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1910s Interior Prints

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Period: 1910s
France at her Furnaces
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category

Modern 1910s Interior Prints

Materials

Drypoint, Etching

Original 'Penelope" vintage 1913 opera poster
Located in Spokane, WA
Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...
Category

Art Nouveau 1910s Interior Prints

Materials

Lithograph

Original Have You a Red Cross Service Flag? vintage WW1 poster
Located in Spokane, WA
Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...
Category

American Modern 1910s Interior Prints

Materials

Lithograph

Original Four Years in the Fight, The Women of France vintage WW1 poster
Located in Spokane, WA
Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...
Category

American Realist 1910s Interior Prints

Materials

Lithograph

Original "This is what GOD give us ..." vintage poster WW1
Located in Spokane, WA
Original United States Food Administration vintage poster. This is what GOD gives us United States Food Administration. Artist A. Hendee. This is what GOD gives us What are you giving so that others may live? Eat less --wheat --meat --fats --sugar Send more to Europe or they will Stave. A bounty of freshly harvested food is shown in the image. One of the more beautiful posters produced by the United States Food Administration for the war effort. World War 1 posters...
Category

American Realist 1910s Interior Prints

Materials

Lithograph

Original Eat Less . Share with those who fight vintage 1918 poster, linen backed
Located in Spokane, WA
Original “Eat Less” 1918 vintage First World War poster. This is a less seldom seen poster variation. The other version has the wording, "This is What God Gives Us." The image i...
Category

American Realist 1910s Interior Prints

Materials

Lithograph

THE RUG WEAVER
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category

American Modern 1910s Interior Prints

Materials

Woodcut

Original Wallpapers and Decorations John Gilkes & Sons vintage poster
Located in Spokane, WA
Wallpapers and Decorations John Gilkes & Sons. Original stone lithograph. Size: 31" x 47". C. 1915 - 1920. Printer: J.J. Keliher & Co., London Archival linen backed authentic antique poster...
Category

Art Nouveau 1910s Interior Prints

Materials

Lithograph

The Print Shop
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...
Category

American Modern 1910s Interior Prints

Materials

Lithograph

THE WAGON SHOP
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE WAGON SHOP, 1910 (Chamberlain 24) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category

Modern 1910s Interior Prints

Materials

Woodcut

Original 'Soldiers - Sailors and Women Guests' Welcome to the YWCA Hostess House
Located in Spokane, WA
Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...
Category

American Realist 1910s Interior Prints

Materials

Lithograph

Bar en Pennsylvania, 1914
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Bar en Pennsylvanie, etching, 1914. Signed in pencil lower left and numbered 21/35 lower right [also signed and dated lower in the plate lower left]...
Category

Cubist 1910s Interior Prints

Materials

Etching

Portfolio L'Atelier - 10 Linocuts Russian
Located in London, GB
The portfolio consists of 10 linocuts, each printed on a separate sheet and stamp signed with the artist's signature stamp "Pougny". These original prints were created by Pougny hims...
Category

1910s Interior Prints

Materials

Linocut, Stencil

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Chester Cathedral - Drypoint Etching in Ink on Paper
Located in Soquel, CA
Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...
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Romantic 1910s Interior Prints

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Jonas Wood, Interiors and Landscapes (Lt. Ed Hand signed and inscribed poster)
Located in New York, NY
JONAS WOOD Interiors and Landscapes Offset lithograph poster (hand signed and inscribed) 24 × 18 inches Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...
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Contemporary 1910s Interior Prints

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Vintage David Hockney Poster San Francisco Opera 1982, whimsical color drawings
Located in New York, NY
Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...
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Neo-Expressionist 1910s Interior Prints

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BIG OLIVES, LITTLE OLIVES Lithograph Piano Bar Cocktails, Singing, British Humor
Located in Union City, NJ
BIG OLIVES, LITTLE OLIVES is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed in 1986 using hand lithography techniques on archival Arches paper, 100% acid free. BIG OLIVES, LITTLE OLIVES presents a humorous piano bar scene depicting a lively group of night club patrons enjoying their cocktails as they enthusiastically sing along with the debonair piano player giving the viewer a true feeling of merriment in this quintessential Beryl Cook image. BIG OLIVES, LITTLE OLIVES is a warm, colorful interior scene printed in shades of golden brown, black, red, blue, lavender, purple, green, orange, pink, peach, gray, and beige. BIG OLIVES, LITTLE OLIVES is one of Beryl Cook's most loved images - the edition is SOLD OUT, this is a rare unsigned printers proof aside from the numbered edition from the master printers private collection, stamped legend on verso with provenance information. Print size - 27 x 27 inches, UNSIGNED Printers Proof, unframed, excellent condition Edition size - 300 plus proofs Year published - 1990, printed at JK Fine Art Editions Co. NYC Beryl Cook's unique artistic humor documented familiar social situations...
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Contemporary 1910s Interior Prints

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THE DOOR OF JUSTICE Signed Lithograph, Black Lawyers Civil Rights Social Justice
Located in Union City, NJ
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FIRST TO ARRIVE Signed Lithograph, Blonde Woman, Waiter, Pink Cocktail Lime
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Art Deco 1910s Interior Prints

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Chez Panisse Restaurant Birthday Celebration: Original Goines Graphic Art Poster
Located in Alamo, CA
This original graphic art lithographic poster entitled "Chez Panisse Restaurant and Cafe" was created by David Lance Goines in 1989 in his Berkeley studio...
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1910s Interior Prints

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Interior Scene With Fruit, Guitar, Wine Bottle on Table
Located in Berlin, MD
Marcel Mouly (French 1918 - 2008) Untitled lithograph on woven paper with deep saturated colors in excellent condition. Well framed under plexiglass with a double matt, signed lowe...
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Abstract Expressionist 1910s Interior Prints

Materials

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Interiors VI: Soundings
Located in New York, NY
Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul." – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
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Surrealist 1910s Interior Prints

Materials

Engraving, Etching

Interiors VI: Soundings
Interiors VI: Soundings
$4,250
H 36 in W 29 in D 0.94 in
A room full of straw by David Hockney (Six Fairy Tales from the Brothers Grimm)
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio pictures the story ‘Rumpelstilzchen’. A room full of straw references Magritte’s The To...
Category

Modern 1910s Interior Prints

Materials

Etching, Aquatint

THE DOORWAY Signed Lithograph, Woman, Sleeping Cat, Victorian Stained Glass
Located in Union City, NJ
THE DOORWAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original 12-color, hand drawn lithograph, with gold and silver silkscree...
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Contemporary 1910s Interior Prints

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Previously Available Items
In the Salon
Located in Fairlawn, OH
In the Salon Lithograph on tan wove paper, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 20" in pencil lower left (see photo) Condition: Excellent Image size: 13-7/8 x 10-1/2 inches Sheet size: 19 x 14 1/4 inches Provenance: Estate of the Artist Borghi & Co., New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...
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Expressionist 1910s Interior Prints

Materials

Lithograph

"Hell Hole, " John Sloan, Ashcan Bar, West Village, New York City Nightlife
Located in New York, NY
John Sloan Hell Hole, 1917 Etching and aquatint on paper, 1917 8 x 10 inches Second state (of 2), edition of 110 Signed, titled and inscribed "100 proofs" in pencil, lower margin. A...
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Ashcan School 1910s Interior Prints

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Etching, Aquatint

Palais De Glace Paris Colour Plate By Sem
Located in Bristol, CT
Print Sz: 17 3/4"H x 23 1/2"W Frame Sz: 24"H x 30"W Double colour plate by 'Sem' aka Georges Goursat (1863-1934) depicting the 'Palais de Glace' inau...
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Art Nouveau 1910s Interior Prints

Materials

Lithograph

Hell Hole
Located in Storrs, CT
Hell Hole. 1917. Etching and aquatint. Morse catalog 186 state ii. 8 x 9 7/8. (sheet 11 1/8 x 10 1/4). An early rich impression printed on cream wove paper, on the full sheet with deckle edges. Signed, titled 'The Hell Hole' and annotated '100 proofs' in pencil by Sloan. Housed in a 16 x 20-inch archival mat, suitable for framing. The location is the back room of Wallace's at Sixth Avenue and West Fourth Street. The bar was called "The Golden Swan...
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American Modern 1910s Interior Prints

Materials

Etching, Aquatint

Hell Hole
Hell Hole
H 16 in W 20 in D 0.5 in
The Façade of the Parthenon. Sunset.
Located in Storrs, CT
The Façade of the Parthenon. Sunset. 1913. Lithograph. Wuerth 333. 16 1/8 x 21 1/4 (sheet 18 1/8 x 24 1/4 ). Series: Pictures in the Land of the Temples #27. Edition 50. A fine impr...
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American Modern 1910s Interior Prints

Materials

Lithograph

In the Nikolsburg, [Mikulov, Moravia] Refugee Camp.
Located in Storrs, CT
In Flüchtlingslager Nikolsburg-Auskämmen. (In the Nikolsburg,[Mikulov, Moravia] Refugee Camp.) This rare series of ten etchings by Max Pollak records displaced Galician families. He made the prints while he was on duty with the Austrian army in 1914. He printed them when he returned to Vienna. 1914. Drypoints. Edition 75, #30. Rich impressions printed on Japan paper. Each drypoint signed, titled and annotated in pencil. Each print individually housed in its original 2-ply mat (12 1/4 x 11 3/4) and hinged at top of print to backing ; minor surface grime commensurate with age. Each stamped on verso of mat backing with triangular inked export stamp. $4,000 the set of 10: 1.Schlafraum (Dormitory). 1914. Drypoint. 7 1/4 x 6 5/16 (sheet 10 5/8 x 8 1/4). Edition 75, #30. 2.Flüchtling (Refugee). 1914. Drypoint. 2 1/2 x 2 1/2 (sheet 5 3/4 x 5 9/16). Edition 75, #30. 3.Frau mit Kindern (Woman with Children). 1914. Drypoint. 3 5/8 x 5 7/16 (sheet 6 1/2 x 8 7/16) 4. Morgengebet (Morning Prayer). 1914. Drypoint. 3 1/2 x 3 1/2 (sheet 6 9/16 x 6 1/4). Edition 75, #30. 5. Gruppe von Flüchtlingslingen (A Group of Refugees). 1914. Drypoint. 4 1/2 x5 1/2 (sheet 6 3/8 x 8). Edition 75, #30. 6. Altes Weib (Old Woman). 1914. Drypoint. 3 5/8 x 3 5/8 (sheet 6 9/16 x 6 3/8). Edition 75, #30. 7. Auskommen (Getting By). 1914. Drypoint. 3 5/8 x 3 5/8 (sheet 6 9/16 x 6 3/8). Edition 75, #30. 8. Kinder (Children). 1914. Drypoint. 6 1/4 x 7 3/8 (sheet 9 3/4 x 11). Edition 75, #30. 9. Im Zimmern der Barache (In the Rooms of the Barracks). 1914. Drypoint. 5 x 7 3/16 (sheet 10 9 3/4). Edition 75, #30. 10. Junge Mutter (Young Mother). 1914. Drypoint. 3 3/16 x 5 (sheet 7 3/8 x 9 1/4). Edition 75, #30. -------------------------------------------------------------------------------------------------- Born in Prague, Max Pollak studied painting and etching at the Vienna Academy under William Unger and Ferdinand Schmutzer...
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Modern 1910s Interior Prints

Materials

Drypoint

Business-Men's Class
Located in Fairlawn, OH
Signed, titled, and numbered in pencil by the artist; Annotated "No. 6" in pencil lower left Edition: 64 Provenance: Rita and Daniel Fraad Exhibited: Boston, MA, Childs Gallery, ...
Category

1910s Interior Prints

Materials

Lithograph

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