Items Similar to "Peaceful Cove - New England, " Original Lithograph signed by Adolf Dehn
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Adolf Dehn"Peaceful Cove - New England, " Original Lithograph signed by Adolf Dehnc. 1940
c. 1940
About the Item
"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England.
9 1/2" x 13" image
11" x 15" paper
17" x 20 5/8" frame
Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968.
He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles.
Biography
Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images.
After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág. Later he and Gag were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. After graduation, he was drafted to serve in World War I, but he was a conscientious objector. Dehn was imprisoned for two years for refusing to serve in the military.
Early career
After the war was over, he went to Europe. In Paris and Vienna he belonged to a group of intellectuals and artists, including E.E. Cummings. A number of the caricatures he drew depicting the Roaring 20s, burlesque, opera houses, and the café scene appeared in such magazines as Vanity Fair. His favorite medium was lithography, and he alternated between spoofing high society and creating beautiful landscapes. It was in Paris that Dehn met his first wife, Mura Ziperovitch, a dancer who had left the Soviet Union.
Later career
In 1929 he returned to the United States with his wife. As the Great Depression had taken hold of the country, they were desperately poor, and their financial difficulties contributed to their ultimate divorce. In the 1930s, his work began to appear in magazines such as the New Yorker and Vogue. During his period as a lithographer, his striking images of New York City, including Central Park, captured the essence of the Roaring 20s and the 1930s Depression era.
He earned a Guggenheim Fellowship in 1939, which allowed him to travel to the western United States and to Mexico. After the Second World War he turned to watercolor and his scenes of farms and farmlands in rural America are well respected. Several trips back to Minnesota inspired many of these landscapes and farm scenes.
Dehn participated in and helped develop the American Artists Group, and it was at this group’s gallery that he met his second wife, Virginia Engleman. They worked side by side as artists for the rest of his life. In the 40s Dehn began to sell more lithographs and to teach other American artists lithography techniques. As he became more widely recognized and financially successful, he was able to travel extensively. As well as visiting and painting Key West, and the southwestern region of the United States, he went to Venezuela, Cuba, Haiti, Afghanistan and other areas of the world. The wide range of subject matter found in his prints, drawings, and paintings reflects his travels.
In 1961 Dehn was admitted to the National Academy of Design. Adolf Dehn is remembered as a prolific artist of great range. His works are held in over 100 museums (including the Smithsonian). Astonishingly, over twenty-five museums hold extensive collections of Dehn's output (between twenty-five to as many as 250 individual works). Dehn died on May 19, 1968.
- Creator:Adolf Dehn (1895 - 1968, American)
- Creation Year:c. 1940
- Dimensions:Height: 17 in (43.18 cm)Width: 20.625 in (52.39 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2017
391 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "Crown Point Ridge, " Original Color Lithograph signed by Harold AltmanBy Harold AltmanLocated in Milwaukee, WI"Crown Point Ridge" is an original color lithograph by Harold Alltman. The artist signed, titled, and wrote the edition number (27/285) below the image. It depicts an aerial view of ...Category
1990s Realist Landscape Prints
MaterialsLithograph
- "Reflection, " Original Color Lithograph signed by Harold AltmanBy Harold AltmanLocated in Milwaukee, WI"Reflection" is an original color lithograph by Harold Altman. The artist signed the piece in the lower right, titled and dated it lower center, and wrote the edition number (24/285)...Category
1990s Realist Landscape Prints
MaterialsLithograph
- "Cantonment Stevens, Looking Westward, " Hand-colored Lithograph by G. SohonLocated in Milwaukee, WI"Cantonment Stevens, Looking Westward," is a hand-colored lithograph by Gustavus Sohon. His signature is printed under the lower right of the oval, and the publisher is printed under...Category
1850s Realist Landscape Prints
MaterialsLithograph
- "Jamais Bredouille (Never Empty-handed)" Color Lithograph after Jules DenneulinBy Jules DenneulinLocated in Milwaukee, WI"Jamais Bredouille (Never Empty-Handed)" is a color lithograph after Jules Denneulin. It depicts a hunter showing his day's work to a farmer on a path at dusk. 20" x 26" art 40 1/4...Category
1880s Realist Figurative Prints
MaterialsLithograph
- "Le Rhone a Avignon" Hand Colored Etching, SignedBy Armand CoussensLocated in Milwaukee, WI"Le Rhone a Avignon" is an original hand colored etching signed by the artist Armand Coussens. This incredibly rare print depicts a church in Avignon, where Pablo Picasso had one of ...Category
Early 20th Century Realist Landscape Prints
MaterialsEtching
- "The Boat House, " an Etching signed by Edward Loyal FieldBy Edward Loyal FieldLocated in Milwaukee, WI"The Boat House" is a signed (lower center) etching by Edward Loyal Field. It depicts a scene across a river in the foreground, where a quaint set of houses sits in black and white.1...Category
1880s Realist Landscape Prints
MaterialsEtching
You May Also Like
- John Nash RA - Harvesting - Schools Print - 20th Century British lithographBy John NashLocated in London, GBJOHN NASH, RA (1893-1977) Harvesting Lithograph Framed 49 by 75 cm., 19 ¼ by 29 ½ in. (frame size 65 by 91.5 cm., 25 ½ by 35 ½ in.) On the advice of his older brother, the artist...Category
Mid-20th Century Realist Landscape Prints
MaterialsLithograph
- Paris France lithograph vayreda canadell urbanscapeBy Josep Maria Vayreda CanadellLocated in Barcelona, BarcelonaJosep Maria Vayreda Canadell (Gerona 1932-2001) - Paris - Lithograph Print measurements 52x43 cm. Frame measurements 75x61 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biogr...Category
1990s Realist Landscape Prints
MaterialsLithograph
- Five Framed Views of Egypt & Petra: Original 19th C. Lithographs by D. RobertsBy David RobertsLocated in Alamo, CAThis is a set of five framed original 19th century duo-tone lithographs by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quarto edition, published in London b...Category
Mid-19th Century Realist Landscape Prints
MaterialsLithograph
- Approach of the Simoon, Desert of Gizeh: 19th C. Hand-colored Roberts LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is the most famous and collectible of David Roberts' works, entitled "Approach of the Simoon, Desert of Gizeh". The scene captures the dramatic moment when a fierce sandstorm, known as a simoon, approaches a caravan traveling through the desert of Gizeh in Egypt. The scene is filled with swirling clouds of sand, which obscure the figures of the travelers and their camels. The sky is dark and ominous, with lightning bolts striking the ground in the distance. The figures in the foreground appear to be huddling together for protection, while one man in the center struggles to keep his turban from being blown away. Roberts' lithograph is particularly striking for its attention to detail and its use of light and shadow to create a sense of depth and atmosphere. The figures and camels in the foreground are rendered with great precision, while the distant landscape and stormy sky are suggested with broad, sweeping strokes. Overall, "Approach of the Simoon, Desert of Gizeh" is a powerful and evocative image of the harsh realities of life in the desert, and a testament to David Roberts' skill as an artist. This is the most well known and sought-after of all Roberts prints, as well as the most difficult to find and hence most expensive. This hand-colored lithograph is printed on wove paper with wide margins. The print is in excellent condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV conservation glass. All framing materials used are archival museum quality. The frame measures 23.75" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Petra and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211969422 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...Category
Mid-19th Century Realist Landscape Prints
MaterialsLithograph
- The Citadel of Cairo: 19th C. Hand-colored Roberts LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...Category
Mid-19th Century Realist Landscape Prints
MaterialsLithograph
- Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...Category
Mid-19th Century Realist Landscape Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Sign England
Central England
House New England
World War England
New York Worlds Fair 1939
Vintage 1939 New York Worlds Fair
Military Lithograph
Framed Lithograph England
Lithographs Soviet
Cafe Lithograph
1940 Vintage Cafe
20th C Vanity
Cuban Lithograph
Virginia Farm
Afghan Painting
Afghanistan Painting
Roaring 20s
Roaring 20s