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Katharina FritschFischring und Stern / Fish Ring and Star1983/1994
1983/1994
$3,000
£2,240.86
€2,597.92
CA$4,165.43
A$4,668.91
CHF 2,430.96
MX$57,009.33
NOK 30,864.38
SEK 29,256.66
DKK 19,383.26
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About the Item
Katharina Fritsch
Fischring und Stern / Fish Ring and Star
1983/1994
Painted fiberglass and lacquered brass
Fish Ring: 3 1/4 inches (diameter); 8 cm
Star: 3 3/4 inches (diameter); 10 cm
Edition of 80
Accompanied by a certificate of authenticity signed and numbered by the artist
Vitrine available upon request
The blue Fish Ring is a bracelet made up of six identical fish, each biting the tail of the next to form an endless chain. It is paired with a brooch made from lacquered brass in the form of an eight-pointed star.
Available from Matthew Marks Gallery, New York and Los Angeles
- Creator:Katharina Fritsch (1956, German)
- Creation Year:1983/1994
- Dimensions:Height: 3.75 in (9.53 cm)Width: 3.75 in (9.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU59435484372
Katharina Fritsch
Katarina Fritsch (b. 1956, Essen, Germany) is a contemporary German sculptor known for her surreal, highly detailed, and often monochromatic sculptures that explore themes of mythology, consumer culture, and psychological symbolism. Fritsch studied at the Düsseldorf Academy of Fine Arts from 1977 to 1984, where she was influenced by German conceptualism and the legacy of Joseph Beuys. Her sculptures frequently depict everyday objects, animals, religious figures, and human forms, reimagined at unexpected scales and rendered in bold, uniform colors. These transformations give her works an uncanny, almost dreamlike presence. One of her most famous pieces, "Elephant" (1987), exemplifies her ability to make familiar figures feel strange and psychologically charged. Another iconic work, "Hahn/Cock" (2013), a giant blue rooster installed in London’s Trafalgar Square, plays with notions of power, national identity, and symbolism. Fritsch has exhibited extensively, including at the Venice Biennale (1995, 2011) and Documenta IX (1992), and her work is held in major collections such as the Museum of Modern Art (MoMA), Tate Modern, and the Art Institute of Chicago. Through her precise craftsmanship and conceptual depth, Fritsch continues to challenge perceptions of reality and meaning in contemporary sculpture.
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