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James Rosenquist
Black Triangle (State I)

1978

$4,875
£3,766.78
€4,354.76
CA$6,888.73
A$7,726.17
CHF 4,046.07
MX$93,880.45
NOK 51,378.36
SEK 48,710.30
DKK 32,505.98

About the Item

Black Triangle (State I) is an aquatint etching with pochoir on paper, 22.75 x 39.75 inches, signed 'James Rosenquist' and dated 1978 lower right; numbered 33/78 and titled lower left. From the edition of 122 (there were also 24 AP, 2 PP, 7 HC, 3 for Workshops, 7 CTP and 1 BAT). Framed in a contemporary black frame. Catalog: Time Dust, James Rosenquist: Complete Graphics, 1962 - 1992 (Glenn), p.154
  • Creator:
    James Rosenquist (1933, American)
  • Creation Year:
    1978
  • Dimensions:
    Height: 31.5 in (80.01 cm)Width: 48.25 in (122.56 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    Seller: GRROS0440011stDibs: LU2664213765352

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Mirror #9 (C.114, Mirror Series), 1972
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Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114. About Lichtenstein’s Mirror Series (taken from Corlett): Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66). This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...
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