
WINDSWEPT TREES
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Chauncey Foster RyderWINDSWEPT TREEScirca 1920
circa 1920
Price:$675
$875List Price
About the Item
- Creator:Chauncey Foster Ryder (1868-1949, American)
- Creation Year:circa 1920
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Portland, ME
- Reference Number:Seller: 108711stDibs: LU36736415772
Chauncey Foster Ryder
In 1907, Ryder moved to New York City, where he was represented for the rest of his career by art dealer William Macbeth. His landscapes were admired for their vigorous brushwork, and the degree to which he pushed representational elements towards abstraction. He became known for a palette of predominantly gray-green tones, eventually known as 'Ryder green'. He opened a studio in the city in 1909, and the following year bought property in Wilton, New Hampshire. For the remainder of his life, he divided his time between New York and New Hampshire. In 1910, he traveled throughout New England, providing locales for many of his subsequent paintings. That year, future president Woodrow Wilson and his wife Ellen bought one of his landscapes, Valley of Assisi, to celebrate their 25th wedding anniversary. Ryder was a member of several art associations, including the American Water Color Society and the Society for Sanity in Art. Among his awards were the Paris Salon (honorable mention, 1907), the American Water Color Society (gold medal), the National Arts Club (gold medal), and the New York Water Color Society (gold medal). He also received awards at the 1915 Panama–Pacific International Exposition and the 1937 Paris International Exposition. Ryder died in Wilton, NH in 1949. His work is in the collections of numerous American museums, including the Metropolitan Museum of Art (New York), the Corcoran Gallery of Art and the National Portrait Gallery (Washington, D.C.), the Art Institute of Chicago (Illinois), and the Baltimore Museum of Art (Maryland)
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1966
1stDibs seller since 2016
348 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllUNE JETEE EN ANGLETERRE
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
Category
1870s Landscape Prints
Materials
Drypoint, Etching, Aquatint
NOCTURNE: PALACES
By James Abbott McNeill Whistler (circle)
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
1870s Landscape Prints
Materials
Drypoint, Etching
LE PONT AU CHANGE
By Charles Meryon
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Category
1850s Realist Landscape Prints
Materials
Drypoint, Etching
SAN BIAGIO
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. SAN BIAGIO. Etching and Drypoint, 1880. Glascow 237, K.197; M.194; W.163. State 8 of 17. With the printed butterfly at left, and with the butterfly signature in...
Category
1880s Landscape Prints
Materials
Drypoint, Etching
THE TRAWLERS
By George Elmer Browne
Located in Portland, ME
Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.
Category
20th Century Landscape Prints
Materials
Drypoint
N.Y. STEEL AND IRON.
By William Meyerowitz
Located in Portland, ME
Meyerowitz, William. N.Y. STEEL AND IRON. Drypoint, 1928. Edition of 40. Ttiled, numbered "2/40" and signed in pencil. 12 x 9 7/8 inches (plate), 13 1/2 x 11 inches (sheet). Inexcell...
Category
1920s Landscape Prints
Materials
Drypoint
You May Also Like
Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
By Salvador Dalí
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Rives BFK paper
Limited edition: L/CC (50/200)
Printer: Atelier Rigal, Paris, France
Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252
Sheet size: 26" x 19.63"
Image size: 19.88" x 14.5"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death.
We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
Biography:
Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...
Category
1970s Surrealist Landscape Prints
Materials
Etching, Drypoint, Intaglio
Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
By Henri Le Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Pavillon dans les Arbres (Pavilion in the Trees)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left
Year: 1928
Medium: Original Etching on Rives BFK paper
Limited edition: Unknown
Printer: Unknown
Publisher: Galeries Georges Petit and Henri Floury, Paris, France
Reference: Bibliothèque Nationale No. 12
Sheet size: 11" x 8.38"
Image size: 9.25" x 7.13"
Condition: Some minor foxing on verso. It is otherwise a strong impression in excellent condition
Notes:
Printed in one color: bistre. Comes from Camille Mauclair's 1928 book publication "Henri Le Sidaner" which contained two bound original drypoint etchings by Sidaner. Comes with its original tissue cover...
Category
1920s Post-Impressionist Landscape Prints
Materials
Drypoint, Etching, Intaglio
Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
By Aileen Mary Elliot
Located in Saint Augustine, FL
Artist: Aileen Mary Elliot (English, 1896-1966)
Title: "Crab Boats, Southampton Water"
*Signed by Elliot in pencil lower right
Circa: 1925
Medium: Original Drypoint Etching on laid p...
Category
1920s Impressionist Landscape Prints
Materials
Drypoint, Etching, Laid Paper, Intaglio
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
By William Walcot R. E. Hon. R. I. B. A.
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco Landscape Prints
Materials
Drypoint, Etching
St Paul's Cathedral, Thames, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Landscape Prints
Materials
Drypoint, Etching
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Landscape Prints
Materials
Drypoint, Etching