Howard Kanovitz

Howard Kanovitz S/N lithograph by famed photorealist artist for The Paris Review

1968

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

Anish Kapoor Shooting into the Corner (hand signed and dated by Anish Kapoor), 2009 Offset lithograph poster (hand signed and dated 2016) Boldly signed and dated by Anish Kapoor on t...

Jonas Wood Prints (Hand signed), 2018 Offset lithograph poster. Hand signed and dated with basketball flourish. 30 × 24 inches Edition of approx. 100 signed (un-numbered) Boldly sign...

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...

The Bird Cage, No.14, 1947 lithograph 30 x 40 in 76.2 x 101.6 cm signed in the plate From a 1947 gouache and chalk original (53.3 x 48.2 cm), the motif also worked into 'Boy and Birdcage', 1947-48, an oil painting. Scott was teaching at Corsham Court with Clifford and Rosemary Ellis, who had been chosen. The birdcage was originally explored in his 1946 painting 'Robert with Birdcage'. Produced for the first series of Lyons prints, by sixteen artists, it was the most avant-garde image chosen for the standardised sizes 'This was distinguishable as from the other lithographs because it was rendered in a bold artistic style of simple shapes and blocks of flat colour.' 'Tea and a Slice of Art', Charlie Batchelor, Towner Art Gallery, 2007. The lithographs were bought early on by institutions including the V&A, National Galleries of Scotland and British Council, as well as being available in New York with Rudolf...

JR (French, born 1983) Los Surcos de la Ciudad, Marino Saura Oton, Cartagena, Espagne, 2021 Medium: Lithograph on wove paper Dimensions: 48 x 36 cm (18.9 x 14.2 in) Edition of 250: H...

DRESS REHEARSAL by the woman artist Robin Morris, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed in 13 colors using hand lithography techniques on archival Arches paper, 100% acid free. DRESS REHEARSAL depicts a group of blonde female dancers rehearsing in the dance studio wearing bold black striped color leotards. Dramatic purple arched windows against a pink wall and bold black and white checkered floor...