Square Interior Prints

BIG OLIVES, LITTLE OLIVES is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed in 1986 using hand lithography techniques on archival Arches paper, 100% acid free. BIG OLIVES, LITTLE OLIVES presents a humorous piano bar scene depicting a lively group of night club patrons enjoying their cocktails as they enthusiastically sing along with the debonair piano player giving the viewer a true feeling of merriment in this quintessential Beryl Cook image. BIG OLIVES, LITTLE OLIVES is a warm, colorful interior scene printed in shades of golden brown, black, red, blue, lavender, purple, green, orange, pink, peach, gray, and beige. BIG OLIVES, LITTLE OLIVES is one of Beryl Cook's most loved images - the edition is SOLD OUT, this is a rare unsigned printers proof aside from the numbered edition from the master printers private collection, stamped legend on verso with provenance information. Print size - 27 x 27 inches, UNSIGNED Printers Proof, unframed, excellent condition Edition size - 300 plus proofs Year published - 1990, printed at JK Fine Art Editions Co. NYC Beryl Cook's unique artistic humor documented familiar social situations...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...

Artist: Victor Vasarely Title: Profound Works Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Ed...

Fishermen's Mission, Fleetwood, British vintage interior with a nautical theme, photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour co...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Jonas Wood, Large Shelf Still Life, 2017 Limited edition offset lithograph print In colour on wove paper by American contemporary visual artist Jonas Wood titled “Large Shelf Still ...

One screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 artist's proofs) The sheet size is 22 1/4 by 20 inches, with the blindstamp of the printer, Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, Inc., New York. This impression has a rich, bold red color on bright white paper. Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreates the seating chart...

Graceful interweaving of plants with a blur effect in dark green colors - Limited edition Print - with archival inks on Hahnemühle German etching fine art canvas - 80x80 cm (31.5 ...

Ceiling of the Paris Opera House This is a print made by Center Art Galleries-Hawaii, Inc. You can google their name to get a sense of the litigation surrounding this manufacturer,...

Title: Golf Players - Limited Edition Textured Canvas Print Immerse yourself in the world of golf with "Golf Players," a limited edition textured canvas print that celebrates the spirit of the sport. This captivating artwork captures the essence of golfing moments...

Jonas Wood Large Shelf Still Life, 2017 Offset lithograph in colors on smooth wove paper 23 × 23 in 58.42 × 58.42 cm Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...

This is a historical photograph of Piazza della Signoria in Florence, Italy, taken in the 1950s. The image captures a lively city scene with numerous vintage cars parked around the s...

Martini Corner, is an interior photograph by Richard Heeps, captured in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century f...

Damien Hirst (British, born 1965) Savoy (H5-8), 2018 Medium: Diasec-mounted Giclée print on aluminum panel Dimensions: 88.9 × 88.9 cm (35 × 35 in) Edition of 100: Hand-signed and num...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Martini Corner, interior photography by Richard Heeps, photographed in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century fe...

Interior photograph from Richard Heeps, Prefab series. "Prefab came about as an offshoot of 'A View of the Fens Car with Wings' and I feel the square format artworks are a continuati...

Chair, from Richard Heeps 'Ordinary Places', a series capturing Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition ...

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...

Victor Vasarely (Hungarian-French, 1906-1997) Untitled, ca. 1966 Medium: Screen print on card Dimensions: 27 3/5 × 27 3/5 in (70 × 70 cm) Edition of 100: Hand-signed in pencil, not n...

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Close Finish is an original linocut print on paper by John Scott Martin. Having cut a series of lino blocks, I prepare collage backgrounds. I handprint onto the collages, which are m...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a soft pink color palette and a vintage style with a hint of flamingo kitsc...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Part of Richard Heeps Ordinary Places Series, capturing Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Ph...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Architextures is a suite of 8 mezzotints in an edition of 50 created in 1984: Mosque and Mosque Interior (5.1 cm x 5.1 cm) Dome and Dome Interior (5.7cm x 3.8 cm) Castle and Castle ...

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

Title: Dinner Business Meeting - Midcentury Modern Limited Edition Textured Canvas Print Step into the timeless charm of "Dinner Business Meeting," a limited edition textured canvas...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Dinner Meeting 3 - Midcentury Modern Limited Edition Textured Canvas Print Experience the timeless allure of "Dinner Meeting 3," a limited edition textured canvas print that capture...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Damien Hirst (British, born 1965) Fruitful, 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 39 x 39 cm Edition of 3308: Printed signature and edition num...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Giacomo da Prato Faraglioni, Capri, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

"Adultery", 1990 Large original serigraphy printed on fabric, very rare and limited Edition of 30 Artist Proof signed hand by the artist in black ink and accompanied by its certificate of authenticity. Number: EA - 30 EA (30 Artist Proof ) Dimensions of the serigraphy : 140 x 140 cm Very good condition. Imposing and important highly illustrated monograph, with a lively layout, of one of the best-selling French artists on the international contemporary art market. A colorful and highly circumscribed painting, inspired by comics, graphics and popular art, and anchored in rock’n’roll imagery since 1977. The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. With its carefully surrounded black shapes, its faces out of a comic strip and its bright colors, this work which treats adultery with derision corresponds well to the criteria of Free Figuration, a movement, born in 1979, around this Lyonnais artist and and his cronies. Casually appropriating advertising images, comics, science fiction as well as great works in the history of classical art, these artists break with the seriousness of the time. It is in Epinal style illustration and imagery that one must look for the missing link to understand the art of Combas. Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi Blanchard...

Ai Weiwei, Human Flow, 2023 2 layer UV flatbed print on mirrored aluminium composite 55 x 55 cm (21.65 x 21.65 in) Edition of 100 Hand-signed and numbered by the artist Disside...

Chevron - Vintage Wimpy, Norfolk, 2023 photograph by Richard Heeps captures the style of an American diner, via Norfolk in England. The vintage interior...

Champagne City, Aqua Blue Thames Clare Halifax Signed by the artist Limited edition of 10 Image size: H:48 cm x W:48 cm Paper size: H:56 cm x W:56 cm x D:0.1 cm Please note that insitus are purely an indication of how a piece may look. Champagne City, Aqua Blue Thames is a limited edition cityscape print by Clare Halifax. Champagne City, Aqua Blue Thames features hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print with hand finished gilding is printed by the artist and shows the view of the thames from sky garden, edition of 10, printed onto somerset satin 300gms with deckle edge. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

A chair sits in an otherwise derelict factory in a blue painted room, the depth perspective creates a colour blocking effect. from Richard Heeps 'Ordinary Places', a series capturin...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Chair, industrial vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it instan...