Metal Interior Prints

Rebecca Skinner’s “Forbode” is a 18 x 12 inch black and white interior photograph of an abandoned, decaying hallway with peeling walls and open doors, evoking an eerie, forgotten, an...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 300. Artwork is in excellent condition. Certificate of authenticity in...

Maria Rivans, Eve Giclee with Gold Foil, Iridescent Lilac and Varnish on Somerset paper 87 x 121 cm (34.25 x 47.63 in) Hand-signed by the Artist Comes with Certificate of Authent...

Rebecca Skinner’s “Daydream” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photo with sati...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Peter Blake I Love You, 2010 Screenprint in colours with gold and silver leaf on wove paper Framed 136.5 x 42 cm Edition of 175 hand-signed and numbered by the artist published by CC...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

Rebecca Skinner’s “Unravel” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 24 x 16 inch color photo with satin...

Clare Halifax Shimmer and Shine New York City Skyline Limited Edition Silkscreen Print Edition of 30 Image Size: H 100cm x W 33cm Sheet Size: H 110cm x W 37cm x D 0.1cm Sold Unframed Shimmer and Sine New York City Line is a limited edition print by Clare Halifax. A depiction of the New York skyline from the Rockefeller of Manhattan, including the iconic Empire State Building. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

Rebecca Skinner’s “Exhausted” is a 11 x 17 inch metal print and is part of her “Transient” series. The color photograph is of an abandoned room with a worn twin bed covered by a fade...

Rebecca Skinner’s “Succession” was photographed at an abandoned hospital and is part of her “Forgotten” series raising mental health awareness. Seemingly endless doorways open to sof...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Rebecca Skinner’s “Dream” is a 18 x 12 inch color photograph of an abandoned room with peeling paint on the walls and ceiling and a stacked mattress bed under a vintage chandelier, s...

Rebecca Skinner’s “Past” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage can opener at an ...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

National Theatre, Teal By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:60 cm x W:145 cm Complete Size of Unframed Work: H:60 cm x W:145 c...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. AP edition of 450. Artwork is in excellent condition. Certificate of authenticity included...

Rebecca Skinner’s “West Hallway” is a 24 x 16 inch contemporary color photograph of a faded blue door ajar in a dim, decaying hallway with peeling walls and muted lighting, evoking t...

Rebecca Skinner’s “Exhausted” is a 24 x 36 inch metal print and is part of her “Transient” series. The color photograph is of an abandoned room with a worn twin bed covered by a fade...

MAX STEVEN GROSSMAN "Rock SA V" Trans Mounted Metallic Print 91 x 48 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value ...

MAX STEVEN GROSSMAN "70's Rock Square" Trans Mounted Metallic Print 48 x 53 in. Ed of 5 *Please note there is a printing time of 14 Business Days** Exploring the changing accessibi...