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Frame Included
Joan Mitchell, Sans titre, In Memory of My Feelings (after)
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

The Old City of Jerusalem
Located in Surfside, FL
Pencil signed artists proof lithograph or serigraph. Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and cartoonist. A Holocau...
Category

20th Century Modern Landscape Prints

Materials

Lithograph

Blue Pacific Foamy Shorelines, Horizontal Calm Seascape, Minimal Waterscape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Foamy Shoreline" is a handmade cyanotype print portraying a smooth wave reaching the shore. Details: + Title: Pa...
Category

2010s Minimalist Landscape Paintings

Materials

Watercolor, Lithograph, Paper

Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...
Category

1970s Surrealist Landscape Prints

Materials

Mixed Media, Drypoint, Lithograph, Screen

Azure Clouds, Blue Tones Cyanotype Print Landscape, Contemporary Skyscape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...
Category

2010s Naturalistic Landscape Drawings and Watercolors

Materials

Watercolor, Rag Paper

Girl in the Garden (Gelburd/Rosenberg 62), Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Girl in the Garden (Gelburd/Rosenberg 62) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 33/150, plus proofs Size: 28.75 x 2...
Category

1970s Expressionist Figurative Prints

Materials

Lithograph

Marc Chagall, The Horsewoman with the Red Horse, from XXe Siecle, 1957
Located in Southampton, NY
This exquisite lithograph and pochoir by Marc Chagall (1887–1985), titled L'ecuyere au cheval rouge (The Horsewoman with the Red Horse), from the album XXe Siecle, Nouvelle serie No....
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Christo, 'Wrapped Trees Vertical', Lithograph, 1998
Located in Pembroke Pines, FL
Artist: Christo (1935 - 2020) Title: Wrapped Trees Vertical Size: 31" x 23" inches Type: Lithograph Poster Hand Signed Christo was born in 1935 in Gabrova, Bulgaria. (He would drop ...
Category

1990s Contemporary Landscape Prints

Materials

Offset

Topiary II - large format photograph of ornamental shaped sidewalk trees
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Sans titre (Cramer 61; Mourlot 434), Le plafond de l'Opéra
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Zentsuji Temple in the Rain — from the series Collected Views of Japan II
Located in Myrtle Beach, SC
Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...
Category

1930s Showa Landscape Prints

Materials

Woodcut

Bright Seascape in Capri, Nautical Cyanotype Triptych, Mediterranean Blue Waves
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Post-Impressionist Landscape Drawings and Watercolors

Materials

Lithograph, Paper

Mexican Art: A Portfolio of Mexican People and Places
Located in Palm Springs, CA
Ten lithographs in excellent condition, with portfolio cover. The ten artists included in the 1946 portfolio "Mexican Art: A Portfolio of Mexican People and Places" include: Ángel Bracho / Francisco Mora / Fernando Castro Pacheco / Raúl Anguiano / Alberto Beltrán...
Category

1940s Figurative Prints

Materials

Lithograph

Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid atomizer anti-shade, ...
Category

1970s Surrealist Landscape Prints

Materials

Mixed Media, Drypoint, Lithograph, Screen

White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
Located in Alamo, CA
This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...
Category

1840s Naturalistic Animal Prints

Materials

Lithograph

Paris, Notre Dame de Paris and Seine River - Original Lithograph Handsigned & N°
Located in Paris, IDF
Urbain HUCHET Notre Dame de Paris Original lithograph, 1960 Handsigned in pencil by the artist Numbered / 295 copies On velllum 19 x 28 cm (c. 8 x 11 inch) Excellent condition
Category

1960s Modern Landscape Prints

Materials

Lithograph

Andrew Wyeth, May Day, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled May Day, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition embodies Wyeth’s lyrical study of springtime renewal and human connection to the land. May Day captures a tender seasonal moment—nature reawakening beneath soft light—rendered with Wyeth’s quiet precision and emotional restraint that elevate the ordinary into the timeless. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and private collection to express the cyclical harmony between nature and spirit. Each image reflects Wyeth’s devotion to atmosphere and the fragile poetry of the passing year. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: May Day, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Marc Chagall, Sarah and Abimelech, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Sara et Abimelech (Sarah and Abimelech), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Chateau de Verneuil
Located in Middletown, NY
Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined handmade laid paper, one leaf with a large watermark a feathered dragon, 7 1/4 x 11 1/4...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Andrew Wyeth, Teel’s Island, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Teel’s Island, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Andrew Wyeth, The Corner, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Corner, originates from the distinguished 1962 folio The Four Seasons: Pai...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...
Category

1990s American Modern Landscape Prints

Materials

Etching

'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
Located in New Orleans, LA
The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together with Sir Frank Short in the engraving school at the Royal College of Art in London during the first two decades of the 20th century. A true painter-printmaker, Percival Gaskell developed a sensitivity to atmospheric tone which is displayed in an air of timeless beauty throughout his printed works. (sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. Superb signed proof impression printed in warm-brownish-black ink. One of Gaskell's best large scale mezzotints. The speed with which William the Conqueror committed to the creation of a castle at Chepstow is testament to its strategic importance. There is no evidence for a settlement there of any size before the Norman invasion of Wales, although it is possible that the castle site itself may have previously been a prehistoric or early...
Category

1940s English School Landscape Prints

Materials

Mezzotint, Etching

Picasso, Composition (Cramer 88), Dans l'Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern Landscape Prints

Materials

Lithograph

St. Raphael (Provence, seascapes, countryside art, Impressionist)
Located in Kansas City, MO
Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size:...
Category

1980s Impressionist Prints and Multiples

Materials

Lithograph

Swing Over Pool
Located in London, GB
Artist: Katherine Bradford Title: Swing Over Pool Medium: Archival pigment print with silkscreen shimmer varnish and matte seal on Somerset Tub Sized Radiant White 410gsm paper. han...
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

Pablo Picasso, Portrait of Jacqueline, from The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...
Category

1960s Cubist Figurative Prints

Materials

Lithograph, Stencil

El Rio Grande
Located in Palm Springs, CA
Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Image of a immigrants wading across the Rio Grande River at the border between Mexico and the United States. ...
Category

2010s Contemporary Landscape Prints

Materials

Linocut

Missing Peace (Homage to 911)
Located in New Orleans, LA
The Artist's Christmas homage to the attack on the twin towers with reindeer atop the buildings. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

Early 2000s American Modern Landscape Prints

Materials

Intaglio

Henri Matisse, Nude, Second Study, from Verve, Revue Artistique, 1953 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Nu, deuxieme etude (Nude, Second Study), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...
Category

1950s Fauvist Landscape Prints

Materials

Lithograph

"Traveller Near a Wood" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid p...
Category

1860s Landscape Prints

Materials

Etching

Wassily Kandinsky, The Stars, from Verve, Revue Artistique et Litteraire, 1938
Located in Southampton, NY
This exquisite lithograph by Wassily Kandinsky (1866–1944), titled Les etoiles (The Stars), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, ...
Category

1930s Modern Abstract Prints

Materials

Lithograph

Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Miró, Composition (Mourlot 551; Cramer 118), Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Seascape XVIII - large format photograph of monochrome water surface
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

French Lithograph - Multiple Toned Yellow Sunflower Field
Located in Houston, TX
Lively French lithograph of sunflower field with multiple tones of yellows, orange, red, and while sunflowers, circa 1960. Original artwork on paper ...
Category

1960s Landscape Prints

Materials

Lithograph

New York Skyline, NY; East River
Located in Middletown, NY
Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...
Category

1930s American Modern Landscape Prints

Materials

Archival Paper, Etching

Thames Warehouses
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37) Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category

1850s Impressionist Landscape Prints

Materials

Drypoint, Etching

Praise, Rubber Stamp Portfolio, Agnes Martin
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin Dalton natural bond paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. P...
Category

1970s Minimalist Abstract Prints

Materials

Printer's Ink

The Plaza, Sunset Glow
Located in Myrtle Beach, SC
'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...
Category

1920s American Impressionist Landscape Prints

Materials

Drypoint

Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Lines in Four Directions, Rubber Stamp Portfolio, Sol LeWitt
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...
Category

1970s Minimalist Animal Prints

Materials

Printer's Ink

Marc Chagall, The Tribe of Levi, from XXe siecle, 1983 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled La Tribu de Levi (The Tribe of Levi), from the special issue of the XXe Siecle Review, Chagall in Jerusalem, originat...
Category

1980s Expressionist Landscape Prints

Materials

Lithograph

Joan Miro, The Woman and the Bird, from XXe Siecle, 1956
Located in Southampton, NY
This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled La Femme et l’Oiseau (The Woman and the Bird), from the album XXe Siecle, Nouvelle serie No. 6, originates from...
Category

1950s Surrealist Still-life Prints

Materials

Lithograph

Kamezaki Bishu (First Edition)
Located in Burbank, CA
Three soft yellow lights shine from windows, beacons from the homes at the end of our path, middle right. At left a canal flows into the sea, and textured clouds float in an early ev...
Category

Early 20th Century Showa Landscape Prints

Materials

Handmade Paper, Woodcut

Spanish Elegy (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

California Surfer
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category

2010s Landscape Prints

Materials

Photographic Paper

Roy Lichtenstein, Sandwich and Soda, from Ten Works by Ten Painters, 1964
Located in Southampton, NY
This exquisite silkscreen by Roy Lichtenstein (1923–1997), titled Sandwich and Soda, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Sandwich and Soda, Lichtenstein translates his signature Pop Art vocabulary—bold outlines, flat commercial color, and Ben-Day dot structure—into a crisp, iconic composition that reimagines everyday consumer imagery with graphic intensity and conceptual clarity. Executed as a silkscreen on Mylar over Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Roy Lichtenstein (1923–1997) Title: Sandwich and Soda, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mylar over Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Corlett, Mary Lee, and Roy Lichtenstein. The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948–1997. 2nd rev. ed., Hudson Hills Press in association with the National Gallery of Art, Washington, D.C.; Distributed in the U.S. by National Book Network, 2002, No. 35. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Roy Lichtenstein (1923–1997) was an American painter, printmaker, and sculptor whose revolutionary elevation of comic-book graphics, Ben-Day dots, commercial illustration, and mass-media visual language into the realm of fine art made him one of the founding giants of Pop Art, drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray to synthesize Cubist fragmentation, Surrealist wit, Modernist experimentation, and Duchampian conceptualism into an unmistakable style defined by bold outlines, flat industrial color, graphic reduction, and the now-iconic Ben-Day dot technique; emerging in the 1960s alongside Andy Warhol, Claes Oldenburg, James Rosenquist, Jasper Johns, and Robert Rauschenberg, Lichtenstein shifted American art away from Abstract Expressionism toward a cool, analytical investigation of consumer culture, mass reproduction, advertising, and the manufactured image, creating paintings, prints, sculptures, and monumental public works that reimagined romance comics, war scenes, cartoons, brushstroke parodies, landscapes, and art-historical citations while offering a humorous yet incisive commentary on how images shape contemporary life; his influence is immense, shaping artists such as Jeff Koons, Takashi Murakami, Damien Hirst, Julian Opie, KAWS, Banksy, and numerous contemporary painters, designers, fashion houses, and digital creators, while his works are held in major institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Art Institute of Chicago, the National Gallery of Art, Tate, Centre Pompidou, SFMOMA, the Hirshhorn Museum and Sculpture Garden, and LACMA, with his highest auction record achieved when Nurse (1964) sold for 95,365,000 USD at Christie's New York on November 9, 2015. Roy Lichtenstein silkscreen...
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1960s Pop Art Still-life Prints

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1920s Realist Landscape Prints

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1970s Contemporary Portrait Prints

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Lithograph

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1980s Impressionist Prints and Multiples

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Located in Fairfield, CT
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1990s Contemporary Figurative Prints

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Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Extracted from the folio, Regar...
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1960s Expressionist Figurative Prints

Materials

Lithograph

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Category

1980s American Realist Portrait Prints

Materials

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Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Judah, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...
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1960s Expressionist Figurative Prints

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