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David Roberts
"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts

1839

$775
£595.17
€682.05
CA$1,091.01
A$1,222.17
CHF 636.86
MX$14,907.96
NOK 8,093.06
SEK 7,631.18
DKK 5,090.66

About the Item

This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by David Roberts while touring the Middle East. The lithograph was created from Roberts' sketch by Louis Haghe and published in London by F. G. Moon in 1847. It was included in the 'Holy Land' volume of the large folio editions of 'The Holy Land' and 'Egypt & Nubia', which are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a brown wood frame with a black edge and a cream-colored mat. The frame measures 13.63" x 17.63" x 1.25". The title of the lithograph and the date of Roberts' visit to the site (March 29, 1839) is printed in cursive in the lower left and David Roberts' name appears in the lower right, again in cursive. There is a tiny spot in the left margin, but the print is otherwise in excellent condition. David Roberts (1796-1864) was born outside of Edinburgh, Scotland. At age 10 he became a house painter’s apprentice. He continued painting houses and eventually theater scenes in Edinburgh and then in London. He was befriended by J. M. W. Turner, who recognized his artistic talent, and encouraged him to become a full-time artist. By 1830 he was completely focused on his art. His first major project was to create sketches and paintings depicting the sights he saw on a trip along the Rhine River in Germany and to Spain. In 1839 he travelled to Egypt and then in 1840, through the Holy Land, concluding in Jerusalem. Upon his return to England, F. G. Moon agreed to publish lithographs created by Louis Haghe from Robert’s sketches and watercolors. This publication was highly acclaimed and very popular for its esthetic quality, its historical and topographical accuracy, and Robert’s dramatic depiction of his scenes. Queen Victoria and Charles Dickens were among the subscribers who collected his works. Robert’s and Haghe’s duotone lithographs, often colored, remain extremely sought-after today and have been rising steadily in value.
  • Creator:
    David Roberts (1796-1864, British)
  • Creation Year:
    1839
  • Dimensions:
    Height: 13.63 in (34.63 cm)Width: 17.63 in (44.79 cm)Depth: 1.25 in (3.18 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Alamo, CA
  • Reference Number:
    Seller: # 22171stDibs: LU117326015562

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Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
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This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
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Thebes, Egypt: A Framed 19th Century Hand-colored Lithograph by David Roberts
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David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
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"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade. This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition. There are four additional listings of David Roberts hand colored engravings of Egypt...
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David Roberts' 19th Century Hand Colored Lithograph, St. Jean D'Acre
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Tiberias from the Walls: David Roberts' 19th C. Hand-colored Lithograph
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This is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century. This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...
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David Roberts' Entrance to the Caves: A 19th Century Hand-colored Lithograph
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