Framed Landscape Prints

Resolution is a limited edition artwork from 'The Secrets' by Damien Hirst - a series of eight unique prints which depict thriving, flourishing gardens after works from Damien Hirst’...

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...

"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...

Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing w...

GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...

This framed hand-colored engraving entitled "February Bouquet" is from 'The Twelve Months of Flowers' by Henry Furber, published in London in 1730 by Robert Sayer and John King. Each of the twelve hand-colored engravings in the book were produced from paintings by Pieter Casteels (1684-1749) and engraved by Henry Fletcher (1710-1753). The book featured twelve detailed engravings of seasonal plants in bloom in the form of a bouquet. More than 400 different species of flowering plants were included with each plant numbered and accompanied by a list of the corresponding species names. Thirty-five species of flowers are depicted in this engraving in a bouquet sitting in an ornate attractive bowl. A few of the flowers lie loose on a table. The flower species are listed in a table in the lower portion of the plate, along with the month that these flowers are in bloom. This colorful print is presented in a gold-colored wood frame with a cream-colored double mat with a heather green inner mat. The frame measures 23.5" High, 19" wide and 1.63" deep. There are a few small frame abrasions, but the print is in very good condition. Robert Furber...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool green palette and captures a landscape scene with lush foliage and rol...

The Art of Modern Living is a digital pigment print on paper, image size 24 x 38.5 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotat...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...

"Cuenca - The Cliff Dwellers" Antique Etching of the Casas Colgadas Detailed architectural etching by Ernest David Roth (American b. 1879 d. 1964.) The etching depicts the famous Ca...

This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...

HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...

SWEETGRASS CARRIERS is a hand drawn, limited edition lithograph (not a photo reproduction or digital print) by the renowned American artist JONATHAN GREEN printed in 17 colors using hand lithography techniques on heavyweight archival Arches paper, 100% acid free. SWEETGRASS CARRIERS depicts a black farmer standing in a field of golden sweetgrass dressed in a straw sunhat, white shirt and rugged blue denim overalls accompanied by three female field workers clothed in colorful orange, blue and red bell shaped dresses all carrying bundles of freshly harvested sweetgrass. The expansive field of golden yellow, orange, and green blades of grass is backed by a horizon line of deep blue water and distant green trees enlivened by white clouds sweeping across a clear blue sky. Truly an impressive agricultural landscape scene reflecting back on local traditions of Geechee Gullah culture, Lowcountry South Carolina. Impressive size - large horizontal format, handmade lithograph, fine impression, vivid colors, hand signed and numbered 75/95 by Jonathan Green, professionally framed, double frame - wove textured moulding and burl wood style liner, archival framing materials, publishers chop mark embossed on lower margin, Print documentation/ Certificate of Authenticity will be provided. Framed size - 44 x 55 in. with frame Print size - 33.5 x 42.5 inches unframed print size Image size - 27 x 36.5 inches Edition size - 95, plus proofs Year published - 1999 Printed at J K Fine Art Editions Co., NJ Publisher - Mojo Portfolio, NJ Sweetgrass grows in the moist, sandy soils near oceans and marshes. It is harvested in the spring and summer by "pullers" who slip it from its roots and place it in the sun to dry. Sweetgrass baskets...

This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons. The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface. At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples. An original painting of the series can be seen at Musée d'Orsay in Paris, France...

"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...

Brett Weston (American, 1911-1993), "Lake Patzcuaro, Mexico", Gelatin Silver Print, 1976, signed and dated in pencil lower right, silver-tone metal frame. Image: 10.75" H x 13.5" W;...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

This artwork titled "Arch of Titus" created 1923 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist's estat...

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Howard Behrens is Chicago born artist famous for his heavy palette style. This giclee of Lake Como is a signed limited edition, embellished and an artist print. It is numbered 22...

Image size: 18.25 x 15 in Paper size: 23.63 x 17.07 in Frame size: 32.38 x 29.13 in Color lithograph after the 1961 gouache on paper by René Magritte, plate-signed by Magritte an...

Werner Bronkhorst Volley Road, 2015 Giclée print on Hahnemühle Photorag paper with ready-to-hang heavyweight solid oak frame. From the artist's acclaimed Wimbledon series. Accompanie...

You really need to bring home this wonderful & handsome serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...

“Three Pines” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and He...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...

ANDRÉ BRASILIER (1908-1992) AUTOMNE FINLANDAIS, 1977 Lithograph on wove paper Annotated "épreuve d'artiste" low left Singed low right Image 46 x 64 cm Frame 76 x 92 x3 cm Y. Le Pi...

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...

This lithograph titled "Thebes, Great Hall at Karnak" is a notable work by the Scottish painter David Roberts (1796-1864). This particular scene is part of Roberts' most famous colle...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...

Ride Me Crazy Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-certified, finger-joint...

A charming etching of Asolo in the Veneto region of northern Italy. The town is known as the "city of the hundred horizons" due to its mountainous setting. Signed and dated within th...

This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...

Werner Bronkhorst The Champions (A0), 2025 Archival pigment print on Hahnemüle Photorag paper with solid walnut frame Accompanied by a certificate of authenticity 118.1 x 84.1 cm (A0...

This colorful work by Peter Max was created in 1988. The vintage WFUNA lithograph "The Better World" has an Authentication certificate attached on the verso #443/750 There is no ch...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884-1967) The Timber Merchant (c. 1932) Lithograph 47 x 43 cm Signed in pencil...

SALE ONE WEEK ONLY “Untitled Landscape” is a serigraph in various shades of green and orange. Although it has an Art Nouveau feel to it, it can be described as Lyrical Abstraction. ...

A finely detailed coastal scene by American artist Stephen Parrish (1846-1938). The beach is a bustling hive of activity, with various figures working along the shore. In the backgro...

An evocative coastal scene by Scottish artist Sir David Young Cameron (1865-1945). A sailing ship can be seen traversing the turbulent waters in the distance, silhouetted against the...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool green palette with warm yellow accents, and captures a landscape scene...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Newfoundland France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...

Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...

Louise Marler C'est La Vie (from "Oil is History" Collection) (Classic Car, Graveyard, Vintage) Archival Giclee Print 2007 Edition: 10 Image Size: 15.25 x 21.25 inches (38.74 × 53.98...

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...

"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...