Anish Kapoor

Scorched Earth

2021

Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 100 cm 27 1/2 x 39 3/8 in Edition of 500 Unsigned hybrid prints issued by Kunsthaus Zurich o...

Offset lithograph with a yellow silk screen overlay on 170gsm paper 35.20 x 10.00 in (89.4 x 25.4 cm) From a limited edition of 3,000. Comes with the publisher Certificate of Authe...

All Over Dot Plate by Damien Hirst 2022 Plate: 10 inch diameter (25.4 cm) Box: 13 x 13 inches Medium: English Fine Bone China, screen–printed with a vibrant Currency Dot design...

Untitled (Anxious Man) By Rashid Johnson Rashid Johnson is a contemporary American artist recognized for his multimedia works, including paintings, sculptures, and installations, ...

Untitled - From General Fun By Eduardo Paolozzi Eduardo Paolozzi (1924-2005) was a pioneering Scottish artist and sculptor associated with the Pop Art movement. Renowned for his co...

Coasts Of Illusion - Moonstrips Empire News By Eduardo Paolozzi Eduardo Paolozzi (1924-2005) was a pioneering Scottish artist and sculptor associated with the Pop Art movement. Ren...

Limited editions layered paper and etching composition of an abstracted urban landscape, with fractured yellow and green color fields, by Julia Pitcher (American, b. 1942). Numbered ...

Rocky Shore Olga Poloukhine, French/American Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 28 x 21 in. (71.12 x 53.34 cm)

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

It is called "Death in Venice" a Screenprint by one of Wales's most famous sons - John Piper (1903 - 1992) The Death in Venice Suite was produced in 1973 and consists of 10 Screenpr...

Maril’s landscapes, seascapes, and interiors are lyrical, spacious, and filled with all the light and serenity to be found in everyday activities: a woman hanging the laundry, a fish...

The painting captures the major spring tree in the artist’s garden, painted plein-air in the garden. The language of Cherry Prunus blooms in early Spring when the weather is still ve...