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David Roberts
Road to Nablous, West Bank: A 19th C. Hand-colored Lithograph by David Roberts

1843

$975
£740.40
€855.85
CA$1,370.27
A$1,525.79
CHF 806.88
MX$18,567.98
NOK 10,170.84
SEK 9,582.43
DKK 6,387.47

About the Item

"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia", published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered by many to be the most beautifully lithographically illustrated works issued in the 19th century. This framed hand-colored lithograph depicts a view of the road leading to Nablous, a city in the West Bank. Men on foot, camels and a dog are seen coming and going on the road with Nablous in the distance. This beautiful hand-colored lithograph is presented in an attractive burl wood frame and a cream-colored mat. The framing and glazing utilizes museum quality archival materials. The frame measures 15.75" high, 19.75wide and 0.5" in depth. The lithograph is in excellent condition. Many additional framed and unframed David Roberts' lithographs of Egypt are available on 1stdibs and on our website, which would make a beautiful display grouping of two or three prints. A discount is available for of two or more of these prints. We have many other David Roberts lithographs of Egypt and the Holy Land that are not yet listed. Please let us know if you would like to know about these. Artist: David Roberts (1796-1864) was born outside of Edinburgh, Scotland. At age 10 he became a house painter’s apprentice. He continued painting houses and eventually theater scenes in Edinburgh and then in London. His friend, J. M. W. Turner, recognized his artistic talent and encouraged him to become a full-time artist. In 1839 he traveled to Egypt and then in 1840, through the Holy Land, concluding in Jerusalem. Upon his return to England, F. G. Moon agreed to publish lithographs created by Louis Haghe from Robert’s sketches and watercolors. This publication was highly acclaimed and very popular for its esthetic quality, its historical and topographical accuracy, and Robert’s dramatic depiction of his scenes. Queen Victoria and Charles Dickens were among the subscribers who collected his works. Robert’s and Haghe’s duotone lithographs, often colored, remain extremely sought-after today and have been rising steadily in value.
  • Creator:
    David Roberts (1796-1864, British)
  • Creation Year:
    1843
  • Dimensions:
    Height: 15.75 in (40.01 cm)Width: 19.75 in (50.17 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Alamo, CA
  • Reference Number:
    Seller: # 22191stDibs: LU1173215707512

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Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
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This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
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