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Spire Interior Prints

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Art Subject: Spire
Italy in 1956 - Piazza della Signoria, Florence
Located in Cologne, DE
This is a historical photograph of Piazza della Signoria in Florence, Italy, taken in the 1950s. The image captures a lively city scene with numerous vintage cars parked around the s...
Category

1950s Modern Color Photography

Materials

Color

Shimmer and Shine New York City Skyline, Large Statement Art, Cityscape Print
Located in Deddington, GB
Clare Halifax Shimmer and Shine New York City Skyline Limited Edition Silkscreen Print Edition of 30 Image Size: H 100cm x W 33cm Sheet Size: H 110cm x W 37cm x D 0.1cm Sold Unframed Shimmer and Sine New York City Line is a limited edition print by Clare Halifax. A depiction of the New York skyline from the Rockefeller of Manhattan, including the iconic Empire State Building. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...
Category

2010s Contemporary Landscape Prints

Materials

Metal

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From the Ponte Vecchio
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
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Les Belles et la Bête: Before the Hunt
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
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