French Stacks
Donald SultanFrench Stacks1982
1982
About the Item
- Creator:Donald Sultan (1951, American)
- Creation Year:1982
- Dimensions:Height: 30.19 in (76.69 cm)Width: 22.19 in (56.37 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Printed in orange, black over brown background. Sheet slightly toned, with two printers creases in image (not objectionable).
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA100981stDibs: LU1401679713
Donald Sultan
Donald Sultan is a distinguished painter, sculptor, and printmaker who rose to prominence in the late 1970s as part of the “New Image” movement in New York City.
Sultan has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Sultan’s paintings, prints and other art are characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Sultan’s lemons, a recurrent theme in his artworks, have in fact become an iconic image all over the world.
“All of the images of those dark pictures are really about the architecture in the paintings; they seem so massive and strong and permanent, but nothing is permanent,” Sultan has said. “The image in the front is very fragile, but it conveys the loaded meaning of everything that is contained in the painting.”
Sultan is considered to be at the forefront of contemporary art. Although his paintings are often classified as landscapes and still lifes, Sultan states that they are first and foremost abstracts. Besides paintings, drawings, and sculptures, he has created many editions. Sultan’s prints are unique: he uses specific materials like “flocking” to create expressive and powerful prints that are reminiscent of his forceful paintings. Since his first solo exhibition in 1977, Sultan’s artistic career has progressed rapidly; his works are part of the most prominent public and private collections to be found across the globe.
Find original Donald Sultan art on 1stDibs.
(Biography provided by Weng Contemporary — ArtXX AG)
- French StacksBy Donald SultanLocated in Fairlawn, OHFrench Stacks Linocut printed in color Unsigned Stamped verso “Imprimerie Arnera Archives/Non Signe” Printer: Jaime Arnera, Vallarius, France (their stamp verso) Condition: Printed ...Category
1980s Abstract Expressionist Landscape Prints
MaterialsLinocut
- Poles and CypressesBy Donald SultanLocated in Fairlawn, OHPoles and Cypresses Woodcut printed in black, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set was published by Blum ...Category
1980s Contemporary Landscape Prints
MaterialsLinocut
- CypressesBy Donald SultanLocated in Fairlawn, OHCypresses Reductive color woodcut in colors, black, green & brown, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set w...Category
1980s Contemporary Landscape Prints
MaterialsLinocut
- Matsu (Pine)Located in Fairlawn, OHMatsu (Pine) Woodcut, 1968 Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo) Annotated in pencil "Ed 25" (see photo) Edition: 25 Condition: 7" long waterstain at bottom edge of sheet starting ca. 6" in from lower left corner. Does not effect image. Light foxing throughout, especially in margins. Matting covers the foxing up. Image size: 22 x 43 1/4 inches Naoko Matsubara (1937 - ) Matsubara Naoko (松原直子) was born in 1937 on Shikoku Island into an old Shinto family, and grew up in Kyoto, where her father was a senior priest. She was educated at the Kyoto Academy of Fine Art (BFA, 1960); and was a Fulbright Scholar at what is now Carnegie Mellon University, Pittsburgh (MFA, 1962). She was also a Special Invited Student at the Royal College of Art in London (1962). After travelling extensively in Europe and Asia, Naoko Matsubara returned to Japan for two years, before being lured back to the United States. There she worked as personal assistant to the late Prof. Fritz Eichenberg, and also taught at the Pratt Institute of Graphic Art in New York, as well as at the University of Rhode Island. Subsequently she lived in Cambridge, Mass. In 1972 Naoko Matsubara moved to Canada, and now lives in Oakville, Ontario. She has continued to be extremely active as an artist: locally, nationally and internationally. Since 1960 she has had some 75 solo exhibitions, in the USA, Canada, Japan, England, Ireland, Germany, Austria, Switzerland, Holland and Mexico. She has also participated in numerous group exhibitions. Public collections owning work by Naoko Matsubara include: Albertina, Vienna; Art Institute of Chicago; British Museum; Carnegie Institute; Museum für Kunst und Gewerbe, Hamburg; Museum of Fine Arts, Boston; Philadelphia Museum of Art; Cincinnati Art Museum; Detroit Institute of Art; Fogg Art Museum, Harvard University; Haifa Museum, Israel; Kyoto National Museum of Modern Art; Royal Ontario Museum; The White House, Washington DC; Tokyo National Museum of Modern Art; Yale University Art Gallery. Naoko Matsubara has published some 20 books and portfolios of her work, including most recently Tibetan Sky (Calgary: Bayeux Arts Publishers, 1997; Preface by the Dalai Lama); Tokonoma (Bath, England: Old School Press, 1999); and Konjaku monogatari (Tokyo: ALIS, 2002). Her work also includes a large mural and donor pillar for the new YMCA building in Oakville, Ontario (2003); mixed-media screens; and paintings. In 2005, the Royal Ontario Museum commissioned two large works from Naoko Matsubara for the Museum's Bloor Street window case. The artist generously donated a third work, Emerald Summer (2006). The three works (each 195 cm. high by 95 cm. wide) will be rotated at regular intervals into the outside window. This is the first commissioned artwork to be displayed on the Museum’s Bloor Street Plaza. Recent major exhibitions have been in Tokyo, Kyoto, Indiana, and Toronto (Royal Ontario Museum). Further exhibitions are currently being planned in Seattle and Tokyo; new books in process include In Praise of Hands. She also continues to travel widely; is frequently invited to speak about her work; and also publishes essays, in both English and Japanese. Naoko Matsubara’s work has been the subject of countless articles and reviews; documentary films (including two from the Canadian Broadcasting Corporation); and several book-length publications: notably Mokuhan: The Woodcuts of Munakata and Matsubara (text by Joan Stanley-Baker; Victoria, BC: Art Gallery of Greater Victoria, 1976); Naoko Matsubara: Development of Artistic Style and Technique (text by Barbara Woodworth; MFA thesis, Harvard University, 1985);.and Tree Spirit...Category
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