Henri de Toulouse-Lautrec1896 Henri de Toulouse Lautrec Poster for the exhibition Elles at La plume1896
1896
About the Item
- Creator:Henri de Toulouse-Lautrec (1864 - 1901, French)
- Creation Year:1896
- Dimensions:Height: 25.6 in (65 cm)Width: 19.69 in (50 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good condition, traces of folds, on linen.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792210165222
Henri de Toulouse-Lautrec
During his brief artistic career, Henri de Toulouse-Lautrec captured the lively and often sordid atmosphere of Montmartre’s late 19th-century dance halls, cabarets, and theaters. Recording the performances he viewed and the establishments he visited on a nightly basis, he functioned as artist and narrator: original Lautrec paintings, drawings, prints, and posters expose the complexities of the quickly changing age in which he lived.
Between 1890 and 1900, Paris saw tremendous growth in its nightlife scene, with nearly 300 café-concerts serving women and men who drank, smoked, and fraternized in ways previously unpermitted to them in public. In such prominent clubs as the Moulin Rouge and less reputable institutions like the Moulin de la Galette, aristocrats often rubbed shoulders with the working class. It was within these establishments that Lautrec found the subjects he would voraciously document over the next decade.
Lautrec chronicled his era largely through printmaking — something few other artists had attempted to do in this medium. From 1891 until his death in 1901, he produced nearly 350 lithographic posters, editioned portfolios, and illustrations for journals and theater programs recounting life in Belle Époque Paris. The rise of color lithography in 1891 ushered in a new form of printmaking, and Lautrec found great success in this medium. This process allowed him to print large posters in color.
Find original Henri de Toulouse-Lautrec posters and prints for sale on 1stDibs.
(Biography provided by Allinson Gallery, Inc.)
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Circa 1900 Original poster for Beeston Tires by Alfred Choubrac - AdvertisingBy Alfred ChoubracLocated in PARIS, FRChoubrac is one of the pioneers of poster art in France. In 1884, when Maindron published his first article on posters, he listed only nine active poster artists known to him, and in...Category
1890s Art Nouveau Prints and Multiples
MaterialsPaper, Linen, Lithograph
- Cycles Peugeot Valentigney ( Doubs ) Circa 1900 - Original Poster - Art NouveauLocated in PARIS, FRVery beautiful poster of Thelem (Ernest BARTHÉLEMY LEM, 1869-1930) for the Peugeot cycles. The Peugeot family began its rise to industrial power with the discovery of iron in the Do...Category
Early 20th Century Art Nouveau Prints and Multiples
MaterialsPaper, Linen, Lithograph
- John Hassall A night out Circa 1900 Original Poster Theatre United KingdomBy John HassallLocated in PARIS, FRNice poster of the beginning of the century for the Vaudeville theater, entitled A night out and printed by David Allen & sons in London. John Hassall ( 1...Category
Early 20th Century Art Nouveau Prints and Multiples
MaterialsPaper, Linen, Lithograph
- C. 1900 Original Poster The Minster biggest magazine in the world by Max CowperBy Max CowperLocated in PARIS, FRMax Cowper 🏴(1860-1911) was a Dundee born painter. He was employed as an illustrator for the Dundee Courier before moving to London around 1901 to join the staff of the ...Category
Early 1900s Art Nouveau Prints and Multiples
MaterialsLinen, Paper, Lithograph
- 1893 Original poster by Louis Galice for the Bois de Boulogne flower festivalLocated in PARIS, FRBeautiful poster by Louis Galice for the Bois de Boulogne flower festival for the victims of duty. Louis Galice was an excellent draughtsman, as well as a highly talented illustrator...Category
1890s Art Nouveau Prints and Multiples
MaterialsLinen, Paper, Lithograph
- 1895 Original poster by Jules Chéret for the Quinquina Dubonnet - Art NouveauBy Jules ChéretLocated in PARIS, FRBeautiful poster by Jules Chéret in 1895. One of the many products promoted by Chéret's cheerful redhead was Quinquina Dubonnet, a fortified wine made from herbs mixed with quinine....Category
1890s Art Nouveau Prints and Multiples
MaterialsLinen, Paper, Lithograph
- Cirage Jacquot et CieBy Lucien LefevreLocated in Greenwich, CTCirage Jacquot et Cie is an 1886 chromolithograph of Lucien Lefèvre's delightful poster, printed at Imprimerie Chaix under the direction Ernest Maindron...Category
Late 19th Century Art Nouveau Prints and Multiples
MaterialsPaper, Lithograph
- Alcazar d'hiverLocated in Greenwich, CTAlcazar d'Hiver is an 1896 chromolithograph of Choubrac's brilliant poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collec...Category
Late 19th Century Art Nouveau Prints and Multiples
MaterialsPaper, Lithograph
- Le CénacleBy Victor MignotLocated in Greenwich, CTLe Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...Category
Late 19th Century Art Nouveau Prints and Multiples
MaterialsPaper, Lithograph
- Fromme's Kalender Art Nouveau Lithograph Poster Koloman Moser Vienna SecessionBy Koloman MoserLocated in Chicago, ILLithograph printed by Albert Berger, Vienna. This design "was considered very advanced in 1899, with its large scale portrayal of the motif and the almost complete renunciation of interior drawing. The silhouette of the body is in mysterious contrast to the realistically portrayed head and hands. The unwavering gaze of the woman underlines the symbolism of the design: the Norn [ancient Norse goddess of fate] with the hour-glass and snake-ring embodies the eternal circle of life and the running out of time" (Vienna Secession, Denscher, p. 45). As the poster was originally used in 1899, the waning sand in the hourglass quite naturally can be assumed to be the coming of the end of the century. KOLOMAN MOSER: Instead of applying his flair and art education to paintings, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil (Youth Style) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...Category
1890s Art Nouveau Figurative Prints
MaterialsPaper, Lithograph
- Henri de Toulouse-Lautrec "La Revue Blanche" limited edition lithographBy Henri de Toulouse-LautrecLocated in Boca Raton, FLLimited edition lithograph on Arches paper from edition of 2,000 of "La Revue Blanche" by Henri de Toulouse-Lautrec. Reproduction reissued in 1974. Th...Category
1970s Art Nouveau Figurative Prints
MaterialsPaper, Lithograph
- Portrait of Philip Andreevich Malavin.1879.Paper, lithography, 32x23 cm with defBy Leon BakstLocated in Riga, LVPortrait of Philip Andreevich Malavin.1879.Paper, lithography, 32x23 cm with minor defects. Leon Bakst. (1866-1924)Category
1870s Art Nouveau Portrait Prints
MaterialsLithograph, Paper