Pencil Interior Prints

Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Another version of this ...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

This lithograph titled Card Players 16/100, created by renowned artist Kenneth Miller Adams (1897-1966) around 1959, captures a lively interior scene of several male figures engrossed in a card game. The print is an exceptional example of Adams' figurative work, showcasing his skill in portraying dynamic social moments. The lithograph is presented in a sleek black frame with archival materials, and the outer dimensions of the framed piece are 25 ⅝ x 31 ¼ x 1 ⅛ inches. The image sight size is 18 ½ x 24 ¼ inches. This piece remains in excellent condition, clean, and well-preserved. Please contact us for a detailed condition report. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available—please reach out for a quote. About the Artist: Kenneth Miller Adams, born in Kansas in 1897, began his art career in Topeka in 1913, studying under artist G.M. Stone. He later continued his education at the Art Institute of Chicago before serving in World War I. After his service, Adams studied at the Art Students League in New York City and then traveled abroad to immerse himself in Italian and French art. In 1924, Adams returned to Kansas, where his friend Andrew Dasburg encouraged him to move to Taos, New Mexico. There, Adams became the youngest and final member of the Taos Society...

Blue Hydrangea - image bled to plate size ~ 39 x 29 - printed on 100% cotton rag - edition 3/5 Architectural elements

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...

This etching is a study in light and shadow of Taos pueblo pots (Georgia O'Keefe's Adobe staircase) by Santa Cruz, California artist Pam Ackerman (American,...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...

Frida and Diego- image bled to plate size ~ 26” x 24” - printed on 100% cotton rag - Architectural elements

Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

AMERICAN WOMAN is an original hand drawn lithograph enhanced with hand coloring by the renowned American Pop artist, Peter Max. AMERICAN WOMAN was created in 1980 printed using tradi...

Etching and aquatint in black on Auvergne paper Image Size: 13 x 10 cm Sheet Size: 32 x 25 cm Framed 48.7 x 41 cm Edition of 50 hand-signed and numbered by the artist.