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Henri Gabriel IbelsCirca 1900 original poster announces the release of Les Cités Futures by IbelsCirca 1900
Circa 1900
About the Item
This rare circa 1900 original poster announces the release of Les Cités Futures, a forward-thinking socio-political work by André Ibels, with a preface by Paul Adam. Published by the Bibliothèque de l’Association in Paris, the book reflects on the evolution of urban spaces, the laboring class, and the possibilities of a more just and modern society.
The artwork is by Henri-Gabriel Ibels, a key figure of the French avant-garde and a member of the Nabis group, renowned for his deeply humanist approach and strong graphic style. His illustration adds a socially conscious dimension to the poster, capturing themes of work and progress with subtle intensity.
Printed by J. Damoy, this piece stands as a fine example of turn-of-the-century French poster design, where literature, art, and political thought intersected. Both a promotional tool and a work of art, it speaks to a time when visual culture played a powerful role in shaping public discourse.
A significant item for collectors interested in symbolist literature, French political art, or early 20th-century publishing ephemera.
Press
Printed by J. Dangon
- Creator:Henri Gabriel Ibels (1867 - 1936, French)
- Creation Year:Circa 1900
- Dimensions:Height: 10.63 in (27 cm)Width: 13.78 in (35 cm)
- Medium:
- Period:
- Condition:Good condition, traces of folds, on linen.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792216151332
Henri Gabriel Ibels
Henri-Gabriel Ibels (30 November 1867 Paris – February 1936 Paris), was a French illustrator, printmaker, painter and author. He studied at the Académie Julian* with Pierre Bonnard and Édouard Vuillard and was a member of Les Nabis* from its 1889 founding. Other members were Gauguin, Utrillo, Félix Vallotton and Émile Bernard. Ibels took part in Les Nabis’ exhibitions at Le Barc de Boutteville gallery. With Vuillard and Maurice Denis he soon caught the public eye and earned the nickname ‘le Nabis journaliste’. Ibels’ images were powerful and heavily graphic, in keeping with the movement that was a generous admixture of fine art, graphic design and advertising, as seen in the lithographs and posters for theater, cabaret, and book illustration. Ibels drew his inspiration from life on the street, cafés, the circus and boxing ring, as did Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen. His graphic style owed much to the art of Honoré Daumier, Japanese woodcuts, Paul Gauguin and the Pont-Aven School. Ibels collaborated with Toulouse-Lautrec and became involved in avant-garde theater. He exhibited at the Salon des Indépendants* for the first time in 1891.
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