Afternoon Swimming
View Similar Items
David HockneyAfternoon Swimming1979
1979
About the Item
- Creator:David Hockney (1937, British)
- Creation Year:1979
- Dimensions:Height: 31.6 in (80.27 cm)Width: 39.5 in (100.33 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU793633002
David Hockney
The art of David Hockney is always engaging in its pleasant ambiguities: his prints, drawings and paintings are warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.
Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to 1962. Though he was educated in art at a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing.
Hockney's early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.
In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.
Find original David Hockney art on 1stDibs.
- Untitled (Ocean)By Vija CelminsLocated in New York, NYFrame size: 30 7/8 x 48 inches Printer: Ed Hamilton, Cirrus Editions Publisher: Cirrus Editions, Los Angeles Edition: 65, plus proofs Catalogue reference:...Category
1970s Contemporary Landscape Prints
MaterialsLithograph
Price Upon Request - Untitled (Large Desert)By Vija CelminsLocated in New York, NYMedium: Lithograph Printer and Publisher: Cirrus Editions, Los Angeles Catalogue reference: MMA 4 Edition size: 65, plus proofs Signed, dated, and numbered in pencil, lower marginCategory
1970s Photorealist Landscape Prints
MaterialsLithograph
Price Upon Request - False Start IBy Jasper JohnsLocated in New York, NYFrame size: 33 5/8 x 29 5/8 inches Printer and Publisher: ULAE, West Islip, New York Catalogue Raisonné: ULAE 9 Signed, dated, and numbered in pencil, lower marginCategory
1960s Prints and Multiples
MaterialsLithograph
Price Upon Request - Woman with Corset and Long HairBy Willem de KooningLocated in New York, NYPrinter: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower marginCategory
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
Price Upon Request - Pear IIIBy Ellsworth KellyLocated in New York, NYSheet size: 35 7/16 x 24 3/4 inches Frame size: 43 3/4 x 32 3/4 inches Printer: Imprimerie Arte, Paris Publisher: Maeght Éditeur, Paris Edition size: 75, plus proofs Catalogue Raison...Category
1960s Minimalist Still-life Prints
MaterialsLithograph
- ValentineBy Willem de KooningLocated in New York, NYPrinter: Fred Genis, Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 47, plus proofs Catalogue raisonné: Graham 16 Signed, dated, and numbered, lower m...Category
1970s Abstract Abstract Prints
MaterialsLithograph
Price Upon Request
- Architectural StudyBy Ettore SottsassLocated in Greding, DELarge format lithograph with architectural study, partly coloured. Signed at lower right. Edition 65/100(?).Category
Late 20th Century Post-Modern Landscape Prints
MaterialsLithograph
Price Upon Request - Trees and Fields, Print Club of ClevelandBy Peter TakalLocated in Berlin, MD“Trees and Fields” lithograph commissioned for the Print Club of Cleveland by Peter Takal Peter Takal’s original lithograph “Trees and Fields” is an accomplished work of art created in 1957. This lithograph bears the stamp “The Print Club of Cleveland” on verso. This impression is signed by Takal in pencil. “Trees and Fields” is a fine example of the art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...Category
Mid-20th Century Hudson River School Landscape Prints
MaterialsLithograph
- Jerusalem Marcel MoulyBy Marcel MoulyLocated in Berlin, MDMarcel Mouly (French 1918 - 2008) “Jerusalem” lithograph on woven paper with deep saturated colors in excellent condition. Well framed with acr...Category
Mid-20th Century Abstract Landscape Prints
MaterialsLithograph
- Wild RosesBy Joan SnyderLocated in Brooklyn, NYWild Roses, 2010 Lithograph/etching/woodcut 28 3/8 × 38 3/8 in 72.1 × 97.5 cm This print combines etching, lithography, and woodcut to create a great variet...Category
2010s Contemporary Landscape Prints
MaterialsEtching, Lithograph, Woodcut
- Bird's Eye View Of The Great Suspension BridgeLocated in New York, NYBird's Eye View Of The Great Suspension Bridge Print on paper Description: The Brooklyn Bridge was a cultural phenomenon when it was first built, inspiring artists, entrepreneurs, ...Category
1880s Naturalistic Landscape Prints
MaterialsLithograph
- Jean Banham. 'The Embankment, The Thames , London' Lithograph C1960'sLocated in Frome, SomersetFine print from the 1960's London. Embackment in London, by the Thames. City side with Houses of Parliamant looking west. Fine piece of history. Banham made many works of Central London...Category
1960s Contemporary Landscape Prints
MaterialsLithograph
$459 Sale Price20% Off
