Mixed Media Interior Prints

Gorgeous large scale Japanese genre lithograph titled Before the Recital (#154/300) of Geisha arranging the hair of another by Hisashi Otsuka (Japanese/American, b. 1947), circa 1990...

Mark Kostabi The Right Note 3D-construction Year: 2015 Signed by hand, dated and inscribed Edition: 30 Size: 14.0 × 19.5 on 18.5 × 23.8 inches COA provided (gallery issued) Kalev Mark Kostabi (born November 27, 1960) is an American artist and composer. Kostabi was born in Los Angeles on November 27, 1960, to Estonian immigrants Kaljo and Rita Kostabi. He was raised in Whittier, California and studied drawing and painting at California State University, Fullerton. In 1982 he moved to New York and by 1984 he became a prominent figure of the East Village art scene, winning the "Proliferation Prize" from the East Village Eye for being in more art exhibitions than any other New York artist. Kostabi is most known for his paintings of faceless figures which often comment on contemporary political, social and psychological issues, and which have visual stylistic roots in the work of Giorgio de Chirico and Fernand Léger. Beyond traditional art world exposure, Kostabi has designed album covers for Guns N' Roses (Use Your Illusion) and The Ramones (¡Adios Amigos!), Seether (Holding Onto Strings Better Left to Fray), Jimmy Scott (Holding Back The Years), Glint (Sound in Silence), RK: Roman Klun (Kingsway), Psychotica (Espina) and numerous products including a Swatch watch,[2] Alessi vases, Rosenthal espresso...

BOUDOIR POSE is an original hand drawn lithograph by the American woman artist Susan Sahall, printed in the early 1980's, using hand lithography techniques on archival Arches printma...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New York City Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Fernando Botero, Henri Matisse, Utamaro, Andy Warhol, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Roy Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

2016, mixed media collage: screenprint, woodblock, digital print and flocking, 42 3/8 x 34 1/4 inches (107.6 x 87 cm), edition of 26, signed and numbered by the artist Based on collaged paintings the artists created in 2014, the work combines a multitude of processes and elements, including screenprint, woodblock, flocking and digital printing. Interior: Blue Couch and Green Owl...