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Framed Landscape Prints

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Frame Included
L'Automne à Paris
Located in Greenwich, CT
L'Automne à Paris is a lithograph on paper with an image size of 2.75 x 3.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

'Hills at Baptiste Lake' Limited Edition Lithograph by Group of 7 Artist
Located in Toronto, ON
After the original oil painting 'Hills at Baptiste Lake' this piece is one of 51 lithographs included in 'Casson's Cassons Vol. 1' printed in 1990 by Paul Duval and AJ Casson in Toro...
Category

20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

"Glittering Forest, " Framed Limited Edition Giclee Print, 24" x 18"
Located in Westport, CT
This colorful abstract landscape limited edition print depicts a forest, with trees with thin trunks in the foreground, and leaves that seem to incorporate almost every color. Bursts...
Category

2010s Impressionist Landscape Prints

Materials

Digital, Giclée

Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category

Mid-19th Century Naturalistic Landscape Prints

Materials

Engraving, Etching

Earth Day
Located in Naples, Florida
In response to a massive oil spill off the coast of Southern California in 1969, Wisconsin Senator Gaylord Nelson initiated the idea of the first annual Earth Day on April 22, 1970, ...
Category

Late 20th Century Landscape Prints

Materials

Lithograph

Mykonos Horizon, Pop Art Screenprint by Thomas McKnight
Located in Long Island City, NY
Mykonos Horizon Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 147/200 Image Size: 36 x 18 inches Frame Size: 52 x 34 inches
Category

Late 20th Century Pop Art Landscape Prints

Materials

Screen

Spring at My Place
Located in Toronto, Ontario
Christopher Pratt (1935–2022) is one of Canada’s most beloved and recognizable Maritime artists. Born in St. John’s, he dedicated the majority of his artistic practice to depicting s...
Category

1980s Realist Landscape Prints

Materials

Screen

Vaschette - large scale photograph of Mediterranean beach scene (artist framed)
Located in San Francisco, CA
large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper

LeRoy Neiman Westchester Classic Lithograph, 1979, Signed
Located in Plainview, NY
The lithograph by LeRoy Neiman ( American 1921- 2012) titled "Westchester Classic" features a vibrant and dynamic depiction of a golf scene at the Westchester Country Club...
Category

20th Century Landscape Prints

Materials

Lithograph

'Le Louvre et La Seine, ' by Phillipe Benoist, Four-color Lithograph
Located in Oklahoma City, OK
This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...
Category

19th Century Academic Landscape Prints

Materials

Lithograph

Honolulu Shaved Ice
Located in San Francisco, CA
This artwork titled "Honolulu Shaved Ice" 1986, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered P.P. 2/5 in penc...
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

Wine and Childhood Aliments
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Pinto
Located in London, GB
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...
Category

Early 2000s Photorealist Landscape Prints

Materials

Etching

Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry
Located in Manchester, GB
Damien Hirst, Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry, 2021 Offset lithograph Framed size: 85 x 65 cm (33.46 x 25.59 in) Unkown editon size...
Category

2010s Contemporary Landscape Prints

Materials

Offset

DY Cameron 19th c. European Village Etching
Located in New York, NY
D.Y. (David Young) Cameron (Scottish, 1865-1945) The Border Tower, c. 1893 Etching Sight: 9 x 13 1/4 in. Framed: 15 1/4 x 19 1/2 x 1/2 in. Signed in pencil lower right Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching...
Category

1890s Academic Landscape Prints

Materials

Etching

1776 Navigational chart/map of the Delaware bay and river including Philadelphia
Located in Philadelphia, PA
JOSHUA FISHER (AMERICAN, EIGHTEENTH CENTURY) A Chart of Delaware Bay and River, 1776 Printed for John Bennet and Robert Sayer, London Engraving on pape...
Category

1770s Realist Landscape Prints

Materials

Paper, Engraving

'Tribal Coast', Expressionist Woman artist, Museum of Modern Art, Guggenheim
Located in Santa Cruz, CA
Signed lower right, 'Ynez Johnston' (American, b. 1920) and dated 1964; additionally inscribed 'imp' lower right, titled lower center 'Tribal Coast' with number and limitation, 198/2...
Category

1960s Abstract Prints

Materials

Paper, Engraving

The Lunar Cycle – 9 Phases of the Moon by Guy Allen. Prints with Wooden Frames
Located in Coltishall, GB
A set of nine prints. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deit...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Etching, Wood

"Springtime, " Framed Limited Edition Giclee Print, 36" x 36"
Located in Westport, CT
This abstract landscape limited edition print by Elwood Howell features a vibrant green palette. Colorful orange, blue, and violet accent the green area of the composition, which ext...
Category

2010s Abstract Abstract Prints

Materials

Digital, Giclée

Saint Moritz, Switzerland
Located in San Francisco, CA
This artwork titled "Saint Moritz, Switzerland" 1922 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the ...
Category

Early 20th Century Realist Figurative Prints

Materials

Etching

Along the Seine, Impressionist Landscape Oil Painting by Louis Dancourt
By Louis Dancourt
Located in Long Island City, NY
Artist: Louis Dancourt, French XXth Title: Along the Seine II Year: 1946 Medium: Oil on Canvas mounted to Wood, signed l.r. and dated verso Image Size: 16 x 20 in. (40.64 x 50.8 cm) ...
Category

1940s Fauvist Landscape Prints

Materials

Canvas, Wood, Oil

Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...
Category

Early 20th Century American Impressionist Landscape Prints

Materials

Etching

C'est La Vie (Classic Car, Graveyard, Vintage, ~35% OFF - LIMITED TIME ONLY)
Located in Kansas City, MO
Louise Marler C'est La Vie (from "Oil is History" Collection) (Classic Car, Graveyard, Vintage) Archival Giclee Print 2007 Edition: 10 Image Size: 15.25 x 21.25 inches (38.74 × 53.98...
Category

1970s American Modern Figurative Prints

Materials

Metal

Frank Taylor - Framed Mid 20th Century Woodcut, Conistone, Wharfedale
Located in Corsham, GB
Frank Taylor- original woodcut. Inscribed, signed and dated (1940) to the lower margin. Presented in a fine black frame with a crisp white mount. On paper.
Category

20th Century Landscape Prints

Materials

Woodcut

Bay with Boats Color Monotype unique signed abstract color field landscape frame
Located in New York, NY
Wolf Kahn Bay with Boats, 1987 Color monotype on Somerset white wove paper Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back Frame Included: matte...
Category

1980s Color-Field Landscape Prints

Materials

Lithograph, Monotype

The Pool Called Apollo's - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

1740s Modern Figurative Prints

Materials

Etching

The "Water Theatre" in Versailles - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

1740s Modern Figurative Prints

Materials

Etching

First Shadows, Modern Lithograph by Robert Kipniss
Located in Long Island City, NY
First Shadows Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 164/250 Size: 8 x 6 in. (20.32 x 15.24 cm) Frame Size: 16.25 x 14....
Category

1980s American Impressionist Landscape Prints

Materials

Lithograph

Split Rock Lighthouse
Located in Chesterfield, MI
"Split Rock Lighthouse" is a limited edition lithograph 38/500 signed by the artist Leo Kuschel and remarqued with a commemorative lighthouse stamp. The fr...
Category

Late 20th Century Realist Landscape Prints

Materials

Lithograph

Split Rock Lighthouse
Split Rock Lighthouse
$180 Sale Price
20% Off
A still life of flowers in a vase
Located in Jacksonville, FL
A still life of flowers in a vase 27324-LU2595214540452
Category

1750s Realist Landscape Prints

Materials

Lacquer, Color

From Les Reincarnations du Pere Ubu, Surrealist Etching by Georges Rouault
Located in Long Island City, NY
Artist: Georges Rouault, French (1871 - 1958) Title: Frontispiece from the portfolio Les Reincarnations du Pere Ubu Year: 1929 Medium: Etching and aquatint on cream wove paper, signe...
Category

1920s Expressionist Figurative Prints

Materials

Etching

"Just the Two of Us, " Framed Limited Edition Giclee Print, 12" x 16"
Located in Westport, CT
This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

David Bethel (1923-2006) - Framed 20th Century Serigraph, White Gate
Located in Corsham, GB
David Bethel (British 1923-2006) 'White Gate', original serigraph. Signed and dated 1980 in pencil to the lower margin. Inscribed and editioned 1/75. Smartly mounted in a narrow oak ...
Category

20th Century Landscape Prints

Materials

Screen

A Signed Etching of a Pastoral Scene in Picardy, France by Paul Emile Lecomte
Located in Alamo, CA
A beautiful aquatint etching of a serene pastoral scene in the Picardy region of northern France by Paul Emile Lecomte (1877-1950). A mother and child are seen walking down a path in...
Category

Early 20th Century Impressionist Landscape Prints

Materials

Aquatint

Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry
Located in Manchester, GB
Damien Hirst, Cherry Blossoms Poster (Framed) - Foundation Cartier Cerisiers En Fleurs Cherry, 2021 Offset lithograph Framed size: 85 x 65 cm (33.46 x 25.59 in) Unkown editon size...
Category

2010s Contemporary Landscape Prints

Materials

Offset

"Set x Grand National Steeplechasing Scenes" c1931 by Paul D. Brown
Located in Bristol, CT
"Valentines The First Time" Ex- Deschamps-Robertson Gallery Print Sz: 5"H x 8"W Frame Sz: 7 3/4"H x 10 5/8"W
Category

1930s Landscape Prints

Materials

Paper, Lithograph

Monopoli Sunrise (framed) - large scale photo of Mediterranean beach ritual
Located in San Francisco, CA
large format photograph of Puglia ritual by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern lei...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Wood, Plexiglass, Photographic Film, Archival Paper, Photographic Paper,...

Sarah Van Niekerk (1934-2018) - 20th Century Wood Engraving, Clun Castle
Located in Corsham, GB
A delightful wood engraving by the artist Sarah Van Niekerk (b.1934) depicting the ruins of Clun Castle and surrounding Welsh countryside. To the lower left fluffy sheep rest in the ...
Category

20th Century Landscape Prints

Materials

Woodcut

Twilight's Path, 030, Moonrise - Midsummer full moon - skeletal oak - landscape
Located in London, GB
The midsummer full moon casts its pale light over the skeletal remains of a deceased oak. Twilight's Path ‘Now air is hushed, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn As oft he rises 'midst the twilight path Against the pilgrim, borne in heedless hum’ – William Collins (1721–1759), Ode to Evening. "Once in a while (helped by a bit of planning) everything comes together and you take a photograph that feels really satisfying. However much one reads about artists/photographers trying and failing, taking many shots to end up with that one that works, it’s hard to remember. Just keep showing up, keep doing what you do, it won’t always work out, but sometimes things flow and something special can come through." - Jasper Goodall...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper, Archival Pigment

Bolivian Rainbow Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820
Located in San Francisco, CA
Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820 Remarkable early 19th century etching Plate dimensions 14.75" wide 11.25" high The frame measures 24.75" wi...
Category

Early 20th Century Figurative Prints

Materials

Etching

"Green Day" Framed Limited Edition Print, 48" x 72"
Located in Westport, CT
This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue, green, and yellow palette and captures ...
Category

2010s Other Art Style Landscape Prints

Materials

Digital, Giclée

Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
Category

1820s Realist Landscape Prints

Materials

Engraving

The Gates, original oversized Manhattan Subway Banner, uniquely signed, Framed
Located in New York, NY
Christo and Jeanne-Claude The Gates, original oversized Manhattan Subway Banner (uniquely hand signed by Christo), 2005 Offset lithograph banner (uniquely hand signed on the front by...
Category

Early 2000s Pop Art Landscape Prints

Materials

Lithograph, Offset

Clare Leighton (1898-1989) - Framed Mid 20th Century Woodcut, Tree Planting
Located in Corsham, GB
Two figures plant a tree in this striking woodcut by Clare Leighton. The print is from Leighton's 1935 book *Four Hedges,* which documents her experience creating a garden over the c...
Category

20th Century Landscape Prints

Materials

Woodcut

Launch Wash, Saint Michele Venice
Located in Bournemouth, Dorset
Donald Hamilton Fraser (1929 – 2009) Launch Wash, Saint Michele Venice signed limited edition, no. 112/225, lithograph, Image: 50.5cm x 37.5 cm, mounted and framed, Frame: 81.7 x ...
Category

1890s Realist Landscape Prints

Materials

Lithograph

Gulpiyuri - large scale landscape photograph by Massimo Vitali (artist framed)
Located in San Francisco, CA
large format photograph of Gulpiyuri, a flooded sinkhole with inland beach in Northern Spain, by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographica...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

1820s Old Masters Landscape Prints

Materials

Etching

Brandywine Farm Collotype Lithograph Hand Signed Henriette Wyeth Americana Art
By Henriette Wyeth
Located in Surfside, FL
Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...
Category

1980s American Realist Landscape Prints

Materials

Lithograph

“Flower Picking”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category

1880s Impressionist Landscape Prints

Materials

Lithograph, Watercolor, Gouache

Antique Dog Lithograph, Taste of Alfred De Dreux, France circa 1870 Greyhounds D
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Greyhounds D France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inc...
Category

1870s Romantic Animal Prints

Materials

Lithograph

Horseback Rider at the Great Pyramid of Giza, Surrealist Print
Located in New York, NY
Mystery Artist Untitled (Great Pyramid), c. late 20th/early 21st century Possibly C-Print or Lithograph? Sight: 9 1/2 x 9 1/2 in. Framed: 13 x 13 x 1 1/8 in. Signed lower left This...
Category

21st Century and Contemporary Surrealist Landscape Prints

Materials

C Print

Raoul Dufy Les Regates a Honfleur Vintage Fauvist
Located in Brooklyn, NY
Regates by Raoul Dufy is a lithograph from the book Lettre à mon Peintre by Marcelle Oury, printed on high-quality velin Arjomari paper. The artwork is framed in a navy wood frame wi...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category

Late 18th Century Baroque Landscape Prints

Materials

Paper, Watercolor, Ink

Sitting on a Park Bench - Figurative Landscape Lithograph
Located in Soquel, CA
Lithograph of a person sitting on a park bench by Mercado (20th Century). Signed by the artist in pencil in the lower right corner ("Mercado 69"). Numbere...
Category

1960s American Impressionist Landscape Prints

Materials

Paper, Lithograph

French Sailboats, Modern Lithograph by Peter Edwards
Located in Long Island City, NY
French Sailboats by Peter Edwards, British (1934–2017) Date: circa 1975 Lithograph, Signed and Numbered in Pencil Edition of 11/275 Image Size: 15.5 x 21 inches Frame Size: 24 x 30 i...
Category

Mid-20th Century Modern Landscape Prints

Materials

Lithograph

Harney County, Oregon
Located in New York, NY
Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Photogravure

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category

1980s Contemporary Landscape Prints

Materials

Ink, Handmade Paper, Woodcut

Redwoods (6 glass panels) - large format abstract nature forest panorama
Located in San Francisco, CA
a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Giclée

French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category

1980s Impressionist Landscape Prints

Materials

Paper, Ink, Lithograph

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