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François Desnoyer
The Lighthouse - Original handsigned lithograph

1965

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Normandy : La Frette sur Seine - Lithograph, Ltd /200
By Albert Marquet
Located in Paris, IDF
Albert MARQUET Normandy : La Frette sur Seine Original lithograph Signed with the artist stamp Numbered / 200 On Arches vellum 45 x 57 cm (c. 18 x 23 in) Excellent condition
Category

Early 20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Mediterranean Landscape - Original Lithograph - Handsigned
By Charles Camoin
Located in Paris, IDF
Charles CAMOIN Mediterranean Landscape, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana vellum 26 x 36 cm (c. 10...
Category

1940s Post-Impressionist Landscape Prints

Materials

Lithograph

Landscape in Provence : The Old House - Original lithograph, Handsigned
By Jules Cavailles
Located in Paris, IDF
Jules CAVAILLES Landscape in Provence : The Old House Original lithograph Handsigned in pencil On vellum 33 x 50 cm (c. 13 x 20 inch) Excellent condition
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

Paris : Seine River and Notre Dame Church - Stone Lithograph
By Henri Rousseau
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) Paris : Seine River and Notre Dame Church Stone lithograph after a painting Printed signature i...
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

Seine River and Boat in Chatou - Lithograph, 1972
By (after) Maurice de Vlaminck
Located in Paris, IDF
Maurice de VLAMINCK (after) Seine River and Boat in Chatou Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent ...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Woods in Chatou - Lithograph, 1972
By Maurice de Vlaminck
Located in Paris, IDF
Maurice de VLAMINCK (after) Woods in Chatou Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent condition
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

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Le Bassin ( A Lithograph from Notre Pain Quotidien)
By Maurice de Vlaminck
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
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Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)
By Maurice de Vlaminck
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
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Le Petit Pont ( A Lithograph from Notre Pain Quotidien)
By Maurice de Vlaminck
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
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Chemin forestier from Notre Pain Quotidien
By (after) Maurice de Vlaminck
Located in Chatsworth, CA
This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...
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1960s Post-Impressionist Landscape Prints

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Sous la neige from Notre Pain Quotidien
By (after) Maurice de Vlaminck
Located in Chatsworth, CA
This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...
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1960s Post-Impressionist Landscape Prints

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Notre Pain Quotidien Portfolio
By Maurice de Vlaminck
Located in Chatsworth, CA
This portfolio, entitled "Notre Pain Quotidien", consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963. These lithographs were printed by Daniel Jacomet and the four pages of typography about the artist were written by Pierre Bouchet. The portfolio begins with a forward written by French author, Georges Duhamel, as well as a justification page and a page of the artwork titles (see below). Each piece from this portfolio is numbered from the edition of 250 on Rives vellum paper, aside the editions numbered from 1 to 50 on Richard de Bas paper, and eleven numbered copies in Roman numerals reserved for the collaborators. The twelve pieces in the portfolio measure 17 x 20 inches and the lithograph on the cover of the portfolio measures 10.25 x 8.75 inches. Please see the artwork titles below: 1. Auto-portrait de l'artiste (located on the cover of the portfolio) 2. Les boutiques 3. Chemin forestier 4. Le bassin 5. Les chalands 6. Fleurs des champs 7. Proletariat 8. Le grand comptoir 9. Route du village 10. Sous la neige 11. Place de l'eglise 12. Le petit pont...
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