Square Landscape Prints

St Giles Cathedral, Edinburgh by Susan Brown [2021] limited_edition Giclee print on paper Edition number 150 Image size: H:40 cm x W:40 cm Complete Siz...

Medium: Screenprint Year: 2021 Image Size: 22 x 22 inches Edition of 25 Jos Sances was born John Joseph Sances in Boston and attended Montserrat School of Visual Art in Beverly, Mas...

Lee Wells End of the World Party #7 2023 Archival pigment print Edition of 5 Caption: End of Era Elegance: As the curtains close on the world’s final act, a charismatic quartet—Leon...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Susan Brown "harmony" consists of tones of greens to showcase flowers in pink and purple pots. Additional information: Giclée Print on Paper Edition of 150...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

Facing the Giant: Three Decades of Dissent and New Works Manufacturer Obey Giant Edition Details Year: 2019 Class: Art Print Status: Official Released: 12/21/19 Run: 169/500 Techniq...

Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested in this type of shipping + frame or not Hugo Pondz...

Heath Land, Heath Pond and Heath View Diptych Overall image size cm : H28 x W32 Overall sheet size cm : H52 x W52 Phil Greenwood Heath Land Limited Ed...

Harmony by Susan Brown [2022] limited_edition and hand signed by the artist Giclée Print on Paper Edition number 150 Image size: H:40 cm x W:40 cm Complet...

Riverside by Anna Harley [2021] limited_edition screenprint Edition number 80 Image size: H:22 cm x W:22 cm Complete Size of Unframed Work: H:22 cm x W...

Artist: Georg Karl Pfahler (1926-2002) Title: Version 8 Year: 1969 Edition: 36/100, plus proofs Medium: Silkscreen on wove paper Size: 25.5 x 25.5 inches Condition: Excellent Inscrip...

Anna Harley Samhain Mini Limited Edition Silkscreen Print Edition of 80 Size: H 22cm x W 22cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a...

Laura Jordan art works are available to buy online or in our contemporary art gallery in Oxfordshire. We offer Laura Jordan original artworks and limited ed...

set of 6 plates Edition of 500 numbers from the edition in this set: 252,253,254,255,256,257

Sunshine Fields by Ann Burnham [2022] limited_edition Linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:3...

Jeff Gillette - Brown Bomb - Pop Art & Contemporary Artist Artists: Gillette, Jeff Edition Details: Year: 2021 Class: Art Print Status: Official Released: 05/25/21 Run: 100 Techn...

Dusk at Morston – Large Canvas Print Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas with three la...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Spring Fever VI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Vantage point by Chris Keegan. This Five colour handmade screen print depicts a multi-layered dynamic set of landscapes all floating above and below each other. Created is an image o...

Anna Harley Breathe Limited Edition Silkscreen Print Edition of 36 Size: H 38cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely ...

The artwork will be sent unframed Linocut „Foggy” 2023 Linocut print technique Art print from 7 matrices Limited edition, print unique number 5/8 Paper Fabriano Rosaspina 220 g Pri...

Sail on by By Gordon Hunt [2022] limited_edition Original painted in acrylic Edition number 3 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Sarah du Feu Haweswater After the Storm Original Screen print Image size 90 x 90 cm Paper size 103 x 103 cm Unframed Printed on acid free Somerset tub sized 410gsm paper Please note ...

Anjuna By Alanna Eakin [2020] Anjuna is an original oil painting by Alanna Eakin. Painted during the summer just after the first lockdown when everyone was dreaming of tropical scen...

Longing for your return by Emma Reynolds [2022] A celebration of the developing season as the swallows arrive. Additional Information: limited_edition Screenprint Edition number ...

Lee Wells End of the World Party #13 2023 Archival pigment print Edition of 5 Caption: Vivid Vale Valediction: In a secluded vale where nature’s tapestry unveils its final act, Cele...

Central Park NY by Laura Jordan is a Limited Edition Print printed on archival paper with a hand finished overlay of pencil watercolour and collage. The print is an edition of 20. S...

Charlie Davies Shepherd’s Purse Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shippin...

These stunning prints are created using fine art archival quality inks and canvas with three layers of UV varnish to protect the artwork and enhance the colours. These deep edge box ...

Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges 61 x 61 cm 24 x 24 in Edition of 75 hand-signed and numbered on the front Cleon Peterson is a conte...

Kristjana Williams Fugl Ne Fiskur – Circular Sea-Born Limited Edition Print Giclee print on Paper Edition of 275 Size: H 80cm x W 80cm Sold Unframed...

‘Rockpools, St Mawes’ by artist Michael Sanders. Each print is numbered, titled and signed by the artist to indicate that he is happy with both the colour an...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Project: "Look Up" In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture the memory of our events. We are excited by the prospect of printed imagery keeping alive the joy, camaraderie, and hope experienced under our umbrellas. ET Projects, a 501(c)3, was created in 2018 with the vision to bring communities together through the magic of art and nature. Shoreline Project was the first large scale immersive art...

ABOUT THIS ARTIST: Project: "Look Up" In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture the memory of our events. We are excited by the prospect of printed imagery keeping alive the joy, camaraderie, and hope experienced under our umbrellas. ET Projects, a 501(c)3, was created in 2018 with the vision to bring communities together through the magic of art and nature. Shoreline Project was the first large scale immersive art experience launched in partnership with the Laguna Art Museum, in Laguna Beach, CA. The second venue was to be Vientienne, Laos, along the edge of the Mekong. Postponed by Covid-19, ET Projects reinvented and in 2020 and launched Project: “Look Up” in partnership with Mt. San Antonio Gardens. The images are of bold, resilient plants, each with a unique story of nature overcoming adversity. Spearheaded by Elizabeth Turk, an artist known primarily as a sculptor of marble, she expanded her portfolio to include public art experiences through ET Projects. A native to Southern California, she is a MacArthur Fellow, an Annalee & Barnett Newman Foundation and Joan Mitchell recipient. Her work has been represented by Hirschl and Adler...

Silver Mountain By Chris Keegan [2021] limited_edition Screen print Edition number 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:...

Joanna Padfield Wheelers in Yellow Limited Edition Linocut on paper Edition of 50 Signed by the artist Image size: H 15 x W 15 cm Paper Size/ Complete size of unframed print: H 25 x ...

C-print on argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested in this type of shipping + frame or not Hugo Pondz...

Anna Harley Silver Birch Mini Limited Edition Silkscreen Print Edition of 80 Size: H 22cm x W 22cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of ...

Creation II by Anna Harley [2020] Hand signed by the artist Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Ed...

The coastal landscapes of Maine have been the main source of inspiration for Rachel Burgess for many years. Burgess’s ongoing fascination with how land meets water— along rivers, lak...

Thistle by Anna Harley [2022] limited_edition screenprint Edition number 30 Image size: H:22.5 cm x W:25 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Part of my flower print series...

Title: The Nightmare Artist: Cleon Peterson Year: 2021 Step into the dark and thought-provoking world of Cleon Peterson with "The Nightmare," a mesmerizing piece that captivates the...

At the Edge by Shirley Kirkcaldy [2018] This is a superior quality limited edition Giclee print inspired by the coastline near Cape Cornwall. Reproduced from an original mixed media...

House by the Sea [2020] limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed P...

The Serpentine, Hyde Park – Autumn, after Bruegel is a limited edition etching by Mychael Barratt. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty e...

Wilderness by Chris Keegan [2022] Please note that insitu images are purely an indication of how a piece may look This is a hand-pulled limited edition screen print in three colours including Gold metallic ink. The inspiration for this print comes from wandering through a forest, looking up and seeing the changing patterns and shapes as the different types of trees overlap and intersect with each other. Limited edition of 50. Its 40 x 40 cm. Artwork printed on Southbank smooth 250 gsm. £. Chris Keegan artist online and in Wychwood Art Gallery...

Overlap by Katie Hallam Hand signed by the artist Limited Edition Digital Photograph Edition of 75 Size of Work: H 70cm x W 70cm x D 1cm Sold Unframed Ready to Hang Please note that...

This soft ground etching was made using natural plants. Printed with etching inks on Fabriano paper. This print is a variable edition of 100, so each print is unique. Charlie Davies,...

Cities 12 – February in Prague by Susan Brown. Discover limited edition giclée prints by Susan Brown online with Wychwood Art and in our Oxfordshire art gallery. Susan Brown (BAHons HonDArts. MCSD) is an interior architect and a painter, and has been involved in both disciplines for many years. The paintings are held in many collections including, The Royal Bank of Canada, HBOS, Universities of York and Sheffield, and the National Trust. The work has been represented and shown by many galleries throughout the UK, has been represented internationally in New York, Hong Kong and Singapore, the paintings have been included in many open exhibitions including the Royal Academy Summer Exhibition, and the Scottish...

Jayson Lilley St Pauls One Limited Edition Print Edition of 50 Image Size: H 28cm x W 28cm Signed Sold Unframed Please note that insitu images are purely an indication of how a work...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...