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(after) Claude Lorrain (Claude Gellée)Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain1774
1774
About the Item
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain; in the collection of His Grace the Duke of Devonshire. Executed by Richard Earlom, in the manner and taste of the drawings.' (1777-1819). Published by John Boydell.
Richard Earlom's productions for the "Liber Veritas" represent the finest of eighteenth century mezzotint engraving. To simulate the effects of Claude Lorrain's wash drawings, Earlom employed both etching and mezzotint to create both strong and subtle tonal values.
205mm By 255mm (Platemark)
275mm By 430mm (Sheet)
- Creator:(after) Claude Lorrain (Claude Gellée) (1604 - 1682, French)
- Creation Year:1774
- Dimensions:Height: 8.08 in (20.5 cm)Width: 10.04 in (25.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Some foxing spots in the margins. Hole top left of sheet.
- Gallery Location:Melbourne, AU
- Reference Number:1stDibs: LU124428248712
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By (after) Claude Lorrain (Claude Gellée)
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
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Late 18th Century Italian School Landscape Prints
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Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
By (after) Claude Lorrain (Claude Gellée)
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Late 18th Century Italian School Landscape Prints
Materials
Engraving, Mezzotint, Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
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