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Silverstoned - Motorsports, Formula 1
Located in London, GB
Silverstoned, 2024 Gicleé print on Hahnemuhle Daguerre Canvas framed in Tasmanian Oak edition of 42 100 x 100 cm comes with hand-signed and numbered COA from the artist. Werner Bron...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

Werner Bronkhorst - Wet Dreams
Located in London, GB
Wet Dreams, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-certified, finger-jo...
Category

2010s Contemporary Abstract Prints

Materials

Canvas, Giclée

Topiary I - x large format photograph of ornamental shaped tree
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Werner Bronkhorst - Monaco - Motorsports, Superyacht
Located in London, GB
Monaco, 2025 Giclée print on heavyweight 395gsm canvas. Hand-stretched over FSC-certified, finger-jointed New Zealand pine, and float framed in FSC-certified Meranti with a painted w...
Category

2010s Contemporary Abstract Prints

Materials

Canvas, Giclée

Werner Bronkhorst - Diamond Sea
Located in London, GB
Diamond Sea, 2025 Gicleé print on Hahnemuhle Daguerre Canvas framed in Tasmanian Oak edition of 69 100 x 100 x 5 cm (Framed) Hand-signed and numbered by the artist. Werner Bronkhor...
Category

2010s Contemporary Abstract Prints

Materials

Canvas, Giclée

Hand painted Artist Proof-Rare LargeSquare format-British AwardedArtist-Rosarian
Located in London, GB
This is an unique one-off Artist Proof in a stunning large square format and its hand-painted detail bringing still life to modernity; its outstanding hand-painted quality and rare...
Category

2010s Abstract Expressionist Abstract Prints

Materials

Gesso, Archival Ink, Acrylic, Archival Paper, Giclée

The Hugh O'Neill Building, 655-671 Sixth Avenue, NYC, lithograph Signed/N Framed
Located in New York, NY
Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...
Category

1970s Realist Landscape Prints

Materials

Lithograph

Mao 97 (Feldman/Schellmann II.97), Andy Warhol
Located in Fairfield, CT
Artist: Andy Warhol (1928-1987) Title: Mao 97 Year: 1972 Medium: Silkscreen in colors on Lenox Museum Board Size: 36 x 36 inches Condition: Good Inscription: signed in ball-point pen...
Category

1970s Pop Art Figurative Prints

Materials

Screen

Tahoma and Two Trees
Located in London, GB
Tahoma and Two Trees, 2024 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musi...
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

Prickles and Hairs - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This is impression #12 from an edition of 45 Born in Charleroi, Belgium, Ravaux is...
Category

Early 2000s Modern Landscape Prints

Materials

Mezzotint

Lines in Four Directions, Rubber Stamp Portfolio, Sol LeWitt
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...
Category

1970s Minimalist Animal Prints

Materials

Printer's Ink

The Umbrellas (BOTH FRAMED - BLACK OR WHITE ... YOU CHOOSE + FREE U.S. SHIPPING)
Located in Kansas City, MO
COULD ALSO BE FRAMED IN A BLACK FRAME - SAME SIZE & MODEL Christo The Umbrellas (Yellow & Blue) Lithoserigraphs Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches (EACH) Framed: 20....
Category

1990s Modern Landscape Prints

Materials

Lithograph, Screen

Praise, Rubber Stamp Portfolio, Agnes Martin
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin Dalton natural bond paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. P...
Category

1970s Minimalist Abstract Prints

Materials

Printer's Ink

Topiary I - large format photograph of ornamental shaped tree
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Damien Hirst - H13-5 Exmouth Esplanade - Contemporary Art
Located in London, GB
Damien Hirst H13-5 Exmouth Esplanade, 2023 Laminated Giclée print on aluminium composite panel. Hand-signed on the label and numbered. This artwork can be hung any way up. 90 x 90 xm...
Category

2010s Contemporary Abstract Prints

Materials

Giclée

Hand-Gilded-Constant Gardener-Artist Proof-Rare X-Large-British Awarded Artist
Located in London, GB
This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qua...
Category

2010s Abstract Expressionist Abstract Prints

Materials

Gold Leaf

Cosmic Runner (Retro Suite I), Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Cosmic Runner (Retro Suite I) Year: 1994 Edition: 137/300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 11 i...
Category

1990s Pop Art Figurative Prints

Materials

Screen

"Bramble, " Limited Edition Giclee Print, 40" x 40"
Located in Westport, CT
This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and...
Category

2010s Abstract Abstract Prints

Materials

Digital, Giclée

Gerhard Richter - Seestück (bewölkt), 1969
Located in London, GB
Gerhard Richter Seestück (bewölkt), 1969-2023 Hybrid print in five colours on 260g Rives handmade paper 70 x 70 cm unsigned edition of 500 Accompanied by the publisher's certificate...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Digital, Screen

SUNSET FS II.85-88
Located in Aventura, FL
Unique screen print on paper. Hand signed and numbered on verso. Published by David Whitney, New York, with the ‘HOTEL MARQUETTE PRINTS’ ink stamp on the reverse. Feldman & Schellman...
Category

1970s Pop Art Landscape Prints

Materials

Board, Screen

Marfa Moonrise
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper, edition 4 of 30. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, t...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment

Stardust - large format photograph of Marfa Sign and Horizon
Located in San Francisco, CA
Stardust by Frank Schott 40 x 40 inches / 102cm x 102cm signed edition of 25 48 x 48 inches / 122cm x 122cm signed edition of 7 archival quality fine art pigment print limited a...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Swim Stop (Image 60 x 60, Sheet: 70 x 70cm), Art Print, Seascape, Blue, Sailing
Located in Deddington, GB
Swim Stop – Large print by Gordon Hunt [2020] Image Size: H:60 cm x W:60 cm Complete Size of Sheet/ Unframed Work: H:70 cm x W:70 cm x D:.1cm This is the only size remaining of thi...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Giclée

Gordon Hunt, Into the Blue, Limited edition print, Swim Art, Seascape Art
Located in Deddington, GB
Gordon Hunt Into the blue Limited edition print Image size: H 60cm x W 60cm Sheet Size: H 70cm s W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indicati...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Paper, Giclée

Map of Days
Located in London, GB
Silk scarf framed with museum-grade 92% UV-resistant glass. 90 x 90 cm / 35 7/16 x 35 7/16 inches 103 x 103 cm (incl frame) / 40 9/16 x 40 9/16 inches (incl frame) edition size unknown Map of Days is an intricate work that serves as a self-portrait of the artist's identity and psyche. Drawing inspiration from medieval maps...
Category

2010s Contemporary Prints and Multiples

Materials

Silk, Screen

"Yellow Winds II, " Framed Limited Edition Giclee Print, 48" x 48"
Located in Westport, CT
This abstract landscape limited edition print by Ken Elliott features a forest-scape with bright yellow tree leaves which are mirrored by the yellow foreground, all of which is complemented by the light violet shadows between the trees and light...
Category

2010s Impressionist Landscape Prints

Materials

Digital, Giclée

The Swallows Arrival by Emma Reynolds, Limited edition print, Birds
Located in Deddington, GB
The Swallows Arrival [2022] limited_edition and hand signed by the artist Screenprint Edition number 20 Image size: H:58 cm cm x W:58 cm cm Complete Size of Unframed Work: H:62....
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Screen

"Some Time Ago, " Limited Edition Giclee Print, 53" x 53"
Located in Westport, CT
This Limited Edition abstract print, "Some Time Ago," by Elwood Howell measures 53" x 53" and is an edition of 100. The limited edition giclee it is printed on canvas, and framed i...
Category

2010s Abstract Abstract Prints

Materials

Canvas, Digital

Belgian Contemporary Art by Hugo Pondz - La Femme Essai
Located in Paris, IDF
C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...
Category

2010s Contemporary Landscape Prints

Materials

Paper, C Print

New York (Golden Hour)
Located in New Orleans, LA
Giclee print on archival cold press cotton rag, edition 10 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signa...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Giclée

LA Pink Cityscape
Located in New Orleans, LA
Giclee print on archival cold press cotton rag, edition 9 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signag...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Giclée

Hollywood - large format photograph of iconic California landmark in Los Angeles
Located in San Francisco, CA
large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Bear with Predella, Rubber Stamp Portfolio, Don Nice
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...
Category

1970s Pop Art Animal Prints

Materials

Printer's Ink

Great American Perspective, Op Art Screenprint by Roy Ahlgren
Located in Long Island City, NY
Artist: Roy Ahlgren, American (1927 - 2011) Title: Great American Perspective Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition Size: 60 Size: 20.5 x 20.5 in. (52....
Category

1970s Op Art Landscape Prints

Materials

Screen

Conferring Blue, Julian Stanczak
Located in Fairfield, CT
Artist: Julian Stanczak (1928-2017) Title: Conferring Blue Year: 1979 Edition: 66/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscripti...
Category

1970s Op Art Landscape Prints

Materials

Screen

Convertible
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint. Edition of 35
Category

2010s Contemporary Landscape Prints

Materials

Etching, Intaglio

Shiny Nude, Rubber Stamp Portfolio, Tom Wesselmann
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin Kromekote paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published b...
Category

1970s Pop Art Nude Prints

Materials

Printer's Ink

Endless Sleep (Black Variant) by Cleon Peterson Hand Pulled Limited Screen Print
Located in Draper, UT
Experience the intense and striking art of Cleon Peterson with his "Black Endless Sleep" print. This hand-pulled screen print, created in 2016, features Peterson's signature black an...
Category

2010s Landscape Prints

Materials

Screen

Galumlee Beach Tree Taean Chungcheongnamdo South Korea, b&w ltd photograph
Located in Sante Fe, NM
"Galumlee Beach Tree Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is ma...
Category

2010s Minimalist Landscape Photography

Materials

Silver Gelatin

Donald Sultan 'Seven Blues Jan. 24, 2024' - Limited Edition Silkscreen
Located in New York, NY
Donald Sultan's 'Seven Blues Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seven...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Screen

UNTITLED (From the ARTSOUNDS Collection)
Located in New York, NY
BURTON VAN DEUSEN Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Offset

Seascape VII - large format photograph of cloud formations and reflecting sea
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 58 x 58 inches ( 147 x 147cm ) signed edition of 7 48 x 48 inches ( 12...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper, Archival Pigment, Black and White, Giclée, Archival ...

West Texas Morning
Located in New Orleans, LA
Archival pigment ink print on Hahnemuhle cotton paper, edition 14 of 30. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment

New York (Golden Hour) [Hand Embellished]
Located in New Orleans, LA
Giclee print on archival cold press cotton rag. Every print is uniquely hand embellished by the artist with gold acrylic paint. Edition 5 of 10 with 5 APs. In this new series of pai...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Giclée

The Umbrellas (Blue) (FRAMED - BLACK OR WHITE - YOU CHOOSE - FREE US SHIPPING)
Located in Kansas City, MO
Christo The Umbrellas (Blue) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches Pr...
Category

1990s Modern Landscape Prints

Materials

Lithograph, Screen

Seascape VII - large format photograph of cloud formations and reflecting sea
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 48 x 48 inches ( 122 x 122cm ) signed edition of 7 58 x 58 inches ( 14...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Paper, Photographic Paper, Inkjet, Archival Pigment, Black and ...

Oriental Cup by Vicky Oldfield, Collagraph print, Handmade print, Still life art
Located in Deddington, GB
Oriental Cup by Vicky Oldfield [2022] limited_edition and hand signed by the artist Collagraph Edition number 30 Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:16 c...
Category

21st Century and Contemporary Impressionist Landscape Prints

Materials

Paper, Archival Pigment

"Little Wolf's Last Camp, " Colored Woodblock A/P signed by Carol Summers
Located in Milwaukee, WI
"Little Wolf's Last Camp" is a colored woodblock A/P signed by Carol Summers. In the image, a mountain looms over a circle of teat the edge of a lake, a scene likely inspired by the life events of the Northern Cheyenne Chief Little Wolf (c. 1820-1904) and his leadership during the Northern Cheyenne Exodus. The drama of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Frame: 37 x 37 in This is an artist's proof from the edition of 100 Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MOMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and nonwestern as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...
Category

1970s Contemporary Landscape Prints

Materials

Woodcut

Gull Cove, Art print, Landscape, Tree, Nature, Floral
Located in Deddington, GB
Inspired by a coastal walk looking over the cliff. ADDITIONAL INFORMATION: Linocut print on Paper Edition of 10 20 H x 20 W cm (7.87 x 7.87 in) Sold unframed Image size: Height: 2...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Linocut

Leaf
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . th...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint

Leaf
Leaf
$78 Sale Price
35% Off
The Umbrellas (Yellow) (FRAMED - BLACK OR WHITE - YOU CHOOSE - FREE US SHIPPING)
Located in Kansas City, MO
Christo The Umbrellas (Yellow) (FRAMED - either black or white frame - you choose) Lithoserigraph Year: 1991 Size: 14.6 × 16.4 on 19.1 × 19.9 inches Framed: 20.5 x 20.5 x 2.5 inches ...
Category

1990s Modern Landscape Prints

Materials

Lithograph, Screen

Topiary I - large format photograph of ornamental shaped urban street tree
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

"Ciudad de un millón" contemporary neobarroque arquitecture city blue landscape
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Screen, Ink, Paper, Digital

'Sister, A portrait of the Moon' , Signed Etching c2021
Located in Frome, Somerset
'Sister' , by contemporary printmaker and artist Rosie McLay (British) Edition 59 of 75 in total, handmade etching by the artist. Ink on paper layed on Dutch gold leaf. Hand etched ...
Category

2010s Realist Landscape Prints

Materials

Engraving

Vue de Mantes - Etching after C. Corot by C. Pinet - 19th Century
Located in Roma, IT
Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century. This etching represents a natural landscape with some...
Category

19th Century Old Masters Landscape Prints

Materials

Etching

Turbulence (black and white version), by Art Werger
Located in Palm Springs, CA
A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...
Category

2010s Contemporary Landscape Prints

Materials

Mezzotint

Tiger
Located in London, GB
Tiger, 2023 5-colour hybrid print on 260g Rives handmade paper 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500 It comes with a COA from the publishers Gerhard Richter’s prints are a ...
Category

2010s Contemporary Animal Prints

Materials

Digital

Lierre
Located in Washington, DC
Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Une Fois Rien (Once Again / No Action)
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Early 2000s Modern Landscape Prints

Materials

Mezzotint

A Square with Four Squares Cut Away, Rubber Stamp Portfolio, Robert Mangold
Located in Southampton, NY
Printer’s ink from rubber stamp on Cambersand paper, mounted on vélin paper, as issued. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977. ROBERT MANGOLD (1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold. “Robert Mangold’s paintings...
Category

1970s Minimalist Abstract Prints

Materials

Printer's Ink

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