Screen Interior Prints

Artist: George Deem, American (1932 - 2008) Title: Mondrian with Vemeer Year: 1978 Medium: Lithograph with Silkscreen, signed and numbered in pencil Edition: 300, AP 40 Image Size: 2...

Harry Bunce Love Wars Series, Tommies Limited Edition Hand Pulled Silkscreen Image Size: H 49cm x W 69.5cm x D 0.1cm Mounted Size: H 59cm x W 80cm x 0.5cm ...

Clare Halifax Shimmer and Shine New York City Skyline Limited Edition Silkscreen Print Edition of 30 Image Size: H 100cm x W 33cm Sheet Size: H 110cm x W 3...

Rupprecht Geiger (German, 1908-2009) Untitled (#4 from Zurückgehen, Weitergehen, Fortgehen), 1966 Medium: Screenprint on paper (with middle-fold, as issued) Dimensions: 35 x 57 cm (w...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Daniel Richter (German, born 1962) Untitled (from 11 Screenprints), 2019 Medium: Screenprint on paper Dimensions: 59.4 x 42 cm Edition of 11: Hand-signed and numbered Condition: Exce...

Rupprecht Geiger (German, 1908-2009) Untitled (#11 from Zurückgehen, Weitergehen, Fortgehen), 1966 Medium: Screenprint on paper Dimensions: 12 3/5 × 11 1/5 in 32 × 28.5 cm Edition o...

Gilbert & George (British, b. 1942 and 1943) The Singing Sculpture 1969-91, 1993 Medium: Relief print in colors, on aluminium foil (Dufex) flush-mounted to museum board, with screenp...

Ed Ruscha (American, born 1937) L.C., from Leo Castelli 90th Birthday, 1997 Medium: Screenprint in colors, on Somerset Velvet paper Dimensions: 94.2 x 68.8 cm (37 1/8 x 27 1/8 in) Ed...

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 51/68 in pencil. Printed by Heinrici Silkscreen, New York. Published by Brooke Alexander...

François Morellet (French, 1926-2016) Trames Portfolio, 1965 Medium: 8 screenprints on cardboard Dimensions: 62 × 62 cm (24 2/5 × 24 2/5 in) Edition of 125: Each serigraph hand signe...

Rupprecht Geiger (German, 1908 – 2009) Bluish Red and Blue-Black, 1961 Medium: Screenprint on cardboard Dimensions: 16.7 x 20.6 cm Framed dimensions: 31.4 x 27.5 x 2.9 cm Edition of ...

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

Photorealist interior screenprint by American artist Lowell Blair Nesbitt of fellow artist Claes Oldenburg’s studio, signed and numbered in pencil. Claes Oldenburg’s Studio Lowell B...

Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there...

Imi Knoebel (German, born 1940) Gelbe Fahne, 1999 Medium: Screenprint on rag paper Dimensions: 100 x 73 cm (39.25 x 28.75 in) Edition of 99: Hand-signed and numbered Condition: Mint

Letterpress on cream cotton paper with hand-deckled edges. Obey publishing chop in lower left corner. Manufacturer: Obey Giant Edition Details: Year: 2018 Class: Fine Art Print Stat...

Rupprecht Geiger (German, 1908-2009) Untitled (#17 from Zurückgehen, Weitergehen, Fortgehen), 1966 Medium: Screenprint on paper Dimensions: 12 3/5 × 11 1/5 in 32 × 28.5 cm Edition o...

Koak (US American, b. 1981) Female Comes In Many Forms, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition...

Jaipur Lake Pavilion is a serigraph on paper measuring 24 x 27 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered XXX/CC ...

Artist: Clayton Pond, American (1941 - ) Title: Column Study 2 from Capital Ideas Portfolio Year: 1974 Medium: Screenprint on Museum Board, signed and numbered in pencil Edition: 150...

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

23" x 17" Unframed Limited Edition Serigraph Artist Proof of 20 Hand Signed by Jason Alexander

Chris Keegan Sphere Limited Edition Silkscreen Print Edition of 50 Size: H 40cm x W 40cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a pi...

Chris Keegan Cube Limited Edition Silkscreen Print Edition of 50 Size: H 40cm x W 40cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a piec...

Peter Pommerer (German, b. 1968) Giraffe with Blue Coloured Eyes, 2000 Medium: Screenprint on wove paper Dimensions: 26 x 21 cm Edition of 100: Hand-signed and numbered in pencil Con...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph RP of 10 Hand Sign...

Standard Edition 16" x 12" Unframed Limited Edition Serigraph of 100 Hand Signed by Jason Alexander 1996 Artist Proof 16" x 12" Unframed Limited Edition Serigraph AP & RP of 10 Hand...

16" x 12" Unframed Limited Edition Serigraph of 10 Hand Signed by Jason Alexander

Serigraph in colors on paper. Hand signed, titled and numbered in pencil by the Will Barnet. AP edition. Sheet size 30 x 23 inches. Image size 22 x 14.5 inches. Custom framed as...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork image size: 29 x ...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork image size: 32 x ...

Daniel Richter (German, born 1962) Untitled (from 11 Screenprints), 2019 Medium: Screenprint on paper Dimensions: 59.4 x 42 cm Edition of 11: Hand-signed and numbered Condition: Exce...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by IZMO Productions, NY. E...

Signed in pencil, one of 13 artist's proofs aside from the edition of 70. Printed on wove paper at Kelpra Studio. Published by Waddington Graphics, London. (Dempsey 44).