Interior Prints

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...

ROMARE BEARDEN 1970-1980 The Brooklyn Museum, September 26-November 29, 1981 Exhibition Poster "Jamming At The Savoy" (image from original 14" x 18" collage on board by Bearden) 22 x 31.5 inches, unframed Poster is not signed. Jamming At The Savoy - vintage museum exhibition poster which is from the original first printing produced for Romare Bearden's exhibition at The Brooklyn Museum - Sept. 26 - Nov. 29, 1981. Published by J K Fine Art, organized by The Mint Museum Charlotte, NC and supported by Philip Morris Inc. and the National Endowment of The Arts. Jamming At The Savoy was printed in 4-color offset lithography on heavyweight semigloss paper with hot stamped lettering for the title texts. Jamming At The Savoy presents a rainbow colored, musical themed image by the master artist Romare Bearden that captures the lively sounds and mood of a high-spirited live jazz performance! Size - 22 x 31.5, unframed, unsigned, very good condition About the aartist- Romare Bearden (1911-1988) Born in Charlotte, North Carolina, Romare Bearden is one of America’s most esteemed African American contemporary artists...

SPANISH STILL LIFE WITH GARLIC by the Spanish artist Carlos Pradal, is an original hand drawn, stone lithograph printed by hand in Paris France using traditional hand lithography techniques on buff color archival printmaking paper, 100% acid free. SPANISH STILL LIFE WITH GARLIC presents an expressionist-style still life vegetable portrait depicting round onions with a head of garlic positioned toward the center. A broad sweeping brushstroke wash of charcoal black dominates the background creating a dramatic staging for the red and orange vegetable shapes; the off white color of the paper forms the garlic bulb creating contrast for this expressive, energetic Spanish still life composition. Print size - 17 x 20.25 inches, unframed, very good condition, pencil signed by Pradal, inscribed E.A.(Epreuve Artiste) with personal dedication to the master printer Image size - 13 x 16.25 inches Year - c. 1974 About the artist: Carlos Pradal(1923-1988) Spanish ceramist, painter and illustrator was the son of Republican deputy Gabriel Pradal from Almeria, Andalusia. In 1939, his family was forced into exile and settled in France, in Toulouse. In 1956 he obtained a Spanish license and became an auxiliary teacher. He practiced drawing and painting at the same time, following the lessons of Raoul Bergougnan. In 1972, he moved to Paris, where he became a friend of the painters Peinado and Orlando Pelayo. When Franco died...

Ploughman's Cottage, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings. Richard Heeps is well known for documenting the unique Fenland landscape near ...

Guy Gee, America (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reima...

Howard Kanovitz Paris Review, 1968 Lithograph on wove paper 33 × 26 inches Pencil signed and numbered 9/200 Published by The Paris Review, New Y...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

Günther Uecker (German, born 1930) Lichtungen III, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil ...

Santa Barbara is a serigraph on paper measuring 26 x 29 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XCIX/CL from t...

Günther Uecker (German, born 1930) Splitter, 1991 Medium: Lithograph on wove paper Dimensions: 30 x 42 cm Edition of 200: Hand-signed an numbered in pencil Condition: Excellent

Jonas Wood Large Shelf Still Life, 2017 Offset lithograph in colors on smooth wove paper 23 × 23 in 58.42 × 58.42 cm Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...

Guy Gee, Great Britain (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally...

Jean-Michel Basquiat, Mecca, 1982 (Framed) Monte Carlo 300gsm watercolour paper. This premium paper is made on a traditional cylinder mould machine by St Cuthbert's Mill in Somerset where they have been making fine papers on the same site since the 1700's. They are the only commercial paper mill in England to still use this paper-making process Paper size: 99 x 100cm Framed size: 103 x 104cm During the 1980s, New York was a central hub for underground artists, hence Jean-Michel Basquiat's depiction of the Empire State Building in his version of 'Mecca'. Basquiat also situated his personal motif, the three point crown, directly above the word 'Empire', representing his sudden rise to fame as his artwork was propelled from the streets of downtown New York to high end art...

ABOUT THIS PIECE: Ludwig captures the monumental architecture of Paris with the romantic eye of a Parisian. Favre is known for his soft palette, interesting crops and large scale pho...

Girl in Ballerina Dress, c. 1970 Color lithograph printed on wove paper, hand signed in pencil and numbered 22/75, with the inkstamp of the publisher, Landfall Press, Chicago (they have published an eclectic list of many important artists including Christo, Judy Chicago, David Levinthal and Jack tworkov to name a few.) Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs presaging Pop Art. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art. In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party...

Joseph Beuys (German, 1921-1986) So kann die Parteiendiktatur überwunden werden (How the dictatorship of the parties can be overcome), 1971 Medium: Printed polyethylene shopping bag ...

Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...

34" x 24" Unframed Limited Edition Serigraph of 120 Hand Signed by Diana Christensen

Jean-Michel Basquiat, Museum Security (Broadway Meltdown) 1983/2021 (Framed) Monte Carlo 300gsm watercolour paper. This premium paper is made on a traditional cylinder mould machine...

André Butzer (German, b. 1973) Untitled (Ich will erstmal 'ne Cola!), 2011 Medium: Etching on wove paper Dimensions: 34.7 x 25 cm Edition of 30: Hand-signed and numbered in pencil Co...

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Jean-Michel Basquiat, Mecca, 1982 Monte Carlo 300gsm watercolour paper. This premium paper made on a traditional cylinder mould machine by St Cuthbert's Mill in Somerset where they have been making fine papers on the same site since the 1700's. They are the only commercial paper mill in England to still use this paper-making process Image size: 79 x 80cm Paper size: 99 x 100cm During the 1980s, New York was a central hub for underground artists, hence Jean-Michel Basquiat's depiction of the empire state building in his version of 'Mecca'. Basquiat also situated his personal motif, the three point crown, directly above the word 'Empire', representing his sudden rise to fame as his artwork was propelled from the streets of downtown New York to high end art...

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Japanese Kimono by the American photorealist artist Douglas Hofmann is an original hand drawn lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on Arches paper, 100% acid free. Print size - 31.25" x 24", unframed, excellent condition, pencil signed by Douglas Hofmann Image size - 24.25" x 18.25" Edition size - 300, plus proofs Year published - 1990 Printer - JK Fine Art Editions Co. Japanese Kimono is a remarkable rendering of a young blonde woman, hair in a chignon, modeling a white Japanese silk kimono, embellished with red edging and elegant gold cranes...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph RP of 10 Hand Sign...

Ugo Rondinone Stars, 2009 Medium: Screenprint on paper Dimensions: 105.0 x 74.7 cm (41.3 x 29.4 in) Edition of 300: Hand-signed and numbered Condition: Excellent

16" x 12" Unframed Limited Edition Serigraph of 10 Hand Signed by Jason Alexander

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph with Hand Drawn Re...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph AP & RP of 10 Hand...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in wa...

Sarah Morris (American, born 1967) London, 2012 Medium: Digital print on rag paper with glaze Dimensions: 38 x 30 cm (14 15/16 x 11 13/16 in) Edition of 200: Hand-signed and numbered...

An original vintage poster of Perlach Macaroni Spaghetti created by Richard Roth for the German pasta brand, Perlach in the 1940s 1. The poster features an anthropomorphic pasta man...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Are you ready, 2016 Medium: Pigment print Dimensions: 115 x 111 cm Edition of 60 + 35 EA: Hand-signed and numbered Condition: Exc...

The Clan Colquhoun (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descript...

Hnizdovsky, Jacques. BOUQUET. Tahir 41. Woodcut, 1964. Edition of 150. Signed, titled, dated and numbered 92/150 in pencil. 15 x 18 inches on a sheet 20 x 23 1/2 inches (matted to c....

Artist: Christo Title: Wrapped Floors Medium: Offset lithograph Size: 50 x 36 inches Year: 1984 Publisher: Architekturmuseum, Basel, Switzerland Reference #: Schellmann 110 Hand sign...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

Set of four lithographs enhanced with gouache by Maurice Dufrene. Four original plans from "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These four plans ar...

Jean-Michel Basquiat, Museum Security (Broadway Meltdown) 1983/2021 Monte Carlo 300gsm watercolour paper. This premium paper made on a traditional cylinder mould machine by St Cuth...

PETER HALLEY (American, b. 1953) Cartoon Explosion, 1999 Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued) Dimensions: 49.21 x 12.60 in (125....

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...

Laure Prouvost (French, b. 1978) Nice to not be a screen, 2020 Medium: Digital pigment print, on Hahnemühle Photo Rag Dimensions: 54 x 40 cm (21.25 x 15.75 in) Edition of 20: Hand-si...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh in his bedroom with his dog. Sunflowers appear in the background, brightening up a blue and purple ro...

"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not framed. Ships in a tube. Lika Brutyan is America...

Landscape with Window and Chair Mezzotint on wove paper, 2000 Signed in pencil lower right (see photo) Edition: 150 (93/150) (see photo) Special Presentation Print for the Print Club of Albany, 2000 Condition: Mint Image/Plate size: 4 1/2 x 3 1/2 inches Sheet size: 7 x 5 1/2 inches From the Print Club of Albany: "Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image." From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium. Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons. Works by the artist are in the following public collections: • Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor* • Albertina Museum, Vienna, Austria* • Albright-Knox Art Gallery, Buffalo, NY • Arkansas State University Permanent Collection, State University, AR • Art Institute of Chicago, Chicago, IL • Art Museum of Western Virginia, Roanoke, VA • Art Students League of New York, New York, NY • Bates College Museum of Art, Lewiston, ME • Berkshire Museum, Pittsfield, MA • Bibliothèque nationale de France, Paris* • Boston Athenæum, Boston, MA • Bowdoin College Museum of Art, Brunswick, ME* • British Museum, London, England* • Brooklyn Museum of Art, Brooklyn, NY* • Butler Institute of American Art, Youngstown, OH • Canton Art Institute, Canton, OH • Carnegie Museum of Art, Pittsburgh, PA • Century Association, New York, NY • Cleveland Museum of Art, Cleveland, OH* • Columbus Museum of Art, Columbus, OH • Coos Art Museum, Coos Bay...

London: Tallis & Co., 1851 Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

DRAG QUEEN is a superbly executed hand drawn, original lithograph printed from a lithographic stone using traditional hand printmaking techniques on archival paper 100% acid free. DRAG QUEEN portrays a pencil drawing of a seated man wearing a scallop edge black slip dress, dark stockings, pom pom mules/slides, holding a small black purse. He looks straight out toward the viewer with one eye open, one closed as he pokes the eye of a mysterious man looking up from the bottom of the composition. Very intriguing, Cabaret-Berlin style, surreal portrait that was hand printed in Paris France during the early 1970's. Artist is unknown.... Paper size: 12.75 x 9.5 inches, unframed, unsigned Printers Proof, hand torn edges, fine impression, excellent condition. From Wikipedia, the free encyclopedia- A drag queen is a person, usually male, who uses drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes. In modern times, drag queens are associated with gay men and gay culture, but people of other genders and sexual identities...

The Clan of Fraser (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descript...

The Clan of Macalister (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of desc...

Jonas Wood Large Shelf Still Life, 2017 Offset lithograph in colors on smooth wove paper 23 × 23 in 58.42 × 58.42 cm Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...

Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from th...

Joanna Irvin Greenwich Window 1 Etching A/P Image: 15 x 10 Mount 27.0 x 22.0 cm Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...

The Jacobite Tartan Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...