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(after) Claude Lorrain (Claude Gellée)
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain

1774

About the Item

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain; in the collection of His Grace the Duke of Devonshire. Executed by Richard Earlom, in the manner and taste of the drawings.' (1777-1819). Published by John Boydell. Richard Earlom's productions for the "Liber Veritas" represent the finest of eighteenth century mezzotint engraving. To simulate the effects of Claude Lorrain's wash drawings, Earlom employed both etching and mezzotint to create both strong and subtle tonal values. 205mm By 255mm (Platemark) 275mm By 430mm (Sheet)

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Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
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Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category

Late 18th Century Italian School Landscape Prints

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Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
By (after) Claude Lorrain (Claude Gellée)
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category

Late 18th Century Italian School Landscape Prints

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Engraving, Mezzotint, Etching

Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
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Late 18th Century Italian School Landscape Prints

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