Tiefeng Jiang

"White Tiger"

1990s

This is an Marcus Glenn Art Imitating Life, 2000 Hand embellished giclee on canvas. In good condition measures 33x29

This is an Manaz Hand Embellished Giclee on Canvas Large Signed. Manaz Hand Embellished Giclee on Canvas Large Signed. In good condition measures 38x32

Giclee on canvas Signed and numbered In good condition Measures 37x31 International buyers must cover shipping expense

This is a Neil J Farkas Painting On Canvas Embellished Serigraph “Statue And Flag”. In good condition. Measures 33x27. Some minor wear on frame

SOLACE (2015)by HUSH Timed edition from 3rd Dec to 6th Dec 2015 580mm x 580mm (22,8" x 22,8") - Image Size approx: 540mm x 540mm Archival Pigment Print with a Screen Printed Archiva...

El Bocho "SOS" Giclee Print / Sculpture 41 x 59 cm Limited Edition of 50, hand signed and numbered (22/50), verso Hand-finished, unique 3D constructed print on thick, fine art paper....

Ancient Woodland All the elements used were collected from the first walk with my Mum and stepdad between lockdowns. All from a small woodland in North Norfolk. Ancient Woodland, 2020 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 60 x 60 cm / Framed: 62 x 62 cm/ 24.5 x 24.5 inches approx. Edition of 8 + 2AP About the project: "Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. These collages gave me purpose during the pandemic and allowed me to grow something beautiful from a place of frustration. My aim is to simply give viewers of the work a fleeting moment of calm. Unable to shoot anything, I’ve been making collections of things I find on the ground and scanning them to create composite images of otherwise ignored or discarded objects." - George McLeod...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...