Cupboard Interior Prints

Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...

A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...

Pugin, Augustus Charles & Rowlandson, Thomas (after). College of Physicians, from Ackermann's "Microcosm of London." London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...

Signed and numbered from the edition of 20. Completed to accompany the exhibition of his work 'Squaring the Circle', at the Latvian National Museum of Art, Riga in 2017. The illusi...

Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...

A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...

CHINESE VASE is a hand drawn limited edition lithograph by the renowned American jazz and traditional pop singer Tony Bennett. CHINESE VASE, an interior still life scene depicting lilies in a round glass vase and a figurative Chinese porcelain vase, was printed using hand lithography techniques on archival Arches printmaking paper. Eye-appealing colors of orange, yellow, green, brown, blue, dark gray, touches of black and white. Print size - 9.75 x 10.75 in., unframed, pristine condition, dedicated Printers Proof hand signed in pencil "Benedetto" by Tony Bennett on lower margin Image size - 8.5 x 7.5 in. Printer - JK Fine Art Editions Co. Publisher - Eleanor Ettinger Gallery NY Anthony Dominick “Tony” Benedetto (1926-2023), Tony Bennett, a world-renowned singer and performer, was also an accomplished visual artist whose subjects span nearly every topic. Working under his birth name of Anthony Benedetto, he utilized watercolors, oil paints, charcoal, or whatever else was handy to depict his chosen theme. Benedetto's artistic career began at the age of five with sidewalk chalk drawings outside his childhood home in Astoria Queens...

FLOWER BLOSSOMS, LIGHT BLUE VASE is an original hand drawn lithograph by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010) printed on archival Somers...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '115/170'. Pierre Garcia-Fons left Spain d...

Niagara Ellen Lanyon, American (1926–2013) Date: 1989 Lithograph, signed and numbered in pencil Edition 38/50 Size: 31.5 x 47 in. (80.01 x 119.38 cm)

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...