Marc Chagall

La Reine de Seba - Solomon Greets the Queen of Sheba

1958

Roberto Sebastian Matta "L'Autoapocalipse II" Year: 1984. Dimensions Height 15.8in, Width 19.7in Etching on Fine art paper Edition: From the edition of 150 hand signed & numbered by ...

Roberto Sebastian Matta "L'Autoapocalipse III" Year: 1984. Dimensions Height 15.8in, Width 19.7in Etching on Fine art paper Edition: From the edition of 150 hand signed & numbered by...

Roberto Sebastian Matta "L'Autoapocalipse I" Year: 1984. Dimensions Height 15.8in, Width 19.7in Etching on Fine art paper Edition: From the edition of 150 hand signed & numbered by t...

Christo and Jeanne-Claude Wrapped Walk Ways, 1983 Lithograph on Arches Cover White mounted on museum board, with collage of white cloth 28 × 44 in. - 71 × 112 cm Edition: 68/100 Sign...

Jean Michel Basquiat "Untitled 1997" Limited Edition Print: Lithograph in Colors Approximate Size: 30 x 22 in 76 x 56 cm Edition: Unnumbered limited edition Other: Stamped By Artist's Estate Condition: Excellent Not Framed Additional Info: Lithograph in Colors, Created After the Original Artwork Jean-Michel Basquiat (American, 1960–1988), one of the first African American artists to reach international stature and wealth in the art world, had a short but impactful career. His rise to fame came quickly, as he was celebrated for his fusion of multicultural symbols, biting social commentary, and distinctive graphic style. Born in Brooklyn, NY, Basquiat drew and visited museums regularly from an early age, and many of his childhood interests—ranging from cartoons and Alfred Hitchcock films to anatomy and French and Spanish textbooks—would prove influential in his later work. Basquiat dropped out of school at the age of 17 and began creating art full time, gaining notoriety for his invented character SAMO (“Same Old Shit”), who made a living peddling “fake” religion. Basquiat depicted SAMO’s signature in graffiti art with cryptic messages in the late 1970s and early 1980s, and began painting on found materials, buildings, t-shirts, and commercial items. He delved into the urban 1980s avant-garde culture of New York, creating wildly expressive paintings which earned him considerable acclaim by his first solo exhibition in 1982. In 1983 he befriended his idol, Andy Warhol, and the two collaborated on several projects. Basquiat combined African, Aztec, Hispanic, and ancient Roman and Greek imagery with his own invented iconography and graphic marks in works that emphasized the physical and the gestural aspects of the artistic process. Ever conscious of his identity as an African-American in the art world, Basquiat’s work was rife with imagery commenting on race relations...

Artist: Kenny Scharf Title: Kenny Scharf, Flintstones, Screenprint, unsigned Year: 1998 Medium: Screenprint, unsigned Edition: 150 Size: 35 x 44 in. (88.9 x 111.76 cm) Image Size: 3...

Gert & Uwe Tobias (German, b. 1973) Untitled, 2008 Medium: Opaque white, gouache and pastel crayon over drypoint on wove paper (and artist’s book) Dimensions: 36 x 26.4 cm Unique edi...

London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...

A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...

London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....

A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3) London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...