
Bloques (Road Block)
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Georges MeunierBloques (Road Block)1905
1905
$450List Price
About the Item
- Creator:Georges Meunier (1869-1942, French)
- Creation Year:1905
- Dimensions:Height: 13 in (33.02 cm)Width: 19.63 in (49.87 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA124041stDibs: LU14012309522
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By Henri Riviere
Located in Fairlawn, OH
Cover illustration for Die Graphischen Kunste, Volume 22
Color lithograph, 1899
Signed with the artist's initials lower center (see photo)
From: The Graphic Arts, Volume 22, 1899
...
Category
1890s Art Nouveau Landscape Prints
Materials
Lithograph
Bloques (Road Block)
By Georges Meunier
Located in Fairlawn, OH
Bloques (Road Block)
Color lithograph, 1905
Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo)
Edition: 100, first edition (33/100)
Publ...
Category
Early 1900s Art Nouveau Landscape Prints
Materials
Lithograph
La Pointe de Bretteville
By Paul Berthon
Located in Fairlawn, OH
La Pointe de Bretteville
Color lithograph, 1899
Signed in the stone upper right
Publisher: Sagot, Paris
Edition: Edition: about 200 (per Arwas)
References And Exhibitions:
Arwas 33 2...
Category
1890s Art Nouveau Landscape Prints
Materials
Lithograph
A L'Ombre (In Shadow)
By Louis Legrand
Located in Fairlawn, OH
A L'Ombre (In Shadow)
Etching & drypoint, 1905
Signed with the red stamp of the publisher Pellet (see photo)
Edition: 50 on velin paper, signed and numbered
Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193)
Condition: Excellent
Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.)
Sheet size: 11 5/8 x 17 1/8"
Reference: IFF 119
Exteens 229
Arwas 256 v/V
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Early 1900s Art Nouveau Landscape Prints
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Central Park Night
By Adolf Dehn
Located in Fairlawn, OH
Central Park Night
Lithograph, 1946
Signed and dated lower right (see photo)
Titled, lower center
Number lower left (see photo)
Edition: 40, plus trial proofs (23/40)
This image depi...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
City Park, Winter
By Aaron Bohrod
Located in Fairlawn, OH
City Park, Winter
Lithograph, c. 1947
Signed in pencil lower right (see photo)
Published by Associated American Artists
Printed by George C. Miller, New York
Edition: c. 250
In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931).
Condition: Excellent
Image size: 9 1/4 x 13 7/16 inches
Frame size: 19 x 23 inches
Provenance: Estate of Adolf Dehn
Reference: AAA Index No. 848
Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings.
Education
Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings.
Career
He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...
Category
1940s American Realist Landscape Prints
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