1974 and crossed the Alps five times in a gas balloon between 1978 and 1986. Meckseper was influenced by, for example, Anton Heyboer...

Ian Fleming Title: Symbol 2 - Eternal Woman Medium: Etching and Aquatint on paper Year: 1977 Size: 19 x 22 inches (48.26 x 55.88 cm) Edition: 50 Signed, numbered, dated and inscribed by hand COA provided Framed in a simple silver metal frame Ref.: Peacock Archive, 1988. Aberdeen Archives, Gallery & Museum, Scotland Ref.: 924802-861 ----------------------- Ian Fleming (1906, Glasgow - 1994, Aberdeen, Scotland) Fleming was born in Glasgow and studied at the Glasgow School of Art. He began printmaking at art school, and Glasgow Art Gallery bought two of his prints while he was still a student. In 1928, Fleming made his first engraving while working with Charles Murray, and he soon became a highly-skilled engraver. While lecturing at the Art School from 1931, Fleming met William Wilson, the Edinburgh-based printmaker and stained glass artist. They became friends, and their work was mutually influential. He also taught Robert Colquhoun...

Marie Thérèse Vacossin Le Collier de Lussie Color etching on hand-made paper Year: 1971 Signed, numbered, dated and titled by hand Edition: 8 Size: 8.3 × 11.6 on 22.0 × 14.8 inches ...

This original etching is hand-coloured by the artist in yellow, orange and green watercolour. It is signed in pencil "M. Ch." in the lower right margin. It is numbered in pencil fr...

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary. Sante Fe: Printed by Peter J. Platt, 1926. 100. Etching on cr...