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Etel Adnan
L'Express Beyrouth-Enfer

2021

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Fil du Temps
By Etel Adnan
Located in London, GB
Etel Adnan "Fil du Temps" 2021. Etching on wove paper. Edition of 100. A critical work by Adnan, the final etching in this series. Etel was unable to put pencil to paper due to her ...
Category

2010s Abstract Impressionist Landscape Prints

Materials

Etching

Fil du Temps
$6,702
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Je suis un volcan
By Etel Adnan
Located in London, GB
Etching on wove paper. Signed and numbered by the artist in pencil. Published by Galerie Le Long. *This print is supplied within a clamshell box, with book of the same name, as iss...
Category

2010s Abstract Impressionist Landscape Prints

Materials

Etching

Paree
By Patrick Hughes
Located in London, GB
A hand painted three dimensional, Reverspective print, inspired by Paris. Produced in 2023. This print comes housed in a bespoke perspex display case. A limited edition of 75 pieces....
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

Paree
$11,508
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Canaletto
By Patrick Hughes
Located in London, GB
A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75. Hand...
Category

2010s Contemporary Landscape Prints

Materials

Lithograph, Offset

Canaletto
$10,560
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The Pont Neuf Wrapped
By Christo and Jeanne-Claude
Located in London, GB
Offset lithograph on wove paper. Published in 2020 by Éditions du Centre Pompidou, Paris. Edition of 450. Within accompanying exhibition catalogue and slipcase. As issued. Signed and...
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

Trees
By Nicolas Party
Located in London, GB
Woodcut on BFK Rives paper, produced in 2020. Edition of 100. Mint condition, unframed. Signed and numbered in pencil by Nicolas Party.
Category

2010s Contemporary Landscape Prints

Materials

Woodcut

Trees
$4,061
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Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
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